3
Zogitt
Australia
Signor Verdi would be proud of this show
Eve is fundamentally a modern interpretation of a classic tragic grand opera where revenge, lust, love, power and money are fused together into a cascade of inordinate acts that assault the senses until the grand finale where all the evil deeds come home to roost. Usually, the protagonist is so altered by the soul destroying need for revenge that they are consumed by the vengeful act. This might be seen as a prime example of a makjang drama as well.
Eve would have worked so much better as an opera or a film, but 16 episodes allowed us too much time to notice its flaws. That is a real shame because it is a well-made show in many regards.
It is because of these flaws that the show will be polarising. On one hand, we can be swept away by the haunting love story, the all-consuming greed, hatred and thirst for retribution. Scenes that mixed shock and awe, opulent display of wealth and power can be mesmerising. Much the same way that extreme depravity can be spellbinding.
The flip side of such a strong stylistic statement can be a lack of substance. Does style ride shotgun over narrative logic? With such a long runtime and days between episodes, there is a lot of time for us to absorb the narrative and put two and two together. Seek and we shall find some serious plot holes and contrivance. At some point I decided that to enjoy this show, I need to switch off some cognitive functions and rely more on primitive emotions. Bring on the extra strong tinted lens!
With that in mind, I would say that I mostly enjoyed the show but with caveats. I did get distracted by some illogical scenarios and some contrivance gave me pause. In the end, I was swept up by the head long rush to the grand denouement where it reached the all consuming crescendo. It was a fitting final act to a monumental tragedy and there is little room for moral ambiguity. Death cometh to us all. Signor Verdi would be proud.
Was the epilogue necessary? Was it better that we are given a glimmer of hope (was it wistful thinking?) or would it be better to let the dead rest and leave us to our reflections?
Similarly, comments regarding the acting will be polarised as well. There is no shortage of stylistic flairs and film noir moments so some might think that the actors are not showing enough emotions or when there is an outburst, it is over the top. A lot comes down to the direction and I don’t think any of the actors did a bad job, but 16 hours is a long time repeating a small range of pose. There are times when I felt that the leads were wearing a gilded mask but a mask nevertheless.
OST is fine, got to love a good Tango. Rewatch is unlikely in the near future.
Eve would have worked so much better as an opera or a film, but 16 episodes allowed us too much time to notice its flaws. That is a real shame because it is a well-made show in many regards.
It is because of these flaws that the show will be polarising. On one hand, we can be swept away by the haunting love story, the all-consuming greed, hatred and thirst for retribution. Scenes that mixed shock and awe, opulent display of wealth and power can be mesmerising. Much the same way that extreme depravity can be spellbinding.
The flip side of such a strong stylistic statement can be a lack of substance. Does style ride shotgun over narrative logic? With such a long runtime and days between episodes, there is a lot of time for us to absorb the narrative and put two and two together. Seek and we shall find some serious plot holes and contrivance. At some point I decided that to enjoy this show, I need to switch off some cognitive functions and rely more on primitive emotions. Bring on the extra strong tinted lens!
With that in mind, I would say that I mostly enjoyed the show but with caveats. I did get distracted by some illogical scenarios and some contrivance gave me pause. In the end, I was swept up by the head long rush to the grand denouement where it reached the all consuming crescendo. It was a fitting final act to a monumental tragedy and there is little room for moral ambiguity. Death cometh to us all. Signor Verdi would be proud.
Was the epilogue necessary? Was it better that we are given a glimmer of hope (was it wistful thinking?) or would it be better to let the dead rest and leave us to our reflections?
Similarly, comments regarding the acting will be polarised as well. There is no shortage of stylistic flairs and film noir moments so some might think that the actors are not showing enough emotions or when there is an outburst, it is over the top. A lot comes down to the direction and I don’t think any of the actors did a bad job, but 16 hours is a long time repeating a small range of pose. There are times when I felt that the leads were wearing a gilded mask but a mask nevertheless.
OST is fine, got to love a good Tango. Rewatch is unlikely in the near future.
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