scenophile
Low stakes and oversaturation of characters
Before going into this, it was already pretty clear that Strong Woman DBS, which had one of the most iconic kdrama couples ever, was a difficult act to follow. I'm going to try and get all the comparisons out of the way first. While I wasn't a HUGE fan of the humor in SWDBS, it knew well enough to take serious moments seriously, and everything else was strong enough to make up for it; I loved the leads and the murder plot was thrilling and high-stakes. This drama has the same issue with its humor, but its other aspects are either weak or worse.
The humor just isn't my style at all. There's a lot of physical humor and over-acting; it might be fine if it was only used in select moments, but I felt like it permeated every second of drama, even big fight scenes and what should've been tense moments with antagonists. Overall it made the entire tone of the drama seem kind of off — as if nothing actually mattered because it was all for laughs.
The drug plot felt low-stakes not just because of the tone, but also just because of the way it was written. I don't think anyone going into this drama should expect any profound commentary on drugs or class issues in South Korea. The drama seems to try every once in a while with an offhanded comment, but it really doesn't go much deeper and it's even self-contradictory sometimes. There's parts where they touch upon it, but they also make its lead a "good billionaire" because she's kind with her money and because she pulled herself up by her bootstraps. It felt contradictory to any commentary, just so viewers could get some #girlboss moments.
In terms of characters — I'm not a fan of ensembles to begin with and this drama is a good example of why. It felt like there were so many characters and so many subplots that none of them got enough screentime to be complete, and less important subplots took over more engaging ones. The drama spent SO MUCH screentime on the grandmother's romance, which felt slapstick and unserious, while Namsoon and Heeshik's screentime began to dwindle. And as the drama went on it felt like more and more antagonists were getting introduced as random side characters, and because they served no purpose other than to trigger plot points and had no backstory or personality, they began to blur into each other.
The only antagonist that really had a good story was the villain Ryu Shi-O, but my bigger issue with him plays into my low-stakes criticism. He was just...a bad villain. He has physical abilities, sure, but his plans, goals, and motivations weren't that clear, and most of all I just can't believe that he couldn't piece together anything our protagonists were planning when they were being so obvious about it. I mean...Namsoon's acting...
With so many things going on, romantic lines didn't have enough screentime for good development. I'd already mentioned not caring about the grandmother's romance, and while Namsoon/Heeshik were the best in the show, it felt like they didn't really go deeper than both of them being cute.
Honestly, I think there's an audience for this somewhere out there — maybe someone who likes quirkiness and shenanigans — but it's not me. I'm giving this a 2 (and not a 1) just because it didn't utterly infuriate me as much as me just not really caring.
The humor just isn't my style at all. There's a lot of physical humor and over-acting; it might be fine if it was only used in select moments, but I felt like it permeated every second of drama, even big fight scenes and what should've been tense moments with antagonists. Overall it made the entire tone of the drama seem kind of off — as if nothing actually mattered because it was all for laughs.
The drug plot felt low-stakes not just because of the tone, but also just because of the way it was written. I don't think anyone going into this drama should expect any profound commentary on drugs or class issues in South Korea. The drama seems to try every once in a while with an offhanded comment, but it really doesn't go much deeper and it's even self-contradictory sometimes. There's parts where they touch upon it, but they also make its lead a "good billionaire" because she's kind with her money and because she pulled herself up by her bootstraps. It felt contradictory to any commentary, just so viewers could get some #girlboss moments.
In terms of characters — I'm not a fan of ensembles to begin with and this drama is a good example of why. It felt like there were so many characters and so many subplots that none of them got enough screentime to be complete, and less important subplots took over more engaging ones. The drama spent SO MUCH screentime on the grandmother's romance, which felt slapstick and unserious, while Namsoon and Heeshik's screentime began to dwindle. And as the drama went on it felt like more and more antagonists were getting introduced as random side characters, and because they served no purpose other than to trigger plot points and had no backstory or personality, they began to blur into each other.
The only antagonist that really had a good story was the villain Ryu Shi-O, but my bigger issue with him plays into my low-stakes criticism. He was just...a bad villain. He has physical abilities, sure, but his plans, goals, and motivations weren't that clear, and most of all I just can't believe that he couldn't piece together anything our protagonists were planning when they were being so obvious about it. I mean...Namsoon's acting...
With so many things going on, romantic lines didn't have enough screentime for good development. I'd already mentioned not caring about the grandmother's romance, and while Namsoon/Heeshik were the best in the show, it felt like they didn't really go deeper than both of them being cute.
Honestly, I think there's an audience for this somewhere out there — maybe someone who likes quirkiness and shenanigans — but it's not me. I'm giving this a 2 (and not a 1) just because it didn't utterly infuriate me as much as me just not really caring.
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