As a sociologist and someone from a country that went through two dictatorships, Youth of May, a drama that addresses one of the most tragic moments in South Korean history (which took place during a dictatorial period, it is important to emphasize) caught my attention.

I usually believe that art in general, including dramas, has a social function, which is to remember, even what we most want to forget, because even what causes us sadness is part of the stories we experience and it is of course, the stories that make up a country and its people.

And in Youth of May it is possible to identify this effort to revive the collective memory, mixing fictional aspects and others that go back to the often cruel reality. For, against the background of the Gwangju massacre, Youth of May portrays the multiple deaths that can be experienced in traumatic events.

"Death" does not always refer to the body, but to dreams that are not lived, hopes that are dashed and reputations destroyed. Making you question what it means to live? Is a person who has given up on their dreams alive in some way or is they dying with each passing day?

That's the question I asked myself when I was introduced to the protagonists, especially Myung Hee who, for various reasons, is forced to give up her own future until finally the opportunity to leave for another place arises. But what to do, when meeting Hwang Hee Tae, our male protagonist, she finally decides to live...

Giving up a "fair" path that allowed her to live securely in sacrifice of her own happiness, Myung Hee experiences love, fear, self-pity, while questioning herself and her own values. Feelings that are interesting, as the protagonist starts to question herself and her choices, while she sees the self-control she had slip through her hands, replaced by the possibility of living a love...

Already with Hwang Hee Tae we learn somehow about remorse, about autonomy and responsibility and, in a way, submission, while he is willing to exchange his own future for the possibility of saving someone from the past, aspiration ruined for an "exchange" , who made him meet Myung Hee on a blind date. He who was willing to give up on himself found a reason not to abandon himself...

It is from this exchange that Hwang Hee Tae and Kim Myung Hee live their love, intensified by the almost instantaneous attraction and historical moment they were experiencing, as well as by the networks of relationships that tied them to a reality that cannot be defined in any way. positive. After all, the use of repression against the innocent will never cease to be regrettable.

The relationship created between the historical event, the novel presented and the other relationships demonstrated allows us to think about abstract concepts such as justice, injustice, insurgency, freedom and the false feeling of being free, as in the case of Soo Ryeon and Soo Chan's family, our secondary characters. Being Soo Chan awakened from his illusion in the final part of the work.

It is noteworthy that this symbiotic relationship (dramatized historical event + romance + family) also allows us to think about how hard reality can be. Because, through the characters, it was possible, at least for me, to somehow establish a connection with the feelings evoked and delve a little deeper into the presented historical fact.

It's as if somehow it was possible to bring, with the plot presented, an understanding even if shallow of the difficulties of those who did not have their stories told. I wonder if I'm traveling, but I got this feeling while wandering.

And finally, with the sum of the novel, with the representations (which still do not represent the full complexity of such violence) accompanied by worthy performances, the doors are opened to seek to know a little more about the true Youth of may.