Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Both productions tell the story of the same man - Lee Rock (Lui Lok), a.k.a one of the most corrupted policemen from Hong Kong

Male leads in both productions decide to embark on a cycling journey - in Island Etude it's around Taiwan, while in August it's in Tibet

Both movies focus on self-healing journeys of the respective male lead, as he treks/cycles through Tibet

The sixth episode of Isu has a very similar premise to Indian Pink - where both of the leads are oh ever slightly unreliable narrators.

Both films are arthouse productions that tell the story of men who have to deal with either colour blineness or inability to understand words and the way they cope with it

Both are essentialy the same footage re-edited differently; if you loved either of these versions, you HAVE to watch the other one.

Both are Japanese arthouse films with non-linear storytelling where past affects the present; both feature sets of characters that are seemingly unrelated but have small details that connect them together