Beautiful and Realistic.

I directly began the director's cut without watching the drama and here are a few if my jumbled thoughts. This movie is better to be "felt" than read as words don't serve justice to the experience of witnessing Akira and Yuki's journey.

☆ With a very less crowded cast, Life Sejou No Bokora brings out the beautiful chemistry between Yuki and Akira. We spent 80% of the story with them. Each step of their journey is catalogued smoothly. The time skips were spot on. Not to mention, the cast including the few supporting characters delivered excellent performances.

☆ It brought out issues about parents' expectations about their children and the society's view on what's considered normal. I'm one of the few who dares to go against the tide and seeing such a portrayal was satisfying. I will strive to be like Akira's older sister.

☆ I particularly loved how the lead actors brought their characters to life. Pretty sure I won't be forgetting Yuki's radiant smile anymore. I liked the internal conflicts of Akira. (There were several scenes involving the sun and light that were beautifully shot with the two of them.)

☆ Despite all that, there was a moment that I almost came to dislike a character. The pacing after around an hour seemed really quick. The low rewatch score is cause I almost never rewatch movies.

All in all, Japan has an uncanny talent in making very simple productions appear fulfilling. And this is one of the best simple and heartwarming stories I've watched. My review sucks, but I'd suggest that you dive directly into the movie without hesitation!

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A Deadly Game of Emotions.

It's strange that this drama didn't manage to capture me. While I immensely enjoyed the journey, I felt that there was something just "missing".

--- The plot, though popular as romance, has more than it seems. The political part of the drama was rushed, particularly at the beginning and I had to ask around to clear up some questions regarding that. (I try to skip palace politics and have watched only countable number of such shows.) I also had the drama on hold for two weeks, which might have affected the flow. But, I was able to sweep through the remaining few episodes and connected more to the characters. Majority of the plot, keeping aside the romance, revolves around power struggle between various states and princes. (I still don't know who Yang Shou was, even though I liked his character.) The leads themselves put their nation and family before everyone else.

--- In terms of acting, everyone delivered excellent performances. Ren Jia Lun was always a skilled actor for me, ever since I saw him in Under the Power and he lived upto my expectations as the Junior Prince of Nan Cheng. Shi Yi is one of the most convincing performances by Bai Lu, whose dramas have all unfortunately ended up in my dropped list due to various reasons. Even minor characters such as the four generals from the Western State; Li Zi Xing and Prince of Pingyin; were really memorable. (It was also a delight to see so many cast members from Under the Power together. Whenever Cui Feng payed respects to Zhou Shengcheng, I remembered Lu Yi and Xie Xiaoxiao from UTP bickering.)

--- The romance is one of the most impactful ones I've seen to date. Both Shiyi and Shifu knew what was going on even when neither of them openly acknowledged it. Their relationship was beautiful and painful to watch. No sweet words were exchanged, rather their subtle gestures and actions completely managed to melt the hearts of many viewers. I hope future CDramas can make more dramas with such relationships.

--- The costumes were really detailed. I loved everyone's outfits. One thing I felt odd was how tiny Taiji Palace looked, particularly when there were women dancing. It looked unexpectedly cramped. But, this doesn't look like a high budget project, but I can see that the production team did their best to make it look exquisite and beautiful.

--- The OST, unfortunately, completely went over my head. I noticed that two BGMs in particular were the same ones I had heard in Love and Redemption (2020).

I can say that it really is far better than a lot of short dramas I've seen from China and would recommend this to anyone looking for a short, beautiful drama with some good substance and characters. The trouble was, I just couldn't enjoy it as much as the others did.

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All style, no substance.

I began this due to the costumes and CGI, which seemed much more creative than usual. And yes, they did go all out because this one of the most beautifully made xianxias I've watched in CDramaland.
I've never watched the donghua or heard about the source material. Moreover, the cast, even the supporting characters are well known for their own works.

The summary is exactly as the MDL page. I'm not exactly the best person to talk to about scriptwriting and directing, but for once, I could actually see that something was just missing with the whole plot.

My major issue, and the reason why I'm dropping this, is because I do not actually care about the leading characters, particularly Dongfang Yue Chu and Tushan Hong Hong.
Heck, even the villains are two dimensional to me. (At one point, it seemed as if someone was forcing me to accept their indestructibility and fear them, but I did not care about their scenes or strategy.)
It's an endless cycle of rinse and repeat upto EP19.

I didn't care much about the Spirit Kingdom arc because it was pretty much ‘served’ on a plate because the plot required it. I didn't connect to Bu Tai's and Shi Kuan's love story.
This drama could easily wrap up in a minimum 24 episodes if someone wrote a shorter, yet stronger script. FSM drives the viewer around in circles with the same conversations and fights on repeat.


