Let me start this off by saying that I REALLY enjoyed this drama for the first 16 of 24 episodes. Its layers were well-crafted: historic romance, present deluded CEO, present CEO conspiring to unearth homicidal board members. Even the transitions between past and present were smooth with written pages turning either forwards or backwards to demonstrate the passage of time. The tension between the FL and ML was palpable and the FL's struggle to balance professional and personal integrity was shown well. I enjoyed watching the two side couples as they jockeyed back and forth into possibility. And I was assailed by some serious SML syndrome.

Then at the moment when the story felt like it was finally resolving, the less desirable bits began to emerge. After the FL spurned the ML for betraying her trust, the drama began to drag. One entire episode was mostly devoted to showing how miserable each of the characters was. I mean how many crying jags and flashbacks do we really need to be convinced of their despair? And as that disconnect was finally being resolved, suddenly another major business crisis rears its ugly head with the SML showing a jealous bent to undermine the ML. Simultaneously, the FL is faced with a hitherto unrecalled childhood trauma--which, of course, was connected to the ML, the only one who could truly help her. Then once everything was almost resolved, I was particularly annoyed by the FL faux extension of her 1-year study abroad. Seriously, who plays that sort of trick on someone they love?

I wish that everything could have wound down before these final crises/challenges occurred. I would have rated this a solid '8' then. Was the last third truly horrible? No, it had its moments (brother presents FL friend with all the birthday gifts he had prepared but been too afraid to give for 7 years; ML assistant meeting his partner's family who believe he is unemployed and poor; the resonance of the dead mother's story and its revitalized ending). I just hated watching the same actors who sensitively enacted this well-written script forced to portray overdone cliches. It was like I'd been savoring a delectable confection, but then after I was full I devoured a reduced-price, mass produced, store-bought cake. I'm left feeling uncomfortably over-stuffed with pleasant memories of the initial pastry and only regret for the bland sugary dessert I shoved in after.