TheUnhinged
so-called Australia
A meta blend of fiction and documentary
Or as Peter Bradshaw, writing for The Guardian, put it: "Buddhist supernatural realism".
By the Time It Gets Dark has a clear point of departure: The 1976 Thammasat University massacre. The film draws its initial reflections from the few photographs available from the time, before spending the rest of the film shifting between gaps, silences and layers around and beyond the historical event.
The majority of By the Time It Gets Dark follows the journey of the film-making itself. Not in a behind-the-scenes way, but the struggle of the craft in attempt to convey meaning. It's self-reflexive while, at the same time, not shunning the audience. Don't worry, this isn't one of those arthouse films that experiments for the sake of self-indulgence. You can sense the creators' desire to grapple with the 1976 massacre while struggling to develop and articulate its meanings on multiple levels.
It's not trying too hard, nor is it a chore to watch. When you take this film for what it is, you're able to appreciate it more.
When Ben Kenigsberg from the New York Times said if there couldn't be explanations, then at least there should be "footnotes" and that it'll go over the heads of those not "in sync", I think it's important to note that being "in sync" is besides the point. The visual glitches and play with colour saturation near the end of the film show that that even the creators themselves aren't "in sync" with what is being (or not being) represented.
I don't have this film figured out and you're not meant to. By the Time It Gets Dark is one of those artworks, like poetry, where, if you're trying to figure out what it's 'saying', then you're misunderstanding its existence. If it lingers, then that is sufficient.
Peter Bradshaw's Guardian Review: https://www.theguardian.com/film/2017/jun/16/by-time-gets-dark-review-bangkok-protests-massacre-anocha-suwichakornpong
Ben Kenigsberg's NYT review: https://www.nytimes.com/2017/04/13/movies/by-the-time-it-gets-dark-review.html
Mark Kermode's Guardian Review (I find his reading to be more generous): https://www.theguardian.com/film/2017/jun/18/by-the-time-it-gets-dark-film-review-dazzling-reflections-thai-history
By the Time It Gets Dark has a clear point of departure: The 1976 Thammasat University massacre. The film draws its initial reflections from the few photographs available from the time, before spending the rest of the film shifting between gaps, silences and layers around and beyond the historical event.
The majority of By the Time It Gets Dark follows the journey of the film-making itself. Not in a behind-the-scenes way, but the struggle of the craft in attempt to convey meaning. It's self-reflexive while, at the same time, not shunning the audience. Don't worry, this isn't one of those arthouse films that experiments for the sake of self-indulgence. You can sense the creators' desire to grapple with the 1976 massacre while struggling to develop and articulate its meanings on multiple levels.
It's not trying too hard, nor is it a chore to watch. When you take this film for what it is, you're able to appreciate it more.
When Ben Kenigsberg from the New York Times said if there couldn't be explanations, then at least there should be "footnotes" and that it'll go over the heads of those not "in sync", I think it's important to note that being "in sync" is besides the point. The visual glitches and play with colour saturation near the end of the film show that that even the creators themselves aren't "in sync" with what is being (or not being) represented.
I don't have this film figured out and you're not meant to. By the Time It Gets Dark is one of those artworks, like poetry, where, if you're trying to figure out what it's 'saying', then you're misunderstanding its existence. If it lingers, then that is sufficient.
Peter Bradshaw's Guardian Review: https://www.theguardian.com/film/2017/jun/16/by-time-gets-dark-review-bangkok-protests-massacre-anocha-suwichakornpong
Ben Kenigsberg's NYT review: https://www.nytimes.com/2017/04/13/movies/by-the-time-it-gets-dark-review.html
Mark Kermode's Guardian Review (I find his reading to be more generous): https://www.theguardian.com/film/2017/jun/18/by-the-time-it-gets-dark-film-review-dazzling-reflections-thai-history
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