It does get better after Spirit Kingdom and the initial enemy, but I lost all connection to the characters and nothing manages to capture my attention, save for a few conversations between the Tushan sisters and maybe A’ Lai.

About A’ Lai. He was introduced out of nowhere and still has mysteries shrouding him, which is why I'm curious about his character. His romance is pleasant to watch, too – Tushan Ya Ya is the opposite of his calm and composed personality and I love their banter, even though it's not earth-shattering or as tumultous as the supposed love story of Hong Hong and Yue Chu, which I frankly don't care about.
If it wasn't for them, I would've easily dropped this.

About acting… Someone mentioned how Yang Mi had one expression at the beginning, but now? Either the directing or script was very poor because there is not a single scene of hers I find particularly memorable save for a very few close up shots of her eyes. I understand that she is the Chief, but I've seen colder characters depicted better than this.
Dongfang Yue Chu… I'm sure that Gong Jun gave his best shot with what was given to him, but to be honest, I don't find him much memorable.
I didn't care about their romantic progress, either.

The fight scenes… the leading characters’ fight scenes are boring. The one scene I do remember is that one in EP15 or EP16, that too, because of the song 回还 by UNEKO being played as the BGM.
But, the scene itself (which should be a heart stopping moment) was offscreen that I had to rewind to see if I've missed something. Plenty of dramas don't shy away from bloodshed and pain, even if not directly portrayed.

A drama from last year had a very similar scene and it got trashed for being ‘too’ fake, but at least the actor performing the scene had expressions which conveyed the intensity of the moment perfectly.

The OST does have beautiful songs, but the background score as a whole is forgettable and unimpressive. Even poorly written dramas can be hits if the music manages to enchant us.
These two reasons might be why I'm impatient with the pacing.
6.5 - 7/10 -- I prioritize characters and a lot, and this one falls far off the mark. For a drama that has two other stories lined up and a hypeworthy cast, this just wasn't it for me.

Once again, the story and the editing does get a lot better. [It shifts to the human realm by EP19, but I found myself bunny hopping through scenes instead of watching it as a whole.]
But, they raised the stakes far too late for me to be interested. As far as I had watched, it was aesthetically pleasing, but tragically snooze worthy.

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Butterflied Lovers.

Korean dramas are still kne of the top countries when it comes to capability to produce well thought out, and filler-less dramas that can keep you immersed into the story without being overdone.

I started the Story Park's Marriage Contract on a whim - it had history, reincarnation with time travel as an added bonus. Also, I had seen both Lee Se Young and Bae In Hyuk's performances in previous dramas.
The only ‘12 episodes’ format was another relief.

Park Yeon Woo, a sprightly daughter of a Minister evades marriage and does what she loves the most: designing and selling garments that where too modern to handle. When news of this breaks out and chaos ensues, her parents marry her off to Kang Tae Ha, a rumoured old bachelor whom no one wanted. Yeon Woo was no stranger to Tae Ha as they had met before. But, at the night of their wedding, he reveals that his weak heart might leave her a widow and proposes divorce. He dies the very night.
Yeon Woo accepts her fate, but things take a mysterious turn when she is kidnapped and thrown into a well at her home… and re- emerges 200 years into the future.

What confuses her is that her deceased husband was very much alive, albeit being styled weirdly. The modern Kang Tae Ha decides to contractually marry the ‘lunatic woman’ in a split second decision after his plans go awry in order to appease his grandfather.
Yeon Woo soon runs into many modern versions of the people of her past and gets embroiled in the power play of the SH Company.


SOPMC is half makjang and half historical with romance as an integral aspect. The story itself becomes ‘fill-in-the-blanks’ in the last historical bit, but the entire set up and background was well established since the beginning, so I did not mind this much.

I'm not as familiar with KDrama actors as I'm one of those picky watchers, but Lee Se Young is definitely on my watch list. She manages to pull off both comedy and tragedy with ease. Bae In Hyuk was no exception, particularly in the latter half. One scene in episode 11 was particularly striking. And he was highly convincing in portraying the past and present versions that at times they appeared to be two different characters.
Sa Wol, Yoon Woo’s companion/maid and the secretary Mr. Hong were another hilarious duo who lightened the overall darkness surrounding the leading couple.

I even liked Tae Min, Tae Ha's stepbrother.
Ms. Min, though meant to be portrayed as villain, made me curious about where her grudges stem from. I was glad that this was not brushed up easily and all the puzzle pieces actually fell into place without appearing as a deux ex machina or plot armoured.

The romance was neat and natural without being overly dramatic and mushy. I must say, did an excellent job portraying both the historical as well as modern versions of Tae Ha.

