3
2
Salatheel
Gone with the Wind, My Dearest…
It’s worth noting that the genre tags on MDL are historical, romance, drama, melodrama and not comedy, because even though the start has all the hallmarks of a romcom, as it progresses it gets a great deal more serious. I didn’t find the transition in Episode 4 altogether convincing and that is probably because the contrast in tone and overall production style between the start and what was to come is so marked that I couldn’t reconcile them. By the end, the impression was that I had watched two different dramas. Yes I do get that the writer wanted a contrast between peace and war, but for me, the frivolous approach to the opening didn’t lay a credible foundation for what was to come.
There is now a well established practice of sugar-coating a 21C story with pretty costumes and sets borrowed from an earlier era and dumping all the inconvenient things like the contemporaneous social rules and attitudes. The opening three episodes of this production sit very squarely in that camp. The costumes and sets are far too rich, clean and bright for the period and the social interactions are so far from the 17C that they had to script a line about how this village had lax attitudes to contact between men and women.
The story then transitions into sweeping epic mode and does a very creditable job of fulfilling the demands of flawed characters, poisoned chalices and lesser of two evils choices. At heart it is a love story and the character development of the two lead characters is the thread that binds it all together. This first part focuses more on how war and difficulty transforms our heroine from petulant, manipulative teenager to a strong and capable woman. And I suspect that the second half will focus on the male protagonist whose character also needs to grow somewhat.
The plot surrounding this love story is the politics of the time, which is given a creditable depth with a side serving of weeping melo. My gripe, which is not overly huge, is that the love story and the politics were not quite enmeshed enough for me. As a result it felt a little fragmented. The male protagonist was half-heartedly twisted into the political plot, which was correct for his character, but not helpful for overall cohesion.
I did enjoy the range of characters which offered the actors a chance to get their teeth into them with varying degrees of success. Namkoong Min can be smooth, slippery and enticing anywhere, and I think that Ahn Yun Jin stepped up to the plate with the later episodes, but her performance was a little patchy in places. Perhaps because of the irreconcilable styles I mentioned earlier. Another notable performance for me was Choi Young Woo as the barbarian general.
The music was a mixed bag. I liked the opening sequence, the low camera angle, the muted tones and the silence followed by strains of music that had echoes of history in it. But we soon graduated to the hackneyed swelling strings and a full-on Kolly-Bollywood dance. In general, the music disappointed. The introduction to the unsurpassable singer (Ryang Eum) in the story just felt ordinary to me, although later instances were more convincing. There were however, some good OST ballads, mostly used for the ending credits.
Overall, it would be churlish to call this production average. What stops it from being exceptional is the uneven writing that created a somewhat bumpy ride. However, it was good enough for me to want to embark on part 2 when it arrives.
There is now a well established practice of sugar-coating a 21C story with pretty costumes and sets borrowed from an earlier era and dumping all the inconvenient things like the contemporaneous social rules and attitudes. The opening three episodes of this production sit very squarely in that camp. The costumes and sets are far too rich, clean and bright for the period and the social interactions are so far from the 17C that they had to script a line about how this village had lax attitudes to contact between men and women.
The story then transitions into sweeping epic mode and does a very creditable job of fulfilling the demands of flawed characters, poisoned chalices and lesser of two evils choices. At heart it is a love story and the character development of the two lead characters is the thread that binds it all together. This first part focuses more on how war and difficulty transforms our heroine from petulant, manipulative teenager to a strong and capable woman. And I suspect that the second half will focus on the male protagonist whose character also needs to grow somewhat.
The plot surrounding this love story is the politics of the time, which is given a creditable depth with a side serving of weeping melo. My gripe, which is not overly huge, is that the love story and the politics were not quite enmeshed enough for me. As a result it felt a little fragmented. The male protagonist was half-heartedly twisted into the political plot, which was correct for his character, but not helpful for overall cohesion.
I did enjoy the range of characters which offered the actors a chance to get their teeth into them with varying degrees of success. Namkoong Min can be smooth, slippery and enticing anywhere, and I think that Ahn Yun Jin stepped up to the plate with the later episodes, but her performance was a little patchy in places. Perhaps because of the irreconcilable styles I mentioned earlier. Another notable performance for me was Choi Young Woo as the barbarian general.
The music was a mixed bag. I liked the opening sequence, the low camera angle, the muted tones and the silence followed by strains of music that had echoes of history in it. But we soon graduated to the hackneyed swelling strings and a full-on Kolly-Bollywood dance. In general, the music disappointed. The introduction to the unsurpassable singer (Ryang Eum) in the story just felt ordinary to me, although later instances were more convincing. There were however, some good OST ballads, mostly used for the ending credits.
Overall, it would be churlish to call this production average. What stops it from being exceptional is the uneven writing that created a somewhat bumpy ride. However, it was good enough for me to want to embark on part 2 when it arrives.
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