The annals of Thai history in the Kingdom of Ayutthaya during the 16th century are sparsely detailed, save for a few chapters of political intrigue. Among them, the story of Thao Si Sudachan, the consort of King Chairacha who became regent to her young son following her husband's death in 1547, only to commit filicide and elevate her lover to the throne as an usurper soon after, is one of the best known. Previously depicted in the 2001 epic The Legend of Suriyothai and 2005's The King Maker, the traditional story depicts Si Sudachan as a scheming villainess who upsets the peace of Ayutthaya (also known as Ayodhya, according to some sources). But history is written by the victor, and it's always inviting to imagine what the other side of the story might be.

One31's The Empress of Ayodhaya does just that, giving an original reimagining of Si Sudachan's life from her point of view. As a work of historical fiction, it opens solidly, clearly laying out the history and tying the characters to their historical counterparts. The opening episodes shine with their focus on the intricate palace intrigue between various factions, in a manner that evokes the early seasons of Game of Thrones. Si Sudachan (Mai Davika), here known by the fictional personal name Jinda (Si Sudachan being a royal title), is introduced as a strong and intelligent female figure intent on playing the game in order to put herself on the throne and reunite with her lover Wamon (Film Thanapat). The series features pretty much everything one would expect from an epic historical piece, with some modern twists. The acting is great, and the sets, costumes, and art design are marvellous (to the layperson at least. Will have to defer to experts regarding historical accuracy). While there are noticeable goofs here and there, they aren't so serious as to detract from the whole story.

But the story pretty much loses its way towards the end. In overextending their efforts to have the audience sympathize with Jinda, the writers turn what was initially a strong, interesting, morally grey character into a passive, helpless victim in constant need of rescue. Where in episode 1 Jinda shows rumours of supernatural events to be superstition, black magic suddenly exists and is real by episode 7. The factional struggles ultimately devolve into a simplistic good-guys-vs-bad-guys tale. While it's understandable that the ending is constrained by the outcome of history, the way it was handled ended up being utterly unsatisfying.

And then there's the animal welfare issue. While I won't judge the work by the issues that happened as part of the production, it still needs to be mentioned. Whatever the ultimate outcome, here's hoping that future productions learn from the lesson.