Addicted Heroin (2024)

this story is cursed to leave us unsatisfied

Whether you're watching this story for the first time or you've seen the Chinese versions, my initial impression is to temper your expectations, this show is far from the polished diamond it could be. Based on the same novel as Addicted (2016) and Stay With Me (2023), a lot of us had high hopes for this remake and just wanted to see our characters get their long awaited happy ending without the censorship gods trying to de-gay the story, and while this version did give us a "happy" ending, it wasn't the journey it so easily could have been.

Story:
In this adaptation, Hero (Guhai/Wubi) angrily runs away from home after his rich father remarries, he escapes to the countryside to live with his aunt and starts going to school there where his new straight-laced classmate Poppy (Luoyin/Suyu) turns into the outlet for his frustrations.

At the beginning, they sloppily rush through the story, giving the stepbrother enemies-to-lovers romance a new Lakorn flavor comedy spin. Though I love Thai humor, the type of corny slapstick comedy they're using here doesn't really fit with this story or characters, and I wish they didn't interrupt the vibes with so much potty humor. It starts to improve in the next few episodes, and though there's still a lot of cringe, we start to see some good chemistry. Then episode 6 hits and the story is all over the place again. After that the episodes are a mismatch of good and bad, including the random side couple drama, which honestly feels like a fanservice throw in for Hit, Bite, Love fans. They tried to do way too much, and it made the overall feel very disjointed.

Acting:
This isnt really all on August and Mac, but I personally wouldn't have cast them together. Their acting and character development felt forced at first, but after a couple episodes they started to improve and the characters start becoming more complex and loveable. Then all of the sudden, the chemistry just stops, and the story becomes jumbled, their romance just "happens" and we don't expirience anything really unfold. I suspect it's due to all the flack that they've been getting about Mac being 16 and the huge age gap between him and his co-star, which seriously-- why cast him in the first place then?

There arent any crazy scenes but oddly enough they do have a couple of intimate scenes, and there are even a few suggestive shots of the minors that were totally unnecessary, but then they go and censor the kisses??? Isn't censorship the whole reason this story keeps getting remakes, why cast minors in the first place? Seriously it's like the Chinese version all over again. And you know what, if Stay With Me should be testament to anything, it's that you don't need sexy fanservice or even kisses to have sweet romantic tension, so where'd the chemistry go??? Do better Thailand.

Overall, whether I rate this as a standalone or compare it to the other adaptations, the result is still the same. Lots of potential, a mess of production, and a "happy" ending that leaves you just as unsatisfied as before.

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"HEAR ME OUT! ENTITLED ON THEIR OWN OPINION"

If it's not your cup of tea then don't try to smell or have a taste with it. Spill it don't sip it. WATCH AT YOUR OWN RISK.

In my opinion, labeling viewers of a drama series as pedophiles simply based on their interest in watching it can be unfair and overly simplistic. Such accusations are serious and should not be made lightly without understanding the context and intent of the viewers.

Be informed that the production is in Thailand, so they have their own rules, guidelines and laws concerning age consent, in reality age consent may differ in different countries based on their norms and beliefs.

THIS IS SOMETHING THAT'S HARD FOR SOME PEOPLE TO SWALLOW: From a legal standpoint (based on Thai law), there is no issue with their age gap in ACTED OUT a sexual scene. I think it's all going to come down to what people think from a MORAL standpoint because every potential viewer has their own culture and beliefs based on the country they are living in. So, no one have the right to dictate to other people that they are disregarding their morals and ethics when it is okay with them regarding the age gap of the two main leads who acted out a sexual scene. DRINK SOME WATER TO PREVENT CHOKING.

Don't be problematic here. There's no problem with their casting; it's just that it goes against your MORAL standpoint. But that doesn’t mean they are doing something illegal or immoral.

Concerns about the portrayal of minors in scenes involving sensitive content are valid, if that is really your concern. However, it is clear that IN THIS SHOW, NO ACTORS NEED TO BE PROTECTED FROM THE HARM OF BEING EXPLOITED and ABUSED. How I can say that? Just simply watching their EP 0, wherein they show how they produce this series (behind-the-scenes footage) and the reaction video of the four lead actors to the official trailer of their series. I cannot see and feel that they are being abused and exploited. As of now, there are no allegations of abuse or mistreatment coming out from the actors in this series.

