lex
a spectacular drag that is less scary and more political than i signed up for
i feel like i just wasted 134 minutes of my life.
seriously. what the fuck was that? the pacing was slow as heck. the recent slew of korean shows i've watched have led me to entertain the notion that korean shows conflate drag with artistry. no, a dragged-out, slow motion shot of a woman raising her head is not particularly thought-provoking. look, i know sometimes it's about flair, it's about atmosphere, but there's a chasm between style and extreme boredom. just don't. overdo. it.
and honestly, the visuals were fine (but too dark -- we're approaching GOT season 8 ep 3 levels of dark here), but atmospheric? sure, it was a little eerie, but it was never really scary. i don't know about other regions, but it sure was marketed as chilling/scary/thrilling over here, and frankly, it just wasn't.
i'll give props where it's due: the acting was great. i haven't seen kim go eun disappoint once, and this movie is no exception. lee dohyun feels a little out of his depth as bong-gil here to be honest, but maybe that's more on his character. which brings me to another glaring complaint: where is the characterization? i'm 134 minutes in and out, and none the wiser about who any of these people are. we're limited by runtime, of course, so if there's have a good plot here, i'll forgive a plot-centric movie for less-than-satisfactory characterization. but do we?
the plot is... bad. first we have a standalone case that is fairly uninspired, but serves as an introduction to the system, so that's fine. then we go back to the opening scene's baby sickness and dive into our main arc. i'm sorry, but it took forever to get to the brunt of it. it felt like i spent a full hour of nothing to just get to the exhuming, which was, to its credit, the best part of the entire movie. there was some actual anticipation and apprehension as to what might happen. waiting for the consequences to hit consisted of 100% of the entire show's tension. then the show just... derailed from there. look, i'm not going to touch on the ramifications of the atrocities inflicted by imperial japan, but as a member of the international audience, i question the decision to bring all that into this. while we're being political, i'll venture to point out the implications of transplanting the japanese shogun into a vessel that justifies a faceless evil with a complete lack of nuance. i'm not korean, and i don't have to enjoy this. all things considered, it's also a pretty forced patriotic twist and i'm just tired of the nationalist call-to-arms in my shows, boss. outside of the shoehorned historical politics, the film also loses its suspense and drive once the shogun's involvement is revealed. it's just one traditionally korean-themed oni fight.
bottom line: i want my 134 minutes back.
seriously. what the fuck was that? the pacing was slow as heck. the recent slew of korean shows i've watched have led me to entertain the notion that korean shows conflate drag with artistry. no, a dragged-out, slow motion shot of a woman raising her head is not particularly thought-provoking. look, i know sometimes it's about flair, it's about atmosphere, but there's a chasm between style and extreme boredom. just don't. overdo. it.
and honestly, the visuals were fine (but too dark -- we're approaching GOT season 8 ep 3 levels of dark here), but atmospheric? sure, it was a little eerie, but it was never really scary. i don't know about other regions, but it sure was marketed as chilling/scary/thrilling over here, and frankly, it just wasn't.
i'll give props where it's due: the acting was great. i haven't seen kim go eun disappoint once, and this movie is no exception. lee dohyun feels a little out of his depth as bong-gil here to be honest, but maybe that's more on his character. which brings me to another glaring complaint: where is the characterization? i'm 134 minutes in and out, and none the wiser about who any of these people are. we're limited by runtime, of course, so if there's have a good plot here, i'll forgive a plot-centric movie for less-than-satisfactory characterization. but do we?
the plot is... bad. first we have a standalone case that is fairly uninspired, but serves as an introduction to the system, so that's fine. then we go back to the opening scene's baby sickness and dive into our main arc. i'm sorry, but it took forever to get to the brunt of it. it felt like i spent a full hour of nothing to just get to the exhuming, which was, to its credit, the best part of the entire movie. there was some actual anticipation and apprehension as to what might happen. waiting for the consequences to hit consisted of 100% of the entire show's tension. then the show just... derailed from there. look, i'm not going to touch on the ramifications of the atrocities inflicted by imperial japan, but as a member of the international audience, i question the decision to bring all that into this. while we're being political, i'll venture to point out the implications of transplanting the japanese shogun into a vessel that justifies a faceless evil with a complete lack of nuance. i'm not korean, and i don't have to enjoy this. all things considered, it's also a pretty forced patriotic twist and i'm just tired of the nationalist call-to-arms in my shows, boss. outside of the shoehorned historical politics, the film also loses its suspense and drive once the shogun's involvement is revealed. it's just one traditionally korean-themed oni fight.
bottom line: i want my 134 minutes back.
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