In “The Whirlwind,” the old masters of Korean film and television use their strong aura to demonstrate what it means to truly want to represent transparency and democracy in South Korea 2024. Even after several decades of 'real' democracy, the political apparatus still feels like a vice in the hands of a few in a backroom and every idiosyncratic move inevitably leads to pain. Here we see the top-class veterans Sol Kyung-gu and Kim Hee-ae and a few more in a Netflix production that has substance and intensity and decisively highlights a major dilemma within the South Korean political scene. A great script with characters who are not just black or white, but full of shades of gray.

2024, as I said. Unfortunately, the struggle to act politically honestly, or to curb corruption and illegal influence by the Jaebeol conglomerates, obviously still is a Sisyphean mission... But there is this longing in the country – a desire that politics will at some point be done by responsible, accountable citizens and not manipulated by this 1 percent of the Jaebeol elite, using the system for their own benefit. ((On the other hand, as a mass, that is all too easily manipulated by misleading information the (in theory powerful) people ultimately doesn´t impress as a source of hope... Sobering. Unfortunately.)) Obviously it is difficult to change the sluggish but powerful apparatus. However, the more scandalous conditions and dynamics are clearly communicated through the media, the more the shiny elite may become disenchanted (as in "The Whirlwind"). And perhaps - the more this happens - at some point the general public will no longer be so easily swayed and deceived. Perhaps, slowly but surely, the number of those, who dare to oppose the whims of the so-called elite, no matter the cost, is against all odds growing. And maybe more and more will follow over time. This is, where “The Whirlwind” is coming from...

In 2024, South Korean politics is no longer just a male affair. Nevertheless, the world of decision-makers is still a world of cliques, and if one person is not willing, then force will be chosen. The pattern seems to be the same forever.
And yet. In this KDrama we are dealing with a protagonist, who doesn't care about all the headwinds. He isn´t impressed. He doesn't want to be bought and is resisting temptation. He might become a role model, yet he is driven by his own interest. He cares about the cause, the idea, his political values, and he risks everything for it. The end - the good, honest one - justifies the means. And suddenly an upstanding citizen also attracts others, too. He embodies a longing, stands for a hope that is truly shared by many - even those who have learned to function well within the corrupt apparatus. Where there is a will, there may be a path, but it can be rocky, swampy and, in some places, hopeless. Once again a brave David has faced off against a complacent Goliath. And if he's not careful, even our ambitious David may imperceptibly stray from the right path on his way to an honest goal. Because in fact, not every means justifies its noble end... When it comes to a world of responsible citizens who are equal before the law, then it is at the same time and first and foremost about accountability and about taking (lawful) responsibility for one's own actions. In all consequence. This equally applies to everyone, too. Uncompromising. Without exception...

So, overall I consider “The Whirlwind” a very well done, substantial, self-critical, thought-provoking Korean-style political drama.