I was not expecting much from this, honestly. It initially seemed like a silly, over-the-top comedy show with immature, high-school characters. But The Shipper is so much better!

- First of all, great production value! The budget seemed to be quite high, the product placement wasn't too aggressive. The series had good cinematography, a varied setting and a really wonderful soundtrack. The work of the film editors was particularly noteworthy, creating many surprising moments with a clever use of flashbacks and jump cuts.
- The series provided us with a wide range of characters: the inconspicuous nice guy, the mean girl gang, the involuntary bad boy, the perfect student with secrets and the two naive shipper-best friends. The actors portrayed them well. I obviously have a soft spot for Ohm Pawat, and he did not disappoint; even his age didn't seem too far-off for a high schooler, which is mindblowing, actually. Little details in the various relationships shown really made this series above-average. The mean girls writing about each other in various chat groups were hilarious, for example. Adults were not very present, but especially Pan's uncle had some very touching moments. Oh, and the Angel of Death was pure comedy gold, thanks to Jennie!
- After the first few episodes, the character development got (in most cases) surprisingly deep, sometimes in sharp contrast with the overall comedy. We learned about a difficult siblings relationship, about strong bonds of friendship, about unexpected first loves, and about parental pressure. The whole yaoi phenomenon wasn't as present as the title would have suggested, but it was used well to portray the girls' naivete when it came to love. And I loved the audacious gender-bender concept, making all kinds of relationships between the characters possible, disregarding gender stereotypes. I am a little mad however that they went with a male love-interest for Soda in the end.
- I will end with some critique. Generally speaking, the series didn't always get the tone right. By that I mean that over-the-top comedy and very serious issues (sexual misconduct, violence, death) were sometimes clashing too harshly. Leaving the boys' locker room porn crime at the beginning largely uncommented was a very bad move. The Angel of Death's role sometimes ridiculed the concept of death in itself, which is questionable, since this touches upon the very dignity of human life. And storywise it was certainly surprising that Kim was actually dead the whole time, but it ultimately made a lot of the story appear pointless. I appreciate that they tried to fix that problem with the post-credit scene though, maybe we will get a second season (I certainly wouldn't mind)!

If you are looking for a hilarious comedy with great characters, a surprising story and enough emotional depth, this is a total recommendation! Once again a female director saves the day.