Don't make things complicated, if the show violates the law or fails to meet regulatory standards, it typically won't be produced or broadcast.

To those people who keep on spamming here in the comment section about "A MAN KISSING A CHILD" please stop being DELUSIONAL. The way you think is really disgusting. No viewers want that kind of scenario.

This Drama series is based on the novel about two sixteen-year-old boys, who despite their social differences and personal history forge a close love relationship that is ACTED OUT BY PROFESSIONAL ACTORS.

So basically, this drama series is not about "A MAN KISSING A CHILD". STOP BEING DELUSIONAL it really disgust me and clearly your intentions are to put malicious accusations and destroy the show.

Friendly advice: You better do some research to gather knowledge about creative filming techniques like camera angling so it can cure your DELUSIONS and also help you to distinguish between fiction and real-life scenarios. It will help you to understand the difference between what's real and what's acted out in dramas or any form of entertainment.

FACT: Mac and August acted out a sexual scene as consensual, under Thai law, it would generally be considered legal and morally right in their country. AGAIN, THIS IS SOMETHING THAT'S HARD FOR SOME PEOPLE TO SWALLOW. DRINK MORE WATER TO PREVENT CHOKING.

These two main leads (regardless of their age) are 'ACTORS' who are passionate about their job at portraying fictional characters convincingly. Criticizing them for their choices or age only undermines the value of their craft and the dedication they bring to their roles. Such disparagement reflects more on the critics' own biases than on the actors' abilities or performances.

It is an early apology when you beg to disagree. Im sorry???

Spread positivity and don't forget to detoxify (y)ourselves. ?

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We started with ★7.8

This is the third adaptation from the novel “Are You Addicted?” by Chai Jidan.

The first adaptation, “Addicted” 2016 had a rating of ★7.7 and it was cancelled due to law and restrictions in China. Yet it managed to become one of the most famous BL series.

The second adaptation, “Stay With Me” 2023, received a rating of ★8.4 due to its strong relationship between the main characters. Even if it was censored because of legal issues in China, the drama managed to become a series people tagged as BL.

And now, the third adaptation, “Addicted Heroin” 2024, has a rating of ★7.8 right now, with only one episode aired. Thailand managed to get the rights to make these series finally as the novel was —or mainly— making it fully, not cutting anything and giving us what we expected for the rest of the adaptations.

Of course, as it only started airing, I can only say: good luck, I hope it becomes an amazing one.

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missed the mark (watch suggestions)

Overall: though this is based on a book which has 2 other live action adaptations, I tried my best to review this series on its own merits. That being said, I think some fans of the book and original adaptation will not like a few changes that the creators have made as they fundamentally changed 1 character which alters their dynamic to feel imbalanced. Aired 10 episodes about 1 hour long on WeTV (need to VPN to Thailand, cut version & uncut version https://wetv.vip/en/album/pgahblq3qny0xuz) and YouTube cut https://youtube.com/playlist?list=PLqQkseRPA8d53_Hg0wnBlDFwNtFBw6xo3&si=rpt7pbo4KhLJoAoj Later added YouTube uncut for channel members. You can tell you are watching the uncut version if ep 1 starts at a fancy event in a flash forward. The cut version starts with a bunch of students taking an exam.

Content Warnings (uncut): non con kissing/biting, fight, bullying, drugging, abusive parent/violence, transphobia, non con kiss, theft, kidnapping/held against will, punch, drugging, blackmail, homophobia

Watch Suggestions (this is for the uncut version, it cuts out some of the love triangle stuff)
- watch episodes 1 & 2
- episode 3 watch beginning to 12:15, 13-24:45, 36:25-40, 46-end
- watch episodes 4 & 5
- episode 6 watch beginning to 27 minutes
- episode 7 watch 22:15-23:35, 26:30-34:15 (if you want to see a character be unhinged), and 44 to the end
- episode 8 skip 14:40-38
- episode 9 skip 6:30-31 and skip 43:30-49:15
- episode 10 skip 31:15-37:30

What I Liked
- visuals (i.e. working out scene)
- countryside setting
- sweet moments
- that they modified a part in episode 7, the book appears to have been written in 2015 and I have no problem with adaptations changing some things from the source material
- that 1 character didn't get a redemption arc in the finale
- a decent plan in the finale
- satisfied with the way it ended even if there isn't a special or second season
- production value (especially how the opening scene transitioned into the flashback, however it needs better transitions overall)

