3
2
Salatheel
Don’t Frighten the Horses
Well I got what I was wanting, something totally unchallenging. Yes I just wanted to veg out for a few days and this met the bill exactly. It also provided a good number of unscripted lmao moments as the ludicrousness - if that’s even a real word, it has the ring of a non-aural onomatopoeia - unfolded shamelessly before my eyes. It’s no Ming Lan, which is a pity because taken a bit more seriously it had all the ingredients. So how can I really get stuck into something that managed to keep me watching for all 40 episodes. There has got to be some good stuff there even though it undermined itself at every opportunity.
The storylines had interest and they offered good opportunity for character development and showcasing contrasting character traits. This is mainly what kept me engaged for the duration, although even this wore a bit thin at the end. They were a series of set pieces rather than one long twisting narrative twisting and these varied scenarios were paced well and showcased different characters.
But the time taken to achieve remarkable results was drastically foreshortened. Things that should have taken at least two years were achieved in six months. In doing this, all sense of realism and difficulty was undermined and the whole drama, and particularly the characters, were coated with a gloss of immature fantasy. The script didn’t help by reducing the business conversations to a mockery. Simply by lengthening the time-frames and writing more credible business dealings the characters could have achieved so much more depth and been offered space to reveal determination, grit and courage which were not really evident in the easy-success-piled-on-easy-success procession. It was episode 32 before there was any bite and real consequences were more fully explored. Unfortunately, before and to some extent, after that, any nasty unpleasantness had a feel-good blanket pulled over it.
Although lip service was paid, the opportunity was mainly missed as there was no real exploration of the cost or difficulty. Things happened and slid by without much of the proverbial s**t sticking to the protagonists. In fact they glided through the whole thing with serene, wrinkleless (another impossible word) faces. I was less than impressed by Hu Yi Tian (Gu Yan Xi) who managed to get through virtually the whole thing with one facial expression, except for the odd occasion where the director requested him to open his eyes in surprise. Which he did, to mirthful effect. Zhang Jing Yi (Hua Zhi) was a little more expressive, but remained far too calm to be convincing. The chemistry between them was placid rather than fizzing without that visible excitement you get when you’re bang slap in love.
I was more invested in some of the minor characters who had more life and animation. It was a large cast and showcased female actors and the story was predominantly shown from the women’s perspective, particularly early on.
The storylines had interest and they offered good opportunity for character development and showcasing contrasting character traits. This is mainly what kept me engaged for the duration, although even this wore a bit thin at the end. They were a series of set pieces rather than one long twisting narrative twisting and these varied scenarios were paced well and showcased different characters.
But the time taken to achieve remarkable results was drastically foreshortened. Things that should have taken at least two years were achieved in six months. In doing this, all sense of realism and difficulty was undermined and the whole drama, and particularly the characters, were coated with a gloss of immature fantasy. The script didn’t help by reducing the business conversations to a mockery. Simply by lengthening the time-frames and writing more credible business dealings the characters could have achieved so much more depth and been offered space to reveal determination, grit and courage which were not really evident in the easy-success-piled-on-easy-success procession. It was episode 32 before there was any bite and real consequences were more fully explored. Unfortunately, before and to some extent, after that, any nasty unpleasantness had a feel-good blanket pulled over it.
Although lip service was paid, the opportunity was mainly missed as there was no real exploration of the cost or difficulty. Things happened and slid by without much of the proverbial s**t sticking to the protagonists. In fact they glided through the whole thing with serene, wrinkleless (another impossible word) faces. I was less than impressed by Hu Yi Tian (Gu Yan Xi) who managed to get through virtually the whole thing with one facial expression, except for the odd occasion where the director requested him to open his eyes in surprise. Which he did, to mirthful effect. Zhang Jing Yi (Hua Zhi) was a little more expressive, but remained far too calm to be convincing. The chemistry between them was placid rather than fizzing without that visible excitement you get when you’re bang slap in love.
I was more invested in some of the minor characters who had more life and animation. It was a large cast and showcased female actors and the story was predominantly shown from the women’s perspective, particularly early on.
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