Anyway, this movie is like a mockery to the lack of law in South Korean (if not anywhere in the world) justice system. Ethics? What ethics? As the Korean saying goes: "Give it to the dogs". This movie portrays moral ambiguity to the degree which all the characters connive for their own benefit. It's all about the survival of the meanest and the lowest. Cops and criminals are just the same. They are like twins who are separated from birth, but still share the same genes.
This movie captures a familiar observation about bureaucracy and corruption and lending them a new poignancy. Fast paced and skillfully edited together within amazing visual narrative and non-stop high pitched dialogues, which makes this movie gripping and culpably entertaining.
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Safety is Life
The Unjust took direct aim at the abuse of power and systemic corruption from the institutions who were supposed to be arbiters and bastions of justice. No layer within the buildings designed to protect and serve was left unsullied from the top to the bottom. This film was a bleak political thriller and at times, dark comedy.Chief Choi, brilliantly played by Hwang Jung Min, has been repeatedly passed over for promotion. He throws in with his boss never dreaming of the cost. There are cases intertwined that end up in a stranglehold around him. A building development with bribery issues with the prosecutor in league with one gang and Choi working with the rival criminal developer and a serial killer where the suspected perpetrator is killed by a cop with ties to one of the victims whose body must be disposed of and a replacement needed to take his place. The political intrigue and corruption flows from the Blue House down. The two departments end up at war with Choi being illegally investigated by the prosecutor and Choi working with Sang Suk Gu, the criminal developer. Sang has the resources to help Choi find a replacement and clear up loose ends. But in the end, who all will be considered a loose end?
The story was not exactly taut and had pacing issues. There were times when an already complicated and occasionally convoluted story wandered down a violent path not integral to the plot. It could also be difficult watching a film where there weren't any good guys. Well, there was one, but like the original conscience, Jiminy Cricket, he was squashed. The main characters were ready to sacrifice anyone to get ahead or to make a buck. As the conspiracies progressed the stakes grew higher where their lives and freedom were on the line making them all the more dangerous and desperate.
The acting was a mixed bag. Hwang walked the balance between cocky and trapped as he navigated the deadly game. In contrast, Ryu Seung Beom as the corrupt prosecutor, Joo Yang, chewed all the scenery within reach, making his character not only despicable but laughable as well. There was a who's who of today's ahjussis on screen. My favorite was seeing a young Ma Dong Seok, noticeably smaller, but still strong, with a peek into his future muscular best hitter ahjussi status.
The action was plentiful, quickly paced, and bloody. Cho Young Wuk created a fantastic score for the film, perfectly setting the mood for each scene. The film looked and sounded great.
At the disputed building site and the location of several murders, a sign hung that read "Safety is Life". The unprotected played without a safety net to their misfortune. In the end, those with powerful friends and family, and those in the highest levels of power were left untouched by scandal and blood. It was the players on the ground who became crushed by the building they helped maintain.
"Good job, bad job what does it matter at this point. What matters is that we believe it."
2/2/23
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