Room For Improvement
- the cut version took out key relationship development between both couples however it did take out some of the evil girlfriend/wannabe girlfriend stuff which was nice, speaking of
- too much screentime on evil girlfriend/wannabe girlfriend cliche
- tried to cover way too much plot, the side couple would randomly appear and disappear, too much of the main couple's relationship development was done in a montage
- choppy (even the uncut), it quickly jumped from one scene to the next
- a character was toned down but then went very unhinged, the dynamic didn't work
- fake kissing (a reason not to cast a 16 year old and a 30 year old...)
- the transphobic comment in episode 3 which I think was supposed to be translated as "he's not even a real man, he's a trans friend of mine"
- too many flashbacks
- comedy sound effects, also the tone switching between comedy and serious moments didn't always work
- nonsense stuff ie in ep 10 characters didn't tell another character information because they thought it would make him sad so instead he was both sad and mad for many years
- one of the worst/most confusing releases I've ever seen, the youtube channel that released episode 1 was different from the channel that released episode 0, no subtitles even though there were supposed to be and then the subtitled cut version was removed from youtube shortly after it was available to watch, 1 week later ep 1 and 2 cut were back up with subtitles

Note About Actors' Ages (I didn't take off points for this but as an fyi, 1 actor was 16 when he filmed this, the other lead actors' ages were: 26, 17 & 18; age of majority in Thailand is 20)
- from the source material and as shown in the series, the characters are the same age, they start in high school and then later there is a time jump
- there were zero real kisses, the one supposedly intimate scene was very tame and only kissing the person's neck/close to their neck

Cut version differences in episodes 1 & 2 (overall the uncut version is better, I didn't have the energy to watch all cut versions to compare but this gives you an idea of types of differences)
- in episode 1, 12 minutes were cut, about 5 minutes of that was there was an intro scene that took place in the future/present before a flashback, they also cut short the vandalism scene, then they removed Pop talking to his grandma/dad towards the end, and they removed the very end where there is a flashback to the vandalism scene but a new part shown
- in episode 2 (58 uncut/47 cut), after store there is a short talk with grandma about him working which is why he is out late, they cut a little of the nurse talking, in the infirmary they cut at the end that Hero got into the bed with Poppy to cuddle with him, after the sneezing they cut where the girl must have left a box of toilet paper for Mr. Sneezy and Mr. Sneezy thinks it's from Mr. Grumpy who denies it but he is shushed, after Pop's meeting with Hero's dad he goes to school and walks by Hero who is shirtless and randomly wrestling other students for fun, Pop volunteers to wrestle pins Hero and they stare at each other, after Pop took Hero's shirt to wash it there is a scene at a convenience store where Pop helps Hero with writing/homework, they then get drunk with Pop defending his mom and putting his head on Hero's shoulder, Hero gives Pop a new pair of shoes, ties them, Pop then shushes Hero and leans in, it cuts to Pop waking up shirtless in his bed with seemingly a hard on

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AVERAGE

Addicted is one of my favorite novel . I watched the two Chinese adaptations before which were so good . But as we hadn't watched complete Addicted adaptations before so I have a high expectations for this Thai adaptation.

POSITIVE- The OST of this series is just too heavenly. August's acting skills are too perfect. He seems to be a professional actor . The cinematography of this drama is also good . There are so many scenes from this series which amazed me so much . The chemistry between the side couples is strong. This story tells us there is nothing in this world which can stop you from loving someone eagerly.

NEGATIVE- If there are positive things in this world then there must be negative things. The actor who played Poppy is a new teenage actor so his acting skills are not that much good as August's but also not that much bad . Feeling like the director haven't read the novel with 100% concentration or he didn't understand the beauty of the story . They put slightly much make ups on the actors face so sometimes they looks too white . And lastly the most criticizing thing about this drama is actors age gap . This is their personal life so I am not talking about this matter but the director should choose perfect age gap actors for making this adaptation as Addicted is a very popular novel .

OVERALL- Overall for me this is an average drama. People who like Addicted novel and want happy ending then this drama is only for you.

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they missed what made addicted, addicted.

