Taiwanese screenwriter, director and producer Angel I-Han Teng believes in the transformative power of cinema to improve society. In this way, he writes the script for 'Bao Bao' (親愛的卵男日記), an LGBT+ themed drama co-produced between Taiwan and the United Kingdom, which focuses on the struggles of same-sex couples to form families in that Asian island.
Presented at Outfest, the Asia-Pacific Film Festival, in Los Angeles, United States, in 2018, and released in theaters in Taiwan and Japan that same year, the film, directed by Shie Guang Cheng, revolves around two homosexual couples: Joanne and Cindy, and Charles and Tim. The four young people live in London and plan to have children, but then they have to return to Taiwan, where challenges await them.
'Bao Bao' was written and made while Teng was residing in the United States, but it tells an exclusively Taiwanese story, but universal due to the impossibility of homosexual couples to adopt children and marry in countries where people of the same sex do not have the possibility of getting married.
For the filmmaker, the best result is to be able to make Taiwanese stories with Taiwanese actors and then let an international audience see and appreciate them.
Her training in Psychology allows the writer to develop complex characters in her work faced with complex dilemmas, such as homosexuality and the adoption of newborn children.
In her marriage to Joanne/Xu Jie An (Christine Ke), Cindy/Fang Rong Xin (Ries Emmie), is a young woman who is expecting two babies, but loses one. Having also lost trust in her partner, Cindy doesn't know where to go, who to believe, or whether it's her baby or not. So, he decides to return to Taiwan from London, where he has lived for some time. In her hometown, she will find care in Yang Tai / Ah Tai, (Yankee Yang), her childhood best friend, who promises to raise the baby with her.
Confused about what a family should be like, Cindy finally works up the courage to confront Joanne and the gay couple of Charles Watanabe/Du Bian Zhi Jiu (Yukihiko Kageyama) and Tim/Li Hao Ting (Daniel Tsai). At the time the film was filmed, equal marriage or homosexual marriage was not yet legalized in Taiwan. Even today, after this right has been legal since 2019, the existence of same-sex parents is still not acceptable for that society. And our protagonist trusts that that day will come.
With this, her first narrative feature film as a writer, the also sound specialist and with extensive experience working as a recording engineer and sound mixer, begins a filmography in which she addresses issues related to identity, gender, feminism and rights. humans with a subtle sensitivity, as can be seen in 'Rose Skirt' (玫瑰色的裙), 'The Fragrance of the First Flower', winner of the Gold Award for an investment fund at the GagaOOLala Pitching Sessions, or 'A Balloon's Landing'(我在這裡等你), 2024.
'Bao Bao', a film that allowed Angel I-Han Teng to obtain the Excellent Screenplay Award from the Taiwanese government, is also an example of his interest in the musicality of cinematographic components that go beyond the conventional limits between sound and music in cinema.
Teng's fascination with highlighting gender issues begins in his Family Psychology classes at the University: "Not only was I not familiar with same-sex parent households, but I noticed that all the examples the professor gave were from abroad. Those from Taiwan either didn't stand out or weren't seen. A creative light bulb went off in my head," he says. He adds: "I appreciate the beauty of individual differences although we share many similarities. The complexities of the human mind open my imagination to create works of art. I wrote many scripts and entered competitions, some of which completely changed the course of my career my life…".