I don't think I'll rewatch this anytime soon. But, it's definitely good for a quick and enjoyable watch.

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"Into the Abyss."

The Devil Judge was hyped up a lot during its initial run and I only got around to watching it in 2023. The one aspect of it that makes it distinct from others I've seen is how well written and acted the characters were. As for the others… I'll get to them.

Revolving around the shady schemes set up by politicians under the disguise of goodwill in a dystopian society, the Devil Judge follows the eccentric judge Kang Yo Han, as he slowly plots their downfall. And the words of law that restrain him don't stand a chance. When a Live Court show is set up with him as the presiding judge, the public has a chance to decide the fate of the perpetrators. But, how will he fight against power and bring down the wrong doers to their knees?

Characters:

Kang Yo Han is THE deal and I wouldn't mind watching 16 episodes of his story alone. Complex, and ruthless. The word 'Justice' easily slips off our tongues, yet we see criminals get away with their crimes.
Yo Han makes pivotal decisions and dubious moves. By the end of EP3 or EP4, I began to slowly believe his intentions.
It was my first time watching Ji Sung, but he kicked the ball off the park with his performance. Will definitely be watching his other works.
I loved his hate-love attitude with Elijah. Both the actors captured their bond perfectly.

Yo Han was not somebody to mess with. It was thrilling to watch him blow up expectations and play with fire. His morales or lack of them thereof does not go unquestioned. Meet Kim Ga On, who plays this part.

Park Jin Young did his best with what he was given for sure, but I did not trust that guy till the very final episode. He might've been well written, so much that he managed to make it to the most idiotic characters I've met in my life list. I am not saying that he should've been complex or on par with Yo Han, but he couldn't even hold a candle against him.
If a character is written to be inexperienced, it must be done convincingly so. His family had fallen victims to a conman and he still manages to believe everyone. That too, he wildly jumps into situations without thinking twice or getting help. He was a grown up, yet he wavers in making every decision. He redeems himself, but all that was stuffed into one single episode.

The second character who was ill utilized was his best friend/love interest Soo Hyun. For a detective who graduated with magna cum laude, she fails spectacularly when it comes to being practical. Her entire arc was spent wasting on an investigation that seemed to be more inclined to soothe her personal vendetta against Kang Yo Han. Which was useless as more dangerous incidents kept happening and not once did she try to raise a finger or investigate the corrupt officials. She spent her whole free time on the church incident which makes no sense since her own friend Ga On told her that Yo Han never harmed him. She hides the fact that it was Yo Han who helped save a life. What was that for? The other thing which irked me was how she dove headfirst into situations without backup.

Sun Ah was a decisive villain with a whole plan. She had my sympathy as well as my hate. Sympathy due to her circumstances and hate for her shameless greed for power and validation. The only person whom she truly considered and respected as an enemy was Yo Han. I did think that her character was playing the "feigned innocence" demeanor a bit too over the top. But, the actress was insane with her performance. Particularly the final episode.

Shout out to Cha Kyung Hee, the spectacled director and K – they have my respect, limited screen time or not.

Others seemed to be written as their thoughts depicted them to be: clowns. But, highly entertaining clowns.

The OST was apt, not too bright, but intriguing enough. Nightmare by Sondia is my favorite one.

The last episode was too crowded. So many scenes that required an emotional build up were stuffed into one and a half hours. Plus, remove Ga On's stupidity and this drama would've wrapped up by EP13 or EP14.
All in all, it's definitely a worthy watch. There are moments where it loses it's momentum, but, as a whole, it's a 'don't miss it'.

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“Liking Boys is Innate.”

That’s it. This is the explanation that most people fail to understand. I'd suggest this movie to anyone who has just begun to step into the world of BL as I've several people cheer over gay people portrayed in media, yet say that they are against LGBTQ+, which is inhumane.
I do not know how much Taiwan has changed in the past few years, but this one was brutal to watch. This is more of a slice-of-life-amidst-crisis kind of movie, so if you are expecting some "wholesome" story with a neat ending a strong plotline... let's just say gear up.

Narrated to the Priest of their school by a boy, A-Han, the love story between him and a delinquent student Birdy, is slowly revealed. However, in times when homosexuality is considered a sin, how will the two manage to prove that their love was worth it?
I’ve decided that “Bestfriends to lovers” trope is one that I hate, but still torture myself with cause these kind of stories if portrayed well, manages to convey emotions like a punch in the gut.

It was difficult to watch for a number of reasons. There is a point in the movie where we see the gradual shift in its tone as both the boys try to “normalize” their lives, then there are the frequent inner conflicts of the characters that we feel through the screen, particularly due to the outstanding performance by both the leading actors.
I think the final scene of them as teenagers was the nail on the coffin for me. There are questions raised and Morales challenged, which is necessary.
The main song “Your Name Engraved Herein” was beautiful to listen to.
There were intense "NC" scenes that were a bit difficult for me to watch. But, kudos to the actors for being able to depict such intense emotions seamlessly.
Definitely worthy of a watch, even if it hurts you.