I really stuck through and watched each week trying my hardest to disconnect the source material from the series(I even got the early episodes from WeTv). but in the end it was impossible to do.

the point of addicted was how “addicted” the two main leads were for each other. they were toxic to a fault but their bond they had was indescribable. they wouldn’t only let the world burn for the other, they would gladly lite the match— and that is what we were missing in this adaptation. we didn’t get the fiery passion that the addicted novels needs. that’s the whole point of the books.

I will say I am glad the production took care of Mac and had no kissing or NC scenes since he is underage. It was the right thing to do, however, in casting someone underage it made them restricted in how they could portray this story and certain elements of it so we lose parts of plot that made addicted — well addicted.

if you are comparing this to the source material, the original addicted, or Stay with me, you more than likely will be disappointed. not to mething we once again are left without a season 2. however, if you’ve never see the others or are REALLY good at compartmentalization you might enjoy this. if you removed the addicted elements you’re getting a sweet love story between to young guys.

I would be amiss to not mention how I think this story could have been saved even removing the addicted elements, if the editing wasn’t atrocious. there were so many times it’s made zero sense. between the cut and uncut, the pieces they cut were needed to understand the plot better. it was very disjointed at times.

not to mention there were FAR too many times we didn’t get subtitles. it was a crapshoot if we’re get them each week or not. which made my excitement for the following week dwindle more and more.

overall, I don’t think we’ll ever get a proper adaptation of the addicted books. and I’m pretty sure they should stop trying. especially, if they cannot guarantee we get a second season or the whole adaptation be in one season. I will note I appreciated how this version handled the more upsetting scenes that were in the books.

I will say I don’t think this is the fault of the actors. yes Mac is underage but I don’t think he is a bad actor and August played his character decently with guidance of the director. I’ve seen far worse acting in Thai dramas. I truly believe this was a misstep from day one by the director and production team.

oh addicted, no one can ever live up to how truly unhinged you are and I hope unless we can get a proper casting/ company to produce it they stop trying. you deserve better and so do the fans of the books.

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Lacks the chemistry, intensity, and heart that made people invested in the story

Having seen the other two adaptations and read the novels I can say that this drama loses all the excitement that made the material worth being adapted. It is actually fairly disappointing in the sense that this is a Thai drama without all the restrictions that were placed on the two Chinese adaptations and yet they managed to make this version the most boring.

The novel has some toxic and abusive behaviors in it so leaving that out actually improves it for me but what this drama lacks is the life that the novel portrayed. The basis for the relationship is centered around the obsession that, in this drama Hero, has for Pop. The obsession comes out of left field for him in a time when his life is at its most unstable. His father just remarried, wants him to join the military, his new step mom has a son that he is constantly being compared to, and she wants that son to move in to his house. In an effort to find some semblance of control for his life he runs away to a new school to avoid it. By chance he meets a boy that at first reminds him of the stepbrother he was being compared to but his background of also not having a mother makes Hero feel sympathy and kinship for him that then grows into an obsession. Even after finding out that they are stepbrothers the pair is so incredibly drawn to each other that they cannot help themselves. Even in the source material Pop is more resistant to this pull and to a romantic relationship initially but he is still unwilling to push Hero away or sever the friendship. What the chinese versions did better is the incredible chemistry between the pairs that this one lacks. This adaptation falls in the realm of it being cute and the actors are doing a good job acting but it lacks the draw toward each other that is needed to really make the show.

While all the actors here are also very attractive and the cinematography is also stunning their are other flaws that are jarring as a viewer. Editing often is abrupt and awkward and the fake kisses are too obvious. I never had a problem with the age gap between the actors because this is a job for them and its not like for them in real life the romantic scenes are actually romantic because there is a whole crew of people around them. But Stay with Me had no kisses at all and was pushed as more of a bromance and yet their relationship felt much more convincing so kisses are not needed to get a point across; fake kisses however definitely pull the viewer completely out of the moment. The other big problem is the parts of the story they decided to focus on. With only ten episodes and so much information to convey they needed to be intentional about which parts of the story to show and they did not choose well. They chose irrelevant parts to maybe make this much fluffier and focus on the romance portion of it but it ended up just feeling more like it slowed everything down making it boring. So much screen time was spent on trivial scenes that added nothing to the story.

It is also unrealistic to make a third adaptation of a novel and expect to not get compared to the others. If you are going out of your way to make another copy of something it needs to be better than what came before and this did not do that. It also will likely leave on the same cliffhanger that both its predecessors did which means that this drama really brought nothing to the table.

