2
jimjamjelly
London, England
Tonally disjointed with a nonsensical plot
Sigh. I'm so disappointed with "Vincenzo". I didn't expect a drama about a Korean adoptee who becomes a consiglieri in the mafia to be the second coming of "The Godfather", but I did expect much more than a legal drama that reduced the courtroom to a circus with a seemingly invincible and ridiculously deranged villain.
The first three episodes definitely have their flaws - most notably the strange comedy that feels disjointed from the more serious tone of the main story. However, the plot seems to have direction. Vincenzo's goals are clearly defined, the conflict that prevents him achieving said goal is established, and the event that spirals everything out of control is executed perfectly. The build up of tension across those three episodes left me with my jaw on the floor and ready to see how Vincenzo executed his revenge through both legal and illegal means.
But, by episode 5 I was already beginning to feel tired with the drama: the writer was speeding through so many scenarios, it was clear to see that he was going to run out of steam and that the story would drag across 15 more episodes. And I was correct. Because by the end of episode 9, not only is Vincenzo no longer calm, collected, calculative and cunning, but he's just plain stupid. He executes all his plans in the most haphazard obvious way, its a surprise he doesn't end up dead within five minutes. The writer keeps telling us that he's this intelligent mafioso, but honestly, how the hell did he last as long as he did in the mob by acting so carelessly? There's knowing when to show your hand to your enemy in order to push them into the corner, and then there's being so blatantly obvious it gets you and everybody else around you killed.
The legal stuff in this show requires so much suspension of disbelief it'll make your eyes roll into the back of your head. Anyone with an understanding of the South Korean political, economic and legal environment is aware of how much corruption is rife within the system. But courtrooms have principles and the way Hong Cha Young operates in court would get any lawyer in jail for contempt and could even lead her to lose her attorney's license. Its just so ridiculous. Its straight up comedic.
Speaking of comedy, the humour in this show is just so bad. One minute we go from seeing someone getting their head cracked open with a hockey stick, and the next minute we're suddenly thrust into a slapstick scene with the residents of Geumga Plaza. One episode basically shows a character with a domestic violence record as the source of comedic relief (really homophobic episode too). Even dark shows need moments of reprieve, but these sudden shifts of tone are so silly it undercuts the intended seriousness of the story and even results in the (many!) deaths that occur as feeling like cheap stunts. This show's body count is already so needlessly high after 9 episodes that the deaths lose all meaning. There's absolutely no pathos. And how am is the audience supposed to root for characters who keep getting other innocent people killed? Just highlights how Vincenzo is basically a dumb ass in a nice suit.
The acting and the direction are the only things that kept me going for as long as I did. Song Joong Ki somehow manages to make Vincenzo seem like a smart, cunning, almost Michael Corleone-esque character even though the script is constantly working against him and his Italian is atrocious. Jeon Yeo Bin does the best she can do with her character: her face acting when she's allowed to be more than just an over the top drama queen is honestly really good. She's capable of conveying anger, sadness, grief in ways that don't seem exaggerated at all. I'm definitely going to check out her other work, hopefully she gets more material that helps her shine as actress, because she really doesn't have much to do here besides be a bitch or Vincenzo's lackey.
There are some excellently directed sequences here. Episode three is definitely a stand out in terms of direction. The director is very aware of ways to build tension. But it can't cover for how bad the story is.
Don't waste your time and watch "Flower of Evil" instead if you want a good, tightly plotted thriller that isn't brought down by the more ridiculous aspects of the writing.
The first three episodes definitely have their flaws - most notably the strange comedy that feels disjointed from the more serious tone of the main story. However, the plot seems to have direction. Vincenzo's goals are clearly defined, the conflict that prevents him achieving said goal is established, and the event that spirals everything out of control is executed perfectly. The build up of tension across those three episodes left me with my jaw on the floor and ready to see how Vincenzo executed his revenge through both legal and illegal means.
But, by episode 5 I was already beginning to feel tired with the drama: the writer was speeding through so many scenarios, it was clear to see that he was going to run out of steam and that the story would drag across 15 more episodes. And I was correct. Because by the end of episode 9, not only is Vincenzo no longer calm, collected, calculative and cunning, but he's just plain stupid. He executes all his plans in the most haphazard obvious way, its a surprise he doesn't end up dead within five minutes. The writer keeps telling us that he's this intelligent mafioso, but honestly, how the hell did he last as long as he did in the mob by acting so carelessly? There's knowing when to show your hand to your enemy in order to push them into the corner, and then there's being so blatantly obvious it gets you and everybody else around you killed.
The legal stuff in this show requires so much suspension of disbelief it'll make your eyes roll into the back of your head. Anyone with an understanding of the South Korean political, economic and legal environment is aware of how much corruption is rife within the system. But courtrooms have principles and the way Hong Cha Young operates in court would get any lawyer in jail for contempt and could even lead her to lose her attorney's license. Its just so ridiculous. Its straight up comedic.
Speaking of comedy, the humour in this show is just so bad. One minute we go from seeing someone getting their head cracked open with a hockey stick, and the next minute we're suddenly thrust into a slapstick scene with the residents of Geumga Plaza. One episode basically shows a character with a domestic violence record as the source of comedic relief (really homophobic episode too). Even dark shows need moments of reprieve, but these sudden shifts of tone are so silly it undercuts the intended seriousness of the story and even results in the (many!) deaths that occur as feeling like cheap stunts. This show's body count is already so needlessly high after 9 episodes that the deaths lose all meaning. There's absolutely no pathos. And how am is the audience supposed to root for characters who keep getting other innocent people killed? Just highlights how Vincenzo is basically a dumb ass in a nice suit.
The acting and the direction are the only things that kept me going for as long as I did. Song Joong Ki somehow manages to make Vincenzo seem like a smart, cunning, almost Michael Corleone-esque character even though the script is constantly working against him and his Italian is atrocious. Jeon Yeo Bin does the best she can do with her character: her face acting when she's allowed to be more than just an over the top drama queen is honestly really good. She's capable of conveying anger, sadness, grief in ways that don't seem exaggerated at all. I'm definitely going to check out her other work, hopefully she gets more material that helps her shine as actress, because she really doesn't have much to do here besides be a bitch or Vincenzo's lackey.
There are some excellently directed sequences here. Episode three is definitely a stand out in terms of direction. The director is very aware of ways to build tension. But it can't cover for how bad the story is.
Don't waste your time and watch "Flower of Evil" instead if you want a good, tightly plotted thriller that isn't brought down by the more ridiculous aspects of the writing.
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