Frankly, I'm not a fan of shallow, adolescent love stories. (Not necessarily because they are not good, but I guess I am too old by now. The topics are not mine anymore.) I'm interested in somewhat more complex, mature characters and differentiated relationship studies - preferably in an distinctive (Korean) context with additional historical, cultural or subcultural insight.

"Moon Lovers - Scarlet Heart Ryeo" originally goes back to a Chinese story. The movie adaptation was a great success and so here comes a Korean remake - the plot is unceremoniously moved to the Goryeo of the 12th century and a controversial historical ruler is portrayed on that occasion: the 4th son of the founder of the Wang dynasty (who ruled the Goryeo Empire for over 400 years) King Gwangjong, born under the name Wang So (925-975).


----------------------- SIDE NOTE --- King Gwangjong
Some historical sources have led to the interpretation that he was a right-wing tyrant, but more recent evidence suggests that he implemented the major reforms that laid the foundation for a solid kingdom for more than 4 centuries. This character has also appeared several times in KDrama, for example in "Taejo Wanggun" (2000), "The Dawn of the Empire" (2002), "Empress Chunchu" (2009), "Shine or Go Crazy" (2015) or here: "Moon Lovers - Scarlet Heart Ryeo" (2016).

Wang So had three older brothers (Wang Mu, Wang Tae, Wang Yo), 20 half brothers and 7 half sisters. From this, one can firstly see that he was not actually considered for the line of succession, and secondly suspect that King Taejo kept several wives at court. As life goes, all three older brothers died for different reasons and in the end the crown accidentally fell at Wang So's feet.

After a turbulent period of 3 kings in quick succession, King Gwangjong re-established a stable, centralized government with a strong, loyal army and 7 peaceful years before the aristocracy rebelled against his reforms (which came at their expense). One of his innovative reforms concerned slave ownership, which he had officially checked for legality. When in doubt, the slaves became free people and taxpayers (while their former masters began to lose influence...) However, putting down this rebellion of aristocracy earned him the reputation of a bloody tyrant.

Another reform was the introduction of a national civil service examination, which lasted for almost 950 years. This replaced the pure nepotism previously practiced in filling political offices with performance and ability. At the same time he laid the basis for Confucianism as a principle of social order. He also introduced a dress code at court, from which the respective rank could be read from the colors.

King Gwangjong married his half-sister and two nieces. This is unique in Goryeo's history, as it was more common at court to marry outside of the bloodline in order to gain allied lordships. Gwangjong, on the other hand, relied on a strong, purely royal bloodline. After all, he ruled for 26 years and set the course for the next 400 or so.
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Back to the KDrama. Unfortunately, the plot that was spun around this dazzling historical king and his family is a bit shallow and predictable at times. Sometimes it reminded me of a harmless, colorful teenage boarding school flirtation. (I obviously don't quite correspond to the target age group there...) But then, furthermore, the story offers unexpected depth and emotionally touching scenes, too. After all, it also comes along with some exciting and visually stunning sequences and an atmospheric soundtrack. I initially ended up there for ´actress´ IU in the first place. In fact, I discovered Lee Joon-gi (as Wang So) in this KDrama. In my eyes it is his down-to-earth charisma (and maturity?) that helps to overcome some weaknesses in the script.

An attractive dramaturgically dynamic component is the leap in time, through which the approximately 20-year-old Go Ha-jin (IU) suddenly ends up at the court of the royal Wang family - in the midst of the numerous sons and half-sons of King Teajo... As a woman from the future, she brings fresh air and a cheeky spirit into everyday palace life, which is characterized by distrust and intrigues. The various mothers are prepared to do almost anything in order to secure a royal career for their precious princes. At the same time, the modern Ha-jin in her idiosyncratic way brings the blue blood of the king's sons (some of whom are still quite pubescent) to a boil, thus providing additional competition among the boys on top of the already existing succession rivals ....

A nice, charming, entertaining, but rather lightweight KDrama-tour into Korean history.