Guo Jing Ming’s projects are always fraught with homoerotic tones; starting from Painted Skin: The Guo Jingming Edition, Wuliang, L.O.R.D 1, L.O.R.D 2, The Yin-Yang Master: Dream of Eternity and the recently concluded Fangs of Fortune, all stand testament to his amazing prowess to pass Chinese censorship.

Some stories leave you exasperated whilst others leave you with a ray of hope and earnest longing; that someday, you might be able to meet these characters again. “Fangs of Fortune” was one such drama for me. It taught me valuable life lessons- you can redeem yourself once you accept you were in wrong; love should set you free, not imprison you. Also, you can love someone despite hating them in the past. Adapted from the classic text and the mythology and geography collection “Classic of Mountains and Seas” (山海经), the show has the most endearing characters that slowly become a family. The best part is that they aren’t all human- we have a makeshift family made of a Great Demon, two powerful Demon Hunters, a Half God and a Mountain God. The only thing that connects them is their yearning for familial ties and bonds. They become each other’s solace and peace of mind; they evolve and mature together, drawing inspiration and courage from one another. Another important aspect of Guo Jing Ming’s shows is the magnanimity of the settings and the mesmerizing locales. The costumes are posh, keeping in line with the stature/position of the characters. We bring you the evergreen queer romance that is characteristic of most Guo Jing Ming’s stories.

Read the complete article here-

https://the-bl-xpress.com/2024/11/20/fangs-of-fortune-series-review-ep-1-to-32/