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Gripping, Raw Terror.

Do not mind the ratings ever for a Japanese Drama on MDL. JDramas have less viewers as compared to other countries and often users don't rate them on face value. So, give this one a shot... if you can stomach this.

I wonder what sort of insanity got into me that I decided to binge this series in a single go for 5 hours straight. The number of watchers and the positive comments made me quite curious

Agawa Daigo, a diligent policeman with an uncontrollable temper, moves with his wife and daughter into a new village "Kuge", after his predecessor resigns before mysteriously vanishing. Within the very first day, he is called in after the Goto family finds the body of their Grandmother in the woods in a rather bizarre condition. However, Daigo's suspicions pique after realising that the Gotos are desperately trying to hide something from him... or someone.

Warning: Cannibalism is a really strong backbone of this story. So, please be prepared for the worst. Some scenes can be traumatizing.

Right from the very opening scene, we know what was discovered by Mr. Kano, the previous officer stationed at Kuge. The series follows Daigo-san as he decides to get into the bottom of Mr. Kano's disappearance and the reason that finally lead him to that point.
I have to say, every single cast member played their roles excellently well. I don't think I would appreciate Daigo as much as I did had the role been performed by a weak actor. Daigo was certainly the character that I wanted to simultaneously cheer for, as well punch due to his extremely impulsive nature.
The villagers were plain creepy in the very first glimpse that we get of them.
The little kid Mashiro was someone who kept me on the edge of my seat till the final episode, but her character seems to have been underutilized. [There is a certain scene where I wondered why no one questioned her. Yes, she couldn't talk, but she seems to signal and respond well to emotions.]
The one character who intrigued me the most was Keisuke. He was indeed different.
If I could point out any 'letdowns', then it might be the predictability of the plot - this could also be because I distrusted every single person on screen and concocted various scenarios, so nothing came as a surprise.
The ending was expected, yet unexpected. Though, I do believe that a second season is necessary to tie up all the loose threads, the post-credits scene and the words of a character pretty much makes the future imaginable.
It was a knowledgeable, yet a gripping watch for fans of horror and mystery. 8/10 from me. (Deducted points due to some predictable bits.]

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Lovesickness At Its Finest.

I began this as a filler to watch Luo Yunxi in a normal piece of entertainment where he isn't spitting blood or in pain. And holy... I will not recommend this movie to anyone. Perhaps its directed particularly to a certain audience who have actually gone through such emotional turmoil, but unfortunately, I do not fall into that category.

Fang Fang, who has always had a long crush on her childhood friend Guo Yang, decides to pursue him regardless of what awaits. She gets a whole makeover after her Gaokao and finally gets together with him... Only to discover that she had grown excessively obsessed about him.

Boy... the girl Fang Fang was downright scary. The whole movie is told from her point of view, which slightly made me sympathize with her actions, but as a whole, she suffered from such a severe case of lovesickness that it made me glad that I had never been in love. Even the breakdowns in their relationship were never "real", but more due to the female lead's inability to communicate and her wild expectations.
Guo Yang was the regular popular music guy who liked her, but he was also someone who liked to put peoples' priorities over himself and genuinely enjoyed spending time with his friends. We don't see almost anything from his point of view, so I can't speak much about his character.

The lead actors were excellent, though. Well... they managed to give the "kids" vibes really well.
Music was almost non-existent, except for Guo Yang singing and a few mellow piano tunes sprinkled here and there. But, it fits the lonely theme of the story.

On a side note, I was surprised by some of the "Not for Children" scenes. Did not expect to see that in a Chinese Movie.

Overall, a skippable watch.

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"Strawberries, Cigarettes and Infinities."

The title is exactly how I'll 'literally' describe this one. Just like that Troye Sivan song with a twist. By the way, I strongly urge you to watch this drama first because stories like these are meant to be felt rather.

Kim Ji Hyun, a freshman fresh out of the countryside takes up a part time job at a busy restaurant near his University as soon as he lands in Seoul. There, he has an encounter with a popular university student, Seo Jae Won, while breaking up a fight in the bar. Jae Won, who has just returned from his military service, is an overly friendly Sunbae who thanks him and attempts to befriend him from the get go.
Still getting used to the scary bustling life of the Seoul City, Ji Hyun, perturbed and intrigued, decides to accept Jae Won's friendship, going to the extent of joining a Surf Club by seeing his familiar presence.
Jae Won, who has struggles of his own, finds comfort and happiness in Ji Hyun.
Their relationship begins to teeter on a balance scale as both of them attempts to come to terms with the changes taking place in their life.


