Wakui Emi is absolutely PERFECT (no surprise here, LOL), but also most of the remaining supporting cast did a wonderful job, from Matsushige Yutaka to Sato Megumi, from Watase Tsunehiko to Katsura Kichiya, from the lovely Miyajima Mai to Kato Toranosuke, from Kabira Jay to Kimura Yuichi etc. etc. - seriously, it's easier to name the very few exceptions, i.e. the moronic uncle (Kyomoto Masaki is 20 years older than Hara Sachie and the layers of makeup and flashy clothes he wears are supposed to make him look younger, but he ends up giving a strong 50-something-drag-queen vibe; you'll forgive me if I don't find realistic that Natsuko-san falls for him, ne?), the clichè-but-mostly-useless-grandma (I don't like when the elderly are written in scripts as mere ornaments, really; compare this with Churasan's obaa-san and you'll see the difference: now, THAT's an obaa-san, not this ghostly presence!) and the annoying new apprentice, Kososo. Furthermore, rakugo makes for a very interesting and refreshingly original topic (though "Tiger & Dragon" wins hands down there...but that's another story) and throughout the whole dorama, music is an extremely pleasant accompaniment ("Furusato" and the opening credits music most of all!). So why "only" 7/10? Well, sorry if I'm too blunt, but I found both Kanjiya Shihori (whom I also didn't like in the otherwise great movie "Swing Girls") and Aoki Munetaka extremely annoying - and as much as it pains me to write this (me being a Hanshin-fan and whatnot), I have to admit that so was the constant use of Kansai-ben (seriously, now that I've finished watching this, I don't wanna hear another "-hen" nor "-han" for at least six months, LOL!). Anyway, Aoki's character's stage name happens to be perfect for summing up 151-episodes worth of dorama in just two syllables: So-So! :/