3
2
Salatheel
A drama with potential, let down by lack of finesse.
The writer, Noh Ji Sul, penned the full-on, tear-stained melo, Scent of a Woman and also 100 Days My Prince (which I haven’t seen). Here we have out and out romcom for the first half and melo-drama for the last part. It’s worth noting that the genre tags are romance and drama, not romcom. It seems she likes extremes and she mixes them here in line with the current trend of fudging genres.
Being used to fixed genres it can sit uncomfortably when they are blended. A great deal of viewer enjoyment comes from having expectations fulfilled. When they are not the viewer is pulled out of the world of the story to deal with their own reactions. You can see it reflected in the comments section for this show. However, in the constant search for something new and different I can see this trend continuing and no doubt we will all adjust our expectations accordingly.
This story is set in two different time periods but the movement between them is somewhat random. Sometimes there are links via dreams, other times were are just catapulted back, which felt disjointed. Some visual/cinematic clues would have gone a long way to smooth the jumps and wouldn’t have been hard to implement. Just part of the overall lack of finesse I mentioned in the subject line.
Even in the present, the timeline was repeatedly twisted up. Once or twice will have the desired effect of increasing tension, but when used too much, you know you are being manipulated and it becomes annoying.
The plot in the past could have occupied a whole drama in itself but was rushed through. I felt the balance in the overall story was off, particularly as I spent the first five episodes twiddling my thumbs in the present time waiting for something to happen. If the writer, and later, the director/editor had decided on a more even weight and distribution throughout between past and present it would have woven a better and more compelling story.
I was puzzled in the first two thirds of the show why they should like each other at all. There were very few interactions that could build attraction and yet all of a sudden there was undying love. Later on the chemistry really worked and drew me in, becoming much more believable. But the viewer needed more ground to stand on early in the piece to give it credibility and a more clever weaving in of the backstory would have solved the problem.
The opening episodes are really at a romcom level, and the action is highly exaggerated to suit that type of presentation. But it does tend to undermine the credibility of the emotions to the point that I felt character integrity was being sacrificed for the sake of a joke. Whereas at the end credibility was sacrificed for a somewhat ridiculous stalker plot.
Rowoon has been very busy in some top-rated dramas in the last few years and he’s not stopping. Is he more than a pretty face? Well he does a decent job here, although his perfect good looks need to be ruffled a little more to really convince. I liked Jo Bo Ah’s performance better, and she is also an actor on the rise with some noteworthy performances on her CV.
In supporting roles, Park Kyung Hye gave a brilliant comedic performance as the desperate Son Sae Byeol, deliciously contorting her face like a slapped arse for most of the time. And Hyun Bong Sik oozed as the slightly sleazy manager Gong Seo Gu.
The cinematography in the historical section is beautifully done, with great use of colour and contrast. There’s some traditional fireworks and those scenes were very beautiful. I’d really love to see those myself - one for the bucket list…
What’s the line between accepted notation and cliché? Is it a matter of viewer perception? For me the accepted notations, such as flickering lights meaning spooky etc, were just too frequent not to fall into tired cliché. There was a distinct lack of imagination and freshness in dealing with the supernatural aspects which really should be laid at the door of the director. As far as the script goes, there’s not a lot of subtlety. It gets the job done rather than looking for novelty. You won’t have to read between any lines here.
Finally, it really isn’t hard to decide what season a drama takes place in. And here it was all over the place. People wearing shorts at Christmas, everything full green and verdant in the depths of winter. Talking about being cold and then hanging out outside. Just unnecessary, sloppy production.
Being used to fixed genres it can sit uncomfortably when they are blended. A great deal of viewer enjoyment comes from having expectations fulfilled. When they are not the viewer is pulled out of the world of the story to deal with their own reactions. You can see it reflected in the comments section for this show. However, in the constant search for something new and different I can see this trend continuing and no doubt we will all adjust our expectations accordingly.
This story is set in two different time periods but the movement between them is somewhat random. Sometimes there are links via dreams, other times were are just catapulted back, which felt disjointed. Some visual/cinematic clues would have gone a long way to smooth the jumps and wouldn’t have been hard to implement. Just part of the overall lack of finesse I mentioned in the subject line.
Even in the present, the timeline was repeatedly twisted up. Once or twice will have the desired effect of increasing tension, but when used too much, you know you are being manipulated and it becomes annoying.
The plot in the past could have occupied a whole drama in itself but was rushed through. I felt the balance in the overall story was off, particularly as I spent the first five episodes twiddling my thumbs in the present time waiting for something to happen. If the writer, and later, the director/editor had decided on a more even weight and distribution throughout between past and present it would have woven a better and more compelling story.
I was puzzled in the first two thirds of the show why they should like each other at all. There were very few interactions that could build attraction and yet all of a sudden there was undying love. Later on the chemistry really worked and drew me in, becoming much more believable. But the viewer needed more ground to stand on early in the piece to give it credibility and a more clever weaving in of the backstory would have solved the problem.
The opening episodes are really at a romcom level, and the action is highly exaggerated to suit that type of presentation. But it does tend to undermine the credibility of the emotions to the point that I felt character integrity was being sacrificed for the sake of a joke. Whereas at the end credibility was sacrificed for a somewhat ridiculous stalker plot.
Rowoon has been very busy in some top-rated dramas in the last few years and he’s not stopping. Is he more than a pretty face? Well he does a decent job here, although his perfect good looks need to be ruffled a little more to really convince. I liked Jo Bo Ah’s performance better, and she is also an actor on the rise with some noteworthy performances on her CV.
In supporting roles, Park Kyung Hye gave a brilliant comedic performance as the desperate Son Sae Byeol, deliciously contorting her face like a slapped arse for most of the time. And Hyun Bong Sik oozed as the slightly sleazy manager Gong Seo Gu.
The cinematography in the historical section is beautifully done, with great use of colour and contrast. There’s some traditional fireworks and those scenes were very beautiful. I’d really love to see those myself - one for the bucket list…
What’s the line between accepted notation and cliché? Is it a matter of viewer perception? For me the accepted notations, such as flickering lights meaning spooky etc, were just too frequent not to fall into tired cliché. There was a distinct lack of imagination and freshness in dealing with the supernatural aspects which really should be laid at the door of the director. As far as the script goes, there’s not a lot of subtlety. It gets the job done rather than looking for novelty. You won’t have to read between any lines here.
Finally, it really isn’t hard to decide what season a drama takes place in. And here it was all over the place. People wearing shorts at Christmas, everything full green and verdant in the depths of winter. Talking about being cold and then hanging out outside. Just unnecessary, sloppy production.
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