Warning:
This is a full length headache inducing rollercoaster of angst, fish tanks, water, alcohol and art pencils. Maybe 'The Eighth Sense' might be enjoyable for only a certain niche audience as the characters are not the typical conventional type. It was purposefully made with the intent of resonating with the viewers and not for the sole aspect of enjoyment. Yes, there is enjoyment. But, it makes you reminisce and ponder. The directors, cast and crew put their all into this creation and their hard work is clearly reflected in the final product. So, a round of applause to everyone both behind and in front of the scenes.

The series floats on the strength of its very characters, may it be the introverted Ji Hyun or the extroverted Jae Won or even the supporting characters. At one point, we find ourselves being relatable to anyone in the drama. It's hard to talk about what the drama deals with without spoiling the plot… which is non-existent because the plot itself is the life of the characters and how they deal with what's being thrown at them. It's about the fears of opening up about yourself and fitting into the contours of the peoples' expectations about you (Jae Won) and giving away your heart and feelings that you treasure to total strangers and learning to adjust somewhere away from your comfort zone (Ji Hyun).

Their chemistry was on fire. I usually don't feel this way, but something about Ji Hyun and Jae Won just clicked into place for me.
It was not a sweep-off-your-feet romance. It was the hit-you-over-the-head-and-leave-you-muddled type of romance. Which happens to be exactly what I keep looking for. Just two people falling for each other in a natural manner without any flamboyance. It's just them and their feelings.

Friendship is another strong theme - Ji Hyun doesn't have many, but the ones he chooses are spot on - Ae Ri, Joon Pyo and his lovely boss. Then we have Jae Won, who has many, both the neutral and the good ones.
And… the scenes where the seniors forced their authority, threw their weight around, provided important advices gave me war flashbacks as I has been through a handful of situations like that, unfortunately.

Acting wise…
Jae Won was, perhaps, one of the most difficult characters to portray on screen. I'm beyond impressed by how Lim Ji Sub pulled it off so convincingly that there are parts of the drama I would not rewatch to save myself from emotional damage.
I related to Ji Hyun on a really scary level. So, his actions and responses were nothing strange to me. Also, for a rookie actor, Oh Jun Taek killed his debut. Every single character's portrayal was to a tee. Even Yoon Won, Ae Ri, Joon Pyo, Eun Ji and Tae Hyung.

The drama is also excellently filmed. Every shot, including the filters and the lighting were so beautiful. The last two dramas that managed to look aesthetically pleasing to me were 'Blueming' and 'The Forbidden Flower'. It managed to perfectly capture the essence and emotions of the characters.
The Soundtrack deserves an award as it managed to enhance the intensity of certain scenes.

The opening BGM by Unalaska will forever be engraved in my brain.

As for the representation of Mental Health. I have no idea about how accurate it was, but the last two episodes made me feel that the therapist was going to need a therapist.
Though initially planned as a drama with 10 episodes, it was mashed into a movie and I wonder if they straight up lifted scenes straight off the movie version and spliced it into this one, because there are some obvious jump cuts that can't be attributed to anything else other than poor editing. Particularly EP3 and EP4, where characters' conversations and even the BGM gets split in between.
The second last episode seemed so sudden and I felt like time sped up somewhere and I totally missed some stuff, but I still can conjecture where and what had happened. But, the timing is still confusing to me, but I shall forgive this drama for once.
I'm a jumbled mess of thoughts, but this one is definitely a solid 9/10 for me.
Imperfectly perfect and unique in it's own little ways.

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Wholesome.

If you are seeking to watch something quick and short, yet with a clear plot and a convincing cast, this one is for you.

After getting her face swapped and identity stolen from her by Shen Qin, the cunning daughter of the Prime Minister, Shi Qi, a painter must wade through dangerous waters in order to get her identity back. This includes deceiving her new husband whom she had married in Shen Qin's stead, as well as looping around the shady Prince Ning, Shen Qin's lover.

The plot is straightforward and doesn't mince words, neither does it become too illogical.
I am glad that this was not a full length drama as the shorter duration made it an easy viewing experience for me as well as the story was conveyed in a succinct manner.

The handful of characters were excellently portrayed by the cast. I was impressed by everyone's performance. Even the Military General.

There were some unexpectedly comedic moments amongst the overall ominous tone of the drama, and the romance seemed almost like a breathe of fresh air for Shi Qi, who for most of the drama, goes through emotional and mental stress.

Overall, it's a wholesome, yet serious and entertaining drama worthy of a quick watch.

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A Surprisingly Haunting and Emotional Drama.

