This is wonderful
I didn't expect this to be that good based on the rating here but this is such a beautiful and affirming story. The central love story is slow burn but there is wonderful chemistry, and the dynamic between them is quite different than we've seen in a BL before.
This is a rural setting, and while the characterization and story is more realistic than a typical BL, there is still the element of fantasy that defines the genre.
At first I didn't really find Yamato all that appealing, but it didn't take long for him to win me over. The story is about one man trying to find his place in the world, and another who has, but due to his past is too afraid of being abandoned to open himself up to love, and the resolution of this is beautiful, with an especially nice touch of it hingeing on the love and kindness of a stranger.
I really need to watch it again as there was a lot of symbolism and shading that I only half caught because too much of my attention had to go to reading subtitles, but the director's gradual ramping of the warmth of the film as it progressed was artful.
A lot of people have described this as "laid-back", but I didn't feel it that way - I thought the coiled despair and fear of all the main characters was a palpable tension that underlaid the film until its end. There is zero external drama in this - it's entirely character-driven, which is what a good drama should be.
One negative, at least for me, was the score. It wasn't just entirely Western, it was very specifically Irish, which felt out of place - especially the use of the song Oh Danny Boy and the instrumentation. It didn't have to be gagaku or all played on koto, but I didn't understand this decision and it was a bit jarring and even annoying at times.
I have the story and acting a 9.5, the music a 6, and rewatch value 10 - in fact I'm going to rewatch it right now.
This is a rural setting, and while the characterization and story is more realistic than a typical BL, there is still the element of fantasy that defines the genre.
At first I didn't really find Yamato all that appealing, but it didn't take long for him to win me over. The story is about one man trying to find his place in the world, and another who has, but due to his past is too afraid of being abandoned to open himself up to love, and the resolution of this is beautiful, with an especially nice touch of it hingeing on the love and kindness of a stranger.
I really need to watch it again as there was a lot of symbolism and shading that I only half caught because too much of my attention had to go to reading subtitles, but the director's gradual ramping of the warmth of the film as it progressed was artful.
A lot of people have described this as "laid-back", but I didn't feel it that way - I thought the coiled despair and fear of all the main characters was a palpable tension that underlaid the film until its end. There is zero external drama in this - it's entirely character-driven, which is what a good drama should be.
One negative, at least for me, was the score. It wasn't just entirely Western, it was very specifically Irish, which felt out of place - especially the use of the song Oh Danny Boy and the instrumentation. It didn't have to be gagaku or all played on koto, but I didn't understand this decision and it was a bit jarring and even annoying at times.
I have the story and acting a 9.5, the music a 6, and rewatch value 10 - in fact I'm going to rewatch it right now.
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