3
2
Salatheel
The reality of hope. A deeply compassionate drama.
Both writer (Park Hae Young) and director (Kim Seok Yoon) know how to create sensitive dramas built around pathos, but with a cutting edge. Kim directed “The Light in Your Eyes” and Park penned the class act that is “My Mister”. You can imagine what you will be getting, and they deliver on it—in spades.
At the start there is little to attract in the main characters. They are all struggling to find any sort of meaning in soul-destroying lives that are dominated by a long and exhausting commute to the city from their countryside home. But this writer has a beautiful knack of taking that ordinary exterior and peeling away the layers to reach the vulnerability and struggling humanity within. And by the end of episode 2 you are totally captivated by these self-scored 20/100 characters. Add to that a director and cinematographer who know how to capture the smallest twitch of a muscle in a face and make it speak volumes. And actors like Kim Ji Won and particularly Son Seok Koo, who can work with them to reveal the interior life of a character without words.
As with “My Mister” the raw material at the heart of this drama is family and the unfathomable glue that holds it together despite difference, ambivalence and natural preferences. Essentially they are characters weighed down with who they are, wishing they were something else, ignorant of how to change but trying to work out how to make things different. They are trapped and struggling to emerge, like butterflies, from chrysalises of painfully low self-esteem, guilt and negative thinking. If this doesn’t sound like an attractive proposition, it is the skill and wonder of the whole production to make it compulsive viewing. Each of the characters draws you to themselves and touches your compassion as they struggle towards the elusive future that beckons them.
The plot meanders through their realisations and lurches along with them. In the main it works but occasionally loses its way, particularly later on when time hopping causes inevitable fragmentation. I was not convinced that this disordering of time to create tension was strictly necessary as the depth of the characterisations are sufficient to carry you through. However, imo, it would be counter-productive to enforce a regular development on a drama that is essentially exploring the vagaries of the human psyche with all its winding roads, u-turns and blind alleys. The unevenness of it creates the overall mood and ambience of the drama and reflects the stop-go nature of real life.
The drama features the standard three leads and their relationships; but this is not a standard romance drama. Relationship itself is the focal point, not the falling in love. Essentially it examines how we can approach and be with each other whilst still retaining ourselves. And suggests that the only way we can live with both ourselves and with others is by being honest and taking the hit for doing so, as we work towards self-acceptance and self-understanding. Ultimately it is upbeat, but open ended.
There are no generic characters here. Each one, even the minor players, has been carefully created and presented with depth and there are some wonderful observational details and cameo performances.
Lee Min Ki does such a great job with the character arc of the irrepressible, oblivious and impulsive Chang Hee. His confusion and lumbering realisations are beautifully portrayed and provide a flicker of humour darting through the shadows. How can you not fall in love with him? Especially over the car!
I have an affinity with Yeon Mi Jung and the things she prayed about as a child. The character is played elusively by Kim Ji Won who manages to capture the enigmatic exterior that hides the depth and singularity of her character’s thinking and perceptions. You are always waiting expectantly for what left-field thing will emerge from her mouth. Occasionally the script can feel a little pretentious and self-conscious, but it is mainly because the writer is wanting to explore non-intuitive ideas and trains of thought. If there is a reason to rewatch the series, then I think Mi Jung is it. A second time round, understanding the character arc, would illuminate much of her early actions and responses.
Perhaps the most vulnerable of the three is Yeon Ki Jung, portrayed with empathy by Lee El, who manages to undermine herself at every turn and perhaps elicits the broadest spectrum of responses from both the viewer and the other characters, from exasperation to total compassion.
The interloper into the family is played convincingly by Son Seok Koo who manages to capture the multi-facets of Gu Ja Gyeong from brooding to awkward to nasty to vulnerable. The character and his background provide a disturbing contrast to the rest of the drama and sometimes jarred for me. If there is any flaw in the credibility it comes with the ending for this character. But his time on screen is compulsive viewing and many of the scenes between him and Kim Ji Won are very special, full of nuanced, silent communication and unspoken feelings from both of them.
The cinematography and editing has more the feel of a film to it, as though the camera is just a neutral observer hanging around and we see the action though those non-judgemental eyes. It lingers on contemplative faces and reveals hidden depths. In many ways the whole drama doesn’t criticise or condemn, but tries to simply observe. And in that observation there is the balance and compassion that colours the whole production. Nothing is too polished or self conscious. It draws you in and places you firmly in the action as a participant in this slice of life. Beautifully done.
There is also a very restrained use of a soundtrack, so that often it is the silence that holds you in the moment with the character. There is a lot of simple piano music, ethereal voices and soulful songs, which have been carefully chosen to highlight the mood. Did I catch “So Tender” by Say Sue Me from “Nevertheless” in Ep 11 at 47’, playing in the cafe scene between Yeon Ki Jung and Jo Tae Hoon. I think I heard it earlier with regard to this couple as well.
This was a special drama for me and goes straight onto my personally recommended list.
