A tale of two girls. A yanki and a lolita. What an unusual combination. What a great friendship. Set in a small, rural town that's bounded by closeness where every thing you need is right there (Jusco in this case) and every one probably knows each other. This setting represents the reality for the two leads. A reality that they wish reject. Momoko rejects through her love for lolita fashion. It represents a fantasy world—a means of escape. Ichiko (real name Ichigo) rejects this through being a yanki and a member of a biker gang. It represents a different identity, even changing her name from strawberry (Ichigo) to another one as she hates it—a rejection, a means of escape. This all shows a desertion. An exile in to their own worlds by two different, almost outcast young girls. Living in a tightly knotted community, being different sticks out. And they certainly do. But they don't like that. This unity and conformity does not approve of their different-ness. And it's this different-ness that actually brings them together. Momoko, who sees herself as always being calm even seeing animals die, has found happiness in seeing her friend happy. She tells her friend: If it makes you happy, take it. A yanki, belonging in a gang rejects conformity and chooses to live for herself. In a way, the comedic aspects and sometimes random parts of the film is a mockery of their reality, the one they choose to reject. It acts, in a way, the fantasy world they choose to escape to—just like Himiko and her legend, just like Roccoco. In their wishes to escape to their own world, they give up having friends (in school/in their gang), a partner (romantically) but this desire for escape brings them instead, to each other.