Extremely standard Joseon era drama . . .
All the elements are there: cross-dressing, evil ministers, comedic servants, hinted at love triangle, spunky woman heroine . . . and nothing else. At the 10th episode, we are where we were at the end of episode 2. We have literally no new major plot elements or character developments.
I am disappointed as Park Hyung-sik was excellent in Happiness and Strong Girl Bong Soon and stellar in Soundtrack#1, but here the restraint of the Joseon era seems to knock down his charisma a fair amount. He can't seem to do the 'beneath the calm water lies strong emotion' acting here, even though he's done it well in modern settings.
The drama is well produced - it's almost like they invested in the actors, production, etc. and then decided the plot and character development did not matter all too much. If you are a big fan of the genre, you may like this to pass the time, but I couldn't stick with it.
All the elements are there: cross-dressing, evil ministers, comedic servants, hinted at love triangle, spunky woman heroine . . . and nothing else. At the 10th episode, we are where we were at the end of episode 2. We have literally no new major plot elements or character developments.
I am disappointed as Park Hyung-sik was excellent in Happiness and Strong Girl Bong Soon and stellar in Soundtrack#1, but here the restraint of the Joseon era seems to knock down his charisma a fair amount. He can't seem to do the 'beneath the calm water lies strong emotion' acting here, even though he's done it well in modern settings.
The drama is well produced - it's almost like they invested in the actors, production, etc. and then decided the plot and character development did not matter all too much. If you are a big fan of the genre, you may like this to pass the time, but I couldn't stick with it.
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