What my rating means: 9+ A drama I totally fell in love with and is endlessly re-watchable. It ticked all the boxes and had some serious wow factor. It would go on my personally recommended list.
At the start there is little to attract in the main characters. They are all struggling to find any sort of meaning in soul-destroying lives that are dominated by a long and exhausting commute to the city from their countryside home. But this writer has a beautiful knack of taking that ordinary exterior and peeling away the layers to reach the vulnerability and struggling humanity within. And by the end of episode 2 you are totally captivated by these self-scored 20/100 characters. Add to that a director and cinematographer who know how to capture the smallest twitch of a muscle in a face and make it speak volumes. And actors like Kim Ji Won and particularly Son Seok Koo, who can work with them to reveal the interior life of a character without words.
As with “My Mister” the raw material at the heart of this drama is family and the unfathomable glue that holds it together despite difference, ambivalence and natural preferences. Essentially they are characters weighed down with who they are, wishing they were something else, ignorant of how to change but trying to work out how to make things different. They are trapped and struggling to emerge, like butterflies, from chrysalises of painfully low self-esteem, guilt and negative thinking. If this doesn’t sound like an attractive proposition, it is the skill and wonder of the whole production to make it compulsive viewing. Each of the characters draws you to themselves and touches your compassion as they struggle towards the elusive future that beckons them.
The plot meanders through their realisations and lurches along with them. In the main it works but occasionally loses its way, particularly later on when time hopping causes inevitable fragmentation. I was not convinced that this disordering of time to create tension was strictly necessary as the depth of the characterisations are sufficient to carry you through. However, imo, it would be counter-productive to enforce a regular development on a drama that is essentially exploring the vagaries of the human psyche with all its winding roads, u-turns and blind alleys. The unevenness of it creates the overall mood and ambience of the drama and reflects the stop-go nature of real life.
The drama features the standard three leads and their relationships; but this is not a standard romance drama. Relationship itself is the focal point, not the falling in love. Essentially it examines how we can approach and be with each other whilst still retaining ourselves. And suggests that the only way we can live with both ourselves and with others is by being honest and taking the hit for doing so, as we work towards self-acceptance and self-understanding. Ultimately it is upbeat, but open ended.
There are no generic characters here. Each one, even the minor players, has been carefully created and presented with depth and there are some wonderful observational details and cameo performances.
Lee Min Ki does such a great job with the character arc of the irrepressible, oblivious and impulsive Chang Hee. His confusion and lumbering realisations are beautifully portrayed and provide a flicker of humour darting through the shadows. How can you not fall in love with him? Especially over the car!
I have an affinity with Yeon Mi Jung and the things she prayed about as a child. The character is played elusively by Kim Ji Won who manages to capture the enigmatic exterior that hides the depth and singularity of her character’s thinking and perceptions. You are always waiting expectantly for what left-field thing will emerge from her mouth. Occasionally the script can feel a little pretentious and self-conscious, but it is mainly because the writer is wanting to explore non-intuitive ideas and trains of thought. If there is a reason to rewatch the series, then I think Mi Jung is it. A second time round, understanding the character arc, would illuminate much of her early actions and responses.
Perhaps the most vulnerable of the three is Yeon Ki Jung, portrayed with empathy by Lee El, who manages to undermine herself at every turn and perhaps elicits the broadest spectrum of responses from both the viewer and the other characters, from exasperation to total compassion.
The interloper into the family is played convincingly by Son Seok Koo who manages to capture the multi-facets of Gu Ja Gyeong from brooding to awkward to nasty to vulnerable. The character and his background provide a disturbing contrast to the rest of the drama and sometimes jarred for me. If there is any flaw in the credibility it comes with the ending for this character. But his time on screen is compulsive viewing and many of the scenes between him and Kim Ji Won are very special, full of nuanced, silent communication and unspoken feelings from both of them.
The cinematography and editing has more the feel of a film to it, as though the camera is just a neutral observer hanging around and we see the action though those non-judgemental eyes. It lingers on contemplative faces and reveals hidden depths. In many ways the whole drama doesn’t criticise or condemn, but tries to simply observe. And in that observation there is the balance and compassion that colours the whole production. Nothing is too polished or self conscious. It draws you in and places you firmly in the action as a participant in this slice of life. Beautifully done.
There is also a very restrained use of a soundtrack, so that often it is the silence that holds you in the moment with the character. There is a lot of simple piano music, ethereal voices and soulful songs, which have been carefully chosen to highlight the mood. Did I catch “So Tender” by Say Sue Me from “Nevertheless” in Ep 11 at 47’, playing in the cafe scene between Yeon Ki Jung and Jo Tae Hoon. I think I heard it earlier with regard to this couple as well.
This was a special drama for me and goes straight onto my personally recommended list.
What my rating means: 9+ A drama I totally fell in love with and is endlessly re-watchable. It ticked all the boxes and had some serious wow factor. It would go on my personally recommended list.
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