My rating is a bit subjective —- I'm a sucker for old school ghost stories and have always had a certain liking for books and movies related to the paranormal and humans.
9 is definitely an overblown rating for a production such as this, but I might be one of the few people who had no trouble following the plot. (I watched the Uncut version.) And mostly, Something In My Room gave me a strong sense of nostalgia as it reminded me of the Mediator series, Anna Dressed in Blood, Hotel del Luna and Shadowkiss.

Most of such stories have repeated tropes, myths and endings. This might also be the reason why I liked this series a lot. One note for viewers who come for the "Romance": the drama isn't romantic per se. It is rather the side dish that comes along with the ghost mystery. If you are a fan of old school romantic ghost novels that we've heard a million times, this drama is perfect for you to binge through.

Phat and his Mom Chris move into a new home following his dad's permanent retreat into monkhood. Phat, who still struggles to come into terms with the separation instantly has a strong ill feeling at House No.88, but his mom refuses to listen to his very real concerns about it being haunted. Taunted into renting it by a weird neighbour/housekeeper Aunt Nuan, they attempt to settle in. Until Phat breaks down for real and seeks help from his friend Dream in order to find out more about the haunting. The ghost happens to be Phob, who is unfortunately an amnesiac. He needs Phat's help to find out who he was and move on from the living realm in peace within 49 days.

The first time I heard of the 49 day deadline was in Shadowkiss by Richelle Mead. Meg Cabot's Mediator series dealt with the concept of the dead staying around for a while, or wandering aimlessly until they find out the reason for their haunting. It even has the same premise: a ghost haunts her new bedroom and she falls for him. Trouble was that she did not know why he was still around. And would she keep him with her for her own reasons? Or should she help him and let him move on?

If Susannah Simon was a certified Mediator whose job was to purposefully help ghosts move on, Phat is the forced mediator who slowly warms upto Phob, who undoubtedly is a prankster and the only genuinely funny character in the entire drama. (Probably because he was an amnesiac.)
Something In My Room is not just about finding out Phob's true identity —- it dealt with heavy themes such as separation, death, goals, parental love, and the importance of life in general.

Phat and his Mom's relationship was a strong one. I adored how they really cared for each other and how Phat was ready to share all his secrets with her, whoever outlandish it might be. I absolutely loved this aspect of the show. Yes, somethings can't be revealed without stirring ill emotions, but their genuine understanding and support for each other is a highlight. Both the actors nailed their roles. I particularly liked Phat's 'introvert, but secret extrovert' attitude. He was funny in the beginning, but he is definitely one of the most loneliest characters I've seen. This is a largely negligible point, but I've seen "heteronormativity agenda being pushed into everyone" arguments. Personally, from my observation, Phat starts appreciating and falling for a person based on how close he was and how much he knew them. Not because of their sexual orientation or looks.

Phat's friend Dream was interesting in her own way. I've heard that she was badly written, but I think they randomly added the plot in to show how difficult it was for her to accept herself and her father's deeds. Also, as I said, I'm a sucker for ghost tropes, which might be the reason this part did not annoy me. Luck was the only character who was really "off". He piqued my curiosity, but his real trouble was with himself.
Ghost stories, especially long ones, come in with filler content.

Phob is definitely the real hero. Mostly, because when we begin the drama, he is a fun loving jester who has zero idea about himself. This slowly starts to change as the story progresses and we begin discovering bits of his memories. Kudos to the actor who played him as there were emotional scenes that were just plain hard to watch. (Apparently his past role in a BL romance left many viewers hopeless, but I guarantee that this one can change your mind.)

Luck was one character that they could've done away with. His sceptical view of events and his own trauma appeared conflicting to me.

Production wise, it's evident that they were short on budget. The editing is not perfect. On episode 5 and 6, there is a play performed by a character and I still do not know what was real and what was fake. Or I might just be too stupid to appreciate his art.

There are scenes that appear to be still missing, particularly in EP1. Product Placement was minimum, but when it did appear, they did not even attempt to hide the promotion. Nothing is prim and polished. It irked me so much that House No. 88 was always dark at night. Yes, Phat's mom was out of the province, but that doesn't mean that the electricity went with her, right?

The BGM was beyond fantastic. Particularly the synthwave that played during the first time that Phob meets Phat in his dream and the finale.

Extra round of applause to the screenwriter for the very satisfying conclusion. The FB scene is one of the most bittersweet moments I've seen on TV. The finale can be interpretted as either sad, bitter or happy. But, it's definitely an ending that nobody would easily forget. This is definitely an easily bingeworthy watch which I would highly recommend to lovers of ghost stories.

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Same Crime, Different Times.

Signal is a drama that is never missed in a list of thriller recs. Although the MDL synopsis seemed a bit boring to me, I decided to give it a try.

