1
Tate Arson
To protect my kid, I'm ready to become a monster anytime.
?️Do you sometimes have that dream where your body is weightless and you can fly and jump effortlessly? And can you easily manage your movements there? The ability to fly is Kim Bong Seok's secret, and keeping your mind and body under control during puberty is no easy job, especially if there is cute and kind Hee Joo around.
On the furtile soil of North and South Korea's confrontation and secret agencies, engenders and flourishes this inspiring enthralling drama about people with superpowers.
?️Althouth the North Korean agents are, as usual, murderous terrorists, they have backstories too. Some of them were regular people before the dictatorship grabbed them in its claws. E.g. the North flying agent merely wanted to earn enough money in the special forces to put food on his family's table, while some North Koreans were threatened to use their powers to "serve the great republic", and "The Big Clap" guy Lim Jae Seok was nurtured into the borderline animal state in a North concentration camp for 20 years. The tall tough North Korean guy breaking down in front of Hee Joo was a beautiful scene too. My only complaint: the captain of the North team suddenly becoming sentimental and sacrificial is too sweet of a tale.
Another great thing about the story, South Korean special forces aren't angels either. They may have climbed up to a high spacious sunshine-lit glass building on the mountain, but they still stayed the way they were founded during the military rule of president Park Jeong Hee "and Co". "We work in the dark to serve the light" - but at what cost? Army and special forces naturally attract more agressive individuals, and that's the fact. The only young person in the drama who came to work for the intelligence agency is Kang Hoon who wanted his dad's criminal records erased in exchange.
You can easily see the writer Kang Full's attitude towards the big government structures and political rivalries between countries: all the "glory" comes at the expense of regular people whose talents and lives are used to destroy, not create.
Most of the episodes are the stories of the parents, and I'd rather like the drama to be more present. Because I can hardly believe two untrained highschoolers can suddenly take out a veteran merciless North Korean agent.
?️Moving doesn't create some unearthly different world for superpowers but allows them to exist, gently wraps the non-scented Korean city around them creating a very unique authentic feeling. The cinematography leaves enough space for the light to come through to shape the voluminous world. The numerous stunts and graphics are great (over 7000 CGI shots). No wonder it took 2 years and the record-breaking budget to make.
On the furtile soil of North and South Korea's confrontation and secret agencies, engenders and flourishes this inspiring enthralling drama about people with superpowers.
?️Althouth the North Korean agents are, as usual, murderous terrorists, they have backstories too. Some of them were regular people before the dictatorship grabbed them in its claws. E.g. the North flying agent merely wanted to earn enough money in the special forces to put food on his family's table, while some North Koreans were threatened to use their powers to "serve the great republic", and "The Big Clap" guy Lim Jae Seok was nurtured into the borderline animal state in a North concentration camp for 20 years. The tall tough North Korean guy breaking down in front of Hee Joo was a beautiful scene too. My only complaint: the captain of the North team suddenly becoming sentimental and sacrificial is too sweet of a tale.
Another great thing about the story, South Korean special forces aren't angels either. They may have climbed up to a high spacious sunshine-lit glass building on the mountain, but they still stayed the way they were founded during the military rule of president Park Jeong Hee "and Co". "We work in the dark to serve the light" - but at what cost? Army and special forces naturally attract more agressive individuals, and that's the fact. The only young person in the drama who came to work for the intelligence agency is Kang Hoon who wanted his dad's criminal records erased in exchange.
You can easily see the writer Kang Full's attitude towards the big government structures and political rivalries between countries: all the "glory" comes at the expense of regular people whose talents and lives are used to destroy, not create.
Most of the episodes are the stories of the parents, and I'd rather like the drama to be more present. Because I can hardly believe two untrained highschoolers can suddenly take out a veteran merciless North Korean agent.
?️Moving doesn't create some unearthly different world for superpowers but allows them to exist, gently wraps the non-scented Korean city around them creating a very unique authentic feeling. The cinematography leaves enough space for the light to come through to shape the voluminous world. The numerous stunts and graphics are great (over 7000 CGI shots). No wonder it took 2 years and the record-breaking budget to make.
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