Loved: Tanimura Mitsuki gives an excellent performance as Keito - the awkwardness and embarrassment of her character is conveyed well. Kurokawa Tomoka also does a good job as Keito's Lolita friend Momiji (although I think she looks too old for the role). The ending feels complete and is a natural progression of the story.
Didn't Love: I was disappointed the dorama wasn't as true to the manga it is based on as it could've been (they seem to have combined two characters into one and introduced a completely new one). Also, the ramifications of Keito's traumatic experience as a child aren't conveyed as well as they were in the manga. Similarly, the friendship/rivalry between Keito and Nako doesn't come across as complexly as it should. The cliché of a jealous, selfish rival is not new and adds little to the dorama.
Despite not living up to my initial expectations (those who haven't read the manga will probably enjoy the dorama more than those who have), Cat Street still manages to capture the original feeling of genuine friendship between the main characters. It can be a bit slow at times, has little comedy and a distinct lack of eye-candy - it's best suited to the serious viewer interested in the exploration of the complex feelings of the human heart.
Didn't Love: I was disappointed the dorama wasn't as true to the manga it is based on as it could've been (they seem to have combined two characters into one and introduced a completely new one). Also, the ramifications of Keito's traumatic experience as a child aren't conveyed as well as they were in the manga. Similarly, the friendship/rivalry between Keito and Nako doesn't come across as complexly as it should. The cliché of a jealous, selfish rival is not new and adds little to the dorama.
Despite not living up to my initial expectations (those who haven't read the manga will probably enjoy the dorama more than those who have), Cat Street still manages to capture the original feeling of genuine friendship between the main characters. It can be a bit slow at times, has little comedy and a distinct lack of eye-candy - it's best suited to the serious viewer interested in the exploration of the complex feelings of the human heart.
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