This review is based on the 3h director's cut.
Shunji Iwai has a way of making me think about his works for long after I watched them. The lack of objective perspective that would reveal the true version of events, and abrupt cut of scenes always leaves room for interpretation. A melancholy portrayal of themes such as loneliness, companionship, conformity, outward appearances, all in the age of social media.
The performances were excellent. A wallflower who conforms to what others want, Nanami is the type of character I usually like to hate on but thanks to the depth given by Iwai and Kuroki Haru's portrayal she was endearing. Cocco's Mashiro is the opposite of Nanami. She is vivacious, a bit of an airheaded and flighty person on the surface but is actually introspective and carries a lot of pain. Ayano Go, a chameleon actor plays a chameleon character who changes his appearance to fit a situation. We know the least about him but he is the one who moves the story forward.
The story might get confusing at times but the puzzles eventually start falling into place. It is mostly character focused. Most of the questions left unanswered revolve around Amuro and his motives behind literally every action he takes. Is he a stone cold bastard, savvy businessman, charitable prince, human-chess enthusiast? all of the above?
The music wasn't epic but it complimented the film nicely with the classical pieces. I tend to re watch films that I like although I have seconds thoughts about films that are long. But I didn't check the time at all during the 3h and this one is compelling me to give it another go sometime in the future.
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