Park Hae Young, a detective, has an open disdain for the police force in spite of working for them. He had witnessed cases being handled for the sake of it's completion and his very own brother framed for a crime he never committed.
Chae Soo Young, his senior and team leader is unforgiving to this attitude, but she realizes that he had more spunk in him. Her sunbae, Lee Jae Han had disappeared 15 years ago.
Fate intertwines the three of their lives after his walkie-talkie that was about to be disposed off is found by Hae Young… leading to a chain of events that create waves in the past and it's ripples in the future. As Hae Young and Jae Han solve the past and the present, Hae Young seeks the answer to Jae Han's disappearance.

Hold onto your seats, because Signal is a mixture of thrill, mystery, suspense, despire, melancholy and various other heart wrenching emotions. The first few episodes deal with regular gory and disgusting cases, both in the past and future timelines (connected by the radio transmissions between Hae Young and Jae Han). It is during the later episodes that the ultimate dark side of the plot is revealed: Jae Han's disappearance.

I did not care for any of the characters initially. We don't see the inner workings of several of them, including Detective Cha. All the events seen through Hae Young's eyes, and his hatred for the police, made him one of my favorite characters. I have never seen the leading actor's performance before, but I'll definitely be checking them out in the future. Jae Han was a typical tsundere puppy whom I grew to slowly adore over the course of time. I loved his bravery and tenacity when it came to solving crimes.
I enjoyed seeing the two sides of Soo Young —- the inexperienced rookie cop and battle hardened detective.

Particular praise for the actor who played Kim Bum Joo, an utterly despicable and corrupted Chief of their Precinct. I wanted him dead until the very end.
The rest of the cast delivered stellar performances, even the minor culprits who popped up.

I loved how every case was solved and handled. As usual, the cops got on my nerves more than the killers. The stress was 100% real and my blood boiled whenever the cases were overturned. I feared for the life of the characters. I hated the villains. I adored the glimpses of family, loyalty and affection that were strong backbones of this drama. The music, especially the BGMs were spot on - I can recall several scenes because of it.

Definitely a must-watch (or must try) for fans of crime and thrillers.

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The Chae Family Chronicles.

I expected something subpar by seeing the MDL ratings. This drama is perfect for viewers as a palate cleanser… if you are not much bothered by office banter and business. I have zero idea about how a cosmetics company works, but seeing a fictionalized portrayal of it through this drama was engaging.

The story as a whole does not belong to the main characters alone. Chae Hyung Seung, a marketting trainee under the guidance of Yoo Song-ah (his sunbae), knows his emotions well: he has a terrible crush on his Sunbae. Her lack of awareness about his feelings doesn't deter him from giving hints nevertheless, but his hopes are dashed after he finds out that the object of his affections already was in a secret relationship with the Branch Manager, Lee Jae Shin. Hope springs eternal when he discovers that the BM had a skeleton in his closet too: he was engaged to Hyo Joon, the granddaughter of the company's chairman. With the help of his sister, Chae Ji Seung, who makes wedding dresses, he forces Song-ah to witness her partner's back stabbing at Ji Seung's store.
A broken Song-ah is desperate to break off her sincere emotions, and Hyung Seung decides to veer fate in his favour, despite the endeavours he would have to go through, both personally and officially.

I was slightly creeped out by how absolutely persistent Hyung Seung was in chasing his Sunbae. (I'll just use that term.) I did find his feelings to protect her quite sincere, despite how trenchant he sounded while warning her against pursuing Jae Shin. He slowly grew out of it once he knew his feelings were out in the open. While he was a more lighter character, both his sisters stories are explored just as thoroughly as his. His second Noona and her 7 year old daughter were some of the scene stealers.

It was suprising to see Hyung Seung's entire family in the spotlight, which was why I decided to title my review as mentioned.

Song-ah aka Sunbae had a lot going on in her plate. Her repressed emotions got the best of her at times and her crying scenes were heart breaking -- Kudos to Wo Jin Ah for that!
But, I did wish that I got to see some of her mother's point of view. Her slowly growing to learn about Hyung Seung was interesting to watch and I loved how open she was about her thoughts. I found her romance with Hyung Seung quite calm, warm and healing.

Now... Jae Shin was an idiot. As the story progresses, I could see why Sunbae fell for him -- he had the potential to be a male lead, but threw his chance into the trash can right in the very first episode.
Although, I admire his perseverance in the business field, romance wasn't good for him.

The office gang was a surprising highlight of the drama. The rapport and support among it's members were delightful and heartwarming. I adored Lee Jae Woon's comedic moments.

The OST was absolutely beautiful, particularly the BGM at the end of EP1 and the end of EP16.

