3
2
Salatheel
A cyclone disaster area
I’ve just struggled through a public education broadcast on behalf of the Korean Meteorological Administration with a driving snowstorm plot and a dreary fog romance. And to be frank I deserve an endurance medal. Right from the opening credits the beige-through-brown colour palette screamed mediocrity and to give it credit, it advertised itself correctly, even down to the sickly sweet soundtrack. Don’t be deceived by its listing on Netflix as a “Charming, Romantic, Comedy”, it’s not.
The main problem was that everything was sacrificed to a dominant plot structure that drove the action and permitted no deviation. I felt as though I was on a tourist bus with a punishing schedule—and on your left… now on your right… no time to stop, move on, move on… I was stepped through the paces at a rate that ensured I skimmed the surface and had no time to stop and investigate the depth. Then, at the end, the plot just sort of drizzled and fizzled out leaving a last episode full of slushy melting snow.
The sacrificial lamb for this plot-centric drama was any sort of credibility. The inflexible structure required all couples to be in step with each new twist which meant they were pushed through emotional hoops with no believable motivation and the whole thing reached a ludicrous, eye-rolling climax in episode 13 and went downhill from there. Neither of the main couples had any sense of relationship, all behaved self-centredly and took staggering, unrealistic, unilateral decisions without any prior discussion. The characters changed direction at the drop of a hat and I lurched along with them in increasing disbelief and incredulity. The result was not mature adults dealing with complex relationship issues but volatile, petulant teenagers throwing temper tantrums and fits of the sulks. But this is not a story pitched at a young audience. It is talking to an older audience that will either be married or thinking about it. In which case, some sort of approximation to reality and maturity are sort of essential.
There was a great deal of out-of-character dialogue and far too many unbelievable situations and artificially manufactured crises. If they were all to try and illustrate a theme, I’m afraid I missed the point, because the messages were confusing and random. Although there were interesting ideas surrounding relationships and marriage to be explored there was no discernible coherence.
The storyboard and editing was confused with multiple unnecessary time jumps, presumably to try and create some tension. The whole of episode 11, for instance, was a cyclone disaster area that ended in the same place as it began after whirling through a series of haphazard time shifts and an inexplicable tour of the local zoo. I was left with a sense that I had walked in a circle and gained nothing.
Unfortunately, one of the problems of office centred dramas is the difficulty in providing visual stimulation. Flat and stilted scenes with static positioning of actors delivering their lines, didn’t help with the dense dialogue. There was little to stimulate the senses or provide kinetic energy. Even the camera angles and lighting were unimaginative. It’s a director’s responsibility to think of innovative ways to keep viewing interest and the direction by Cha Young Hoon was at fault. He is a very experienced director, but he made a dog’s breakfast of this series.
The actors tried hard with the lacklustre script they were given. The most convincing of the scenarios, both in terms of the writing and the acting, was the one between Lee Sung Wook and Jang So Yeon as the older married couple. They both put in a credible and mature performance.
The weakest performances were the main couple. Song Kang was not particularly convincing in the role and looked uncomfortable. Park Min Young started strongly but didn’t go anywhere and the fixed expression on her face became wearisome. And their chemistry was less than convincing.
There was some nice (damned by faint praise) cinematography, but given the opportunity to film the weather they could have done much more with it.
As for it being a comedy, I don’t remember laughing but I do remember curling up in sympathetic embarrassment for the actors having to act the script.
On the vaguely positive side… I learned a lot about weather forecasting.
Overall this was an incoherent mess. A superficial look at marriage and relationships that merely spouted clichés whilst scratching at the surface. It was a very disappointing performance from the writer Eun Kyung, who made a much better job of “Dr Romantic”. If you want a more cohesive exploration of issues surrounding marriage, with a shower of humour and some sunny romance, then try “Because this is my first life”.
What my rating means: 4+ I forced myself to go through to the end of it, but only because I was committed to writing the review. It annoyed the hell out of me. Actively avoid.
The main problem was that everything was sacrificed to a dominant plot structure that drove the action and permitted no deviation. I felt as though I was on a tourist bus with a punishing schedule—and on your left… now on your right… no time to stop, move on, move on… I was stepped through the paces at a rate that ensured I skimmed the surface and had no time to stop and investigate the depth. Then, at the end, the plot just sort of drizzled and fizzled out leaving a last episode full of slushy melting snow.
The sacrificial lamb for this plot-centric drama was any sort of credibility. The inflexible structure required all couples to be in step with each new twist which meant they were pushed through emotional hoops with no believable motivation and the whole thing reached a ludicrous, eye-rolling climax in episode 13 and went downhill from there. Neither of the main couples had any sense of relationship, all behaved self-centredly and took staggering, unrealistic, unilateral decisions without any prior discussion. The characters changed direction at the drop of a hat and I lurched along with them in increasing disbelief and incredulity. The result was not mature adults dealing with complex relationship issues but volatile, petulant teenagers throwing temper tantrums and fits of the sulks. But this is not a story pitched at a young audience. It is talking to an older audience that will either be married or thinking about it. In which case, some sort of approximation to reality and maturity are sort of essential.
There was a great deal of out-of-character dialogue and far too many unbelievable situations and artificially manufactured crises. If they were all to try and illustrate a theme, I’m afraid I missed the point, because the messages were confusing and random. Although there were interesting ideas surrounding relationships and marriage to be explored there was no discernible coherence.
The storyboard and editing was confused with multiple unnecessary time jumps, presumably to try and create some tension. The whole of episode 11, for instance, was a cyclone disaster area that ended in the same place as it began after whirling through a series of haphazard time shifts and an inexplicable tour of the local zoo. I was left with a sense that I had walked in a circle and gained nothing.
Unfortunately, one of the problems of office centred dramas is the difficulty in providing visual stimulation. Flat and stilted scenes with static positioning of actors delivering their lines, didn’t help with the dense dialogue. There was little to stimulate the senses or provide kinetic energy. Even the camera angles and lighting were unimaginative. It’s a director’s responsibility to think of innovative ways to keep viewing interest and the direction by Cha Young Hoon was at fault. He is a very experienced director, but he made a dog’s breakfast of this series.
The actors tried hard with the lacklustre script they were given. The most convincing of the scenarios, both in terms of the writing and the acting, was the one between Lee Sung Wook and Jang So Yeon as the older married couple. They both put in a credible and mature performance.
The weakest performances were the main couple. Song Kang was not particularly convincing in the role and looked uncomfortable. Park Min Young started strongly but didn’t go anywhere and the fixed expression on her face became wearisome. And their chemistry was less than convincing.
There was some nice (damned by faint praise) cinematography, but given the opportunity to film the weather they could have done much more with it.
As for it being a comedy, I don’t remember laughing but I do remember curling up in sympathetic embarrassment for the actors having to act the script.
On the vaguely positive side… I learned a lot about weather forecasting.
Overall this was an incoherent mess. A superficial look at marriage and relationships that merely spouted clichés whilst scratching at the surface. It was a very disappointing performance from the writer Eun Kyung, who made a much better job of “Dr Romantic”. If you want a more cohesive exploration of issues surrounding marriage, with a shower of humour and some sunny romance, then try “Because this is my first life”.
What my rating means: 4+ I forced myself to go through to the end of it, but only because I was committed to writing the review. It annoyed the hell out of me. Actively avoid.
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