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Teenage love is NOT as addictive as heroin

Gone are the days when film directors arrived at a shoot with the novel they intended to adapt under their arms and rolled around tearing off leaves and extracting from them what they considered most substantial. No scripts at the beginning of the silent era, when a good part of the narration was excluded from a film plot with few reels.
As the years passed, the adaptations were perfected and today every successful novel has a swarm of producers behind it interested in bringing it to the screens. Top-notch scriptwriters, high budgets, efficient period reconstruction, and yet interesting aspects of the book continue to be left out, mainly due to the time-footage factor, or for including thorny themes, such as stormy loves and obsessions, which can reach sexual violations, and that conditions the filmmakers.
This generally means that good novel readers are dissatisfied with the film or television versions. Which does not mean that cinema and television continue to adapt literary themes, because many who do not read—increasingly, unfortunately—enjoy good stories, thanks to bringing the books they were not able to read into moving images. arrive.
The year after filming 'Hit Bite Love', the daring series adorned with sexual scenes and sadomasochism, after debuting in 2013 with the film 'Tom Gay', which was followed by 'Let's Go Bangkok Holiday' and 'The Right Man: Because I Love You', and the series 'Love Sick Season 2', 'Make It Right' and 'War of High School', among others, in which he addresses topics such as homosexuality, homophobia, love triangles, romances secrets, infidelity, multiple partners, unrequited love, youth and the school environment, Yuan Tin Tun Danop, the Thai film and television director, returns to the small screen.
It does not bring just any series, but the adaptation of the novel "Are You Addicted?", by the Chinese novelist Chai Ji Dan, a work that in a short time has become a global success, acclaimed by many, while others describe it as problematic due to showing physical assault and sexual violation not consented by the victim.
Love, heartbreak, jealousy, intrigue, misunderstandings, betrayal, obsession, sexual violation, family tensions, eidetic memory... The thing is, despite this, or precisely because of it, this work has all the ingredients to conquer the public again and again, whether between the pages of the book, printed or digital, or in front of a screen thanks to the two ill-fated Chinese versions, since his work has been adapted to television for years without ever being completed.
After the publication of "Are You Addicted?", considered one of those global literary phenomena that came to sweep its path, criticism and comments poured in. Most to praise it and say that it was a magnificent way to tell a story of rape and love, others to reproach it for being an insult to all survivors of male sexual violence. Words like sexual assault, domestic violence, and vicious tort were uttered, and there were even accusations that the writer was defending the classic lie that rape awakens sexuality.
But in its human complexity and artistic excellence, the novel is much more than a chain of assumptions and requires readers free of conservatism and prejudices that prevent them from analyzing the psyche and attitudes of the protagonists. An exploration of intimacies proposed by the literary work to refer to the ravings of desire and obsession of a boy in love with another who resists him, without knowing in those moments that they are also stepbrothers. Without ignoring that after the act of sexual violence to which one of the characters is subjected, he must face a mental transcendence that leads him to fall in love with his attacker. All this, while we witness, in great depth, the dissection of two families, one wealthy and the other mired in poverty.
Although Chai Ji Dan is considered as irreverent as he is provocative, his work is demonstrative of good craftsmanship and imagination in abundance. There is a long list of films and series that mix romance and drama that equally combine explicit violence, the most disturbing sexual content and social criticism.
The sexual scenes that the Chinese novelist resorts to with total artistic justification seek the psychological introspection of the characters. Hence, we have to be attentive to looks, voices, emotional reactions, all in order to explore Gu Hai's human nature, a mixture of love and kindness, but also impulses, obsessions and denials occurring under the same addiction that gives the title to the novel.
And there is his girlfriend, Jin Lu Lu, also over the top with sex, and whose sudden appearance will represent a mess for him, who will see both his privacy and his life routine destroyed. Without forgetting that she embodies a past that Gu Hai is not willing to resume. While, on the other hand, he feels threatened by the possibility of losing Bai Luo Yin, the great love of his life, if he decided to reestablish his romantic relationship with Shi Hiu, his ex-girlfriend.
"Are You Addicted?" It deals with issues related to homosexuality, but at the same time it becomes a story of a beautiful and suffering humble family, and the relationship between father and son in an unpleasant environment marked by poverty. Diverse and very significant characters will then parade, with whom