"She Would Never Know" is the most suitable title if we view it from Hyung Seung's point of view since he is the one who gets the ball rolling -- his Sunbae would suffer utter despair and humiliation if she doesn't know about what was going on behind her back. But, I find the original title more endearing and incites
A sense of curiosity: "Sunbae, Don't Put on That Lipstick".

Well, I discovered why he said that. It was a warm drama and I'm sure that I would probably rewatch it once again when I'm in need of a refreshing change.

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A Perfect Closure.

This little scene was hastily put together by the creators as a thank you for their international audience and I couldn't be happier. It continues a few years after the ending of Someday or One Day and gives a short glimpse of what awaits our characters in the future. It's fulfilling and heartwarming. I do know that some might find it bitter, but I'm glad that the writers stuck to the logic of the original world and served justice to all the characters. We get to see our favourite characters once again. Though, I still don't know how certain events will work out, it still gave me some sort of hope that everyone I cared for were off to a brand new start.

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"Sorry for lying."

I first heard about the Liar Game while Imawa no Kuni No Alice trended back in December 2020. I decided to watch this while the Squid Game hype was ongoing as I've seen several people prefer Liar Game as the top choice when it comes to games involving mind tricks.

☆ The first episode almost had a comedic effect on me. Kanzaki Nao-san, a girl who is so used to believing everyone and speaking the truth that she is nicknamed as "stupidly honest". When she receives a letter and a box with 100 million yen, she accidentally agrees to participate in the "Liar Game". The first task involved stealing your opponent's 100 million yen or losing the game and returning the 100 million you owned as a form of debt payment. She is relieved to find out that her 'opponent' was her old middle school teacher. Discussing the issue with him, it's not long before she is tricked out of her own 100 million yen by him. Now at the verge of being a victim with a 100 million yen debt, she takes a desperate action: begging for help from a con artist who was fresh out of jail.

☆ I did not see what was coming. As I was not well informed about the plot, I was blind to several things that happened. But, the hero himself deserves his own paragraph. Akiyama Shimichi, who was jailed for three years for defrauding a pyramid scheme organization, is astounded by Nao-chan's stupid honesty. The exact moment that he gets down to help her is the point where the drama changes tracks. He is no ordinary or extra talented hero; he is plain experienced con artist who was also possibly a valedictorian of his University. His method is not exactly simple, but it's evident that most of his skills are acquired from experience. Intelligent and meticulous in his game, he wove plans involving tricks and deception so much that by the end of the drama, I did not trust a single one of his actions. He was pretty much ruthless till the very end. Nothing magical changed him. He had his own judgements and plans when it came to everyone.

☆ The games: the only thing I can proudly boast about is that I successfully managed to pass the Trail game in Round 2. If that counts. The trouble with this drama is that it keeps you at the edge of your toes, playing the game right along with the actual players. And there was no loophole out of any of them. Everyone of them required pre-planning as to what the players were betting on: losing or winning? Both of the choices had their own drawbacks. And in a room full of people desperately trying to avoid a debt stricken condition, how could one guarantee that no one would lie to win? If Akiyama-kun wasn't there, 60% of the cast, including our heroine Nao-chan might've 100% ended up in debt. But, that doesn't mean that the other players are imbeciles. Though not on the level of a well experienced con artist, they knew their tricks well. But, same as before, I did not trust a single player by the end of the drama.
The timing of each game was really reasonable. But, it also showed how much our mind convolutes itself during critical moments. Though the games were pretty simple, what mattered was the result or the choice that each made, making the final decision absolutely nerve wracking to watch.

☆ What I found particularly striking about it was the unpolished and raw storyline. The plot and games were on point. No draggy episodes, no moments of intense emotions. The story was also insane when required. It pretty much puts the female lead through a duck press multiple times until the very end. All characters go through moments of doubt and despair. I found the punishment of living with a monumental debt even more intense than instant death. It was something that could lead to psychological distress and possibly a life of depression. The purpose of the Liar Game was intensely explored during the final few episodes.

● The Drawbacks:

☆ Nao-chan is incredibly naïve. She is called stupid multiple times and very reasonably so. The good thing about her was how she handled matters and was mature enough, unlike many female leads, who are just noisy.

☆ The *bad guys* of the drama or the villains of the moment were really comical or anger inducing. Almost a combined eight minutes were spent on the overdramatized laughter and tears.

☆ Liar Game was released in 2007, 14 years before this review. Unlike the more well polished production that all recent dramas have, this one appears distinctly outdated. The colour grading seems off in several places. It had freeze frames, close up shots, and effects that me me mad.

While there is a high chance this drama will get buried as the years go by, I'm glad that I finally decided to watch it. It was a well planned and excellently executed drama that would be remembered by the ones who saw it.

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