Discussing tone in the context of a review is tricky. A show’s atmosphere is something so ephemeral it’s hard to even define, much less evaluate. That being said, The Return of Iljimae is most remarkable for its evocation of mood. A fantasia in a minor key, it weaves a bittersweet, melancholy spell, accented not so much by its characters’ tragedies as by their loneliness. Intentionally structured like a storybook (complete with an initially over-intrusive narrator), the show jettisons many of k-drama’s structural clichés as it follows the growth of its protagonist from innocent young man to wiser hero. Jung Il Woo gives a lovely (in more ways than one) restrained performance full of moments of quiet sweetness and pathos. Jung Hye Young, as his mother, is also exceptional, radiating warmth and longing. There are plenty of fight scenes and large helpings of occasionally distracting slapstick comedy, but the show never loses its contemplative feel. The characters find fleeting moments of connection in sex, friendship, compassion, and sacrifice but the world’s injustices are always there, calling them away from comfort. The show suggests that heroism is not a natural gift, but something learned and struggled for and easily lost if the passion for justice tips over into hatred. There are occasional missteps, including a bizarre first episode, but once the show finds its rhythm, it becomes a hero’s journey very much worth the taking.