Both involve the use of a phone as a time bridging element to change something that happens in the past. Both cases to save a loved one.
Both involve the use of a phone as a time bridging element to change something that happens in the past. Both cases to save a loved one.
Both involve the use of a phone as a time bridging element to change something that happens in the past. Both cases to save a loved one.
Like Bossam, in Maids we have a relatively well off female aristocrat who is uprooted from a sheltered life and must adjust to a peasant's reality.
The process is not smoothened by an initially harsh male lead who has lived that reality for most of his life, while hints are tossed around that his social status is something greater.
Similarly there is the presence of a former love interest of similar status to the female lead who is even after her fall from grace, still eager to keep the flame alive whatever the cost.
The process is not smoothened by an initially harsh male lead who has lived that reality for most of his life, while hints are tossed around that his social status is something greater.
Similarly there is the presence of a former love interest of similar status to the female lead who is even after her fall from grace, still eager to keep the flame alive whatever the cost.
Both shows feature an older protagonist who feels as if they are just now in the twilight of their lives getting to pursue something they've always wanted to do.
In Not Played, it's s an older housewife who discovers a love and talent for billiards much to the dismay of her family like in Navillera. In the process of pursuing that passion, they also help a much younger and somewhat wayward co-star become reenergized towards their passions as well.
In Not Played, it's s an older housewife who discovers a love and talent for billiards much to the dismay of her family like in Navillera. In the process of pursuing that passion, they also help a much younger and somewhat wayward co-star become reenergized towards their passions as well.