3
2
Salatheel
A promising fledgling trapped in a cage of romance tropes.
This drama was a pleasant surprise that exceeded my admittedly low expectations. There was a straightforwardness and believability about the writing, and the delivery of the lines by the central leads, Im Si Won and Shin Se Kyung, that enhanced the reality of the story. The attitude of the FL was credible given her background. She was written with some depth to her, unusual in romance dramas. The pressures and considerations around her profession as a translator were well illustrated and interesting. I must admit that I’m pretty hopeless at learning languages but I do have an appreciation of how a language shapes your world. After all, you can only know that you experience things that you have words for.
The serious nature of the topic under discussion at the start was well treated, with echoes of DP, another drama that explores institutionalised bullying. The ML had some of the expected personality traits: cold, unresponsive etc, but he was given a credible reason for them in his background. The drama did a reasonable job of showing us the steps of his transformation without completely turning our frog into a prince charming.
The characters of the leads were non-standard for romance and they were well fleshed out and believable. With two unconventional and interesting leads one wonders whether it was necessary to have such a prominent secondary couple. The mood of the drama was more akin to “I’ll see you when the weather is fine” or “Just between lovers”, both of which emphasised the primary romance, with less than usual time given to the secondary one. We really needed to spend more time with our main couple to understand the subtleties of their interactions with each other. Sometimes the time lines were twisted and there was an inexplicable reaction happening before the motivation that explained it, which was confusing and unnecessary.
According to kdrama tweets on Twitter, (https://twitter.com/iconickdramas/status/1347390682848129025?lang=en) this is Park Shi Hyun’s first outing as a lead writer, having been an assistant writer to Kim Eun Sook who wrote “Goblin”, “Descendants of the Sun” and “Mr Sunshine”. If this is the case, Park is definitely to be commended and encouraged because it shows promise and it’s faults can at least be understood if not forgiven.
Having mentioned faults, let’s go there and explore them. I think that one source of the problem as far as I’m concerned was trying to fit a non-standard romance into a standard formula with a standard treatment. In the process the subtlety was trashed and a great deal was lost in translation. The natural flow of the story seemed to be forced in some places and stifled in others by the rigid application of standard romance tropes and editing choices. The relationship between the two leads was forced. The writer hardly gave it time to develop before pulling it apart on cue which seemed totally inappropriate for this drama. As far as I’m concerned, in order to reveal the natural development of the characters it needed it’s own non-standard form. In particular, the episodes around two thirds of the way through lacked character integrity for me.
Unfortunately we were treated to the tedious long frozen gazes that seem to plague romance dramas. Sorry, but I’m so over that style of directing and editing. I find it unnatural, weird and incredibly dated. You know that very soon it will identify an era that was very OTT and laughable. In fact it seems like that to me right now. I imagine that it is all about live broadcasting, allowing viewers to have long lingering hot-shots of their favourite crushes. But this was a Netflix series, watched on-line where you can freeze the frame yourself and gush in the privacy of your own bedroom (or whatever you want to do…). So why?
I felt that Park Shi Hyun wanted to write something different and was being constrained by outside forces to conform to a norm. The result was a strangely unsettling experience full of cliched romance production values and lip bump kisses. It really had the potential to be so much better than that.
What my rating means: 6+ Some aspects of it were OK but it had serious flaws. It will pass the time but you can find something better.
The serious nature of the topic under discussion at the start was well treated, with echoes of DP, another drama that explores institutionalised bullying. The ML had some of the expected personality traits: cold, unresponsive etc, but he was given a credible reason for them in his background. The drama did a reasonable job of showing us the steps of his transformation without completely turning our frog into a prince charming.
The characters of the leads were non-standard for romance and they were well fleshed out and believable. With two unconventional and interesting leads one wonders whether it was necessary to have such a prominent secondary couple. The mood of the drama was more akin to “I’ll see you when the weather is fine” or “Just between lovers”, both of which emphasised the primary romance, with less than usual time given to the secondary one. We really needed to spend more time with our main couple to understand the subtleties of their interactions with each other. Sometimes the time lines were twisted and there was an inexplicable reaction happening before the motivation that explained it, which was confusing and unnecessary.
According to kdrama tweets on Twitter, (https://twitter.com/iconickdramas/status/1347390682848129025?lang=en) this is Park Shi Hyun’s first outing as a lead writer, having been an assistant writer to Kim Eun Sook who wrote “Goblin”, “Descendants of the Sun” and “Mr Sunshine”. If this is the case, Park is definitely to be commended and encouraged because it shows promise and it’s faults can at least be understood if not forgiven.
Having mentioned faults, let’s go there and explore them. I think that one source of the problem as far as I’m concerned was trying to fit a non-standard romance into a standard formula with a standard treatment. In the process the subtlety was trashed and a great deal was lost in translation. The natural flow of the story seemed to be forced in some places and stifled in others by the rigid application of standard romance tropes and editing choices. The relationship between the two leads was forced. The writer hardly gave it time to develop before pulling it apart on cue which seemed totally inappropriate for this drama. As far as I’m concerned, in order to reveal the natural development of the characters it needed it’s own non-standard form. In particular, the episodes around two thirds of the way through lacked character integrity for me.
Unfortunately we were treated to the tedious long frozen gazes that seem to plague romance dramas. Sorry, but I’m so over that style of directing and editing. I find it unnatural, weird and incredibly dated. You know that very soon it will identify an era that was very OTT and laughable. In fact it seems like that to me right now. I imagine that it is all about live broadcasting, allowing viewers to have long lingering hot-shots of their favourite crushes. But this was a Netflix series, watched on-line where you can freeze the frame yourself and gush in the privacy of your own bedroom (or whatever you want to do…). So why?
I felt that Park Shi Hyun wanted to write something different and was being constrained by outside forces to conform to a norm. The result was a strangely unsettling experience full of cliched romance production values and lip bump kisses. It really had the potential to be so much better than that.
What my rating means: 6+ Some aspects of it were OK but it had serious flaws. It will pass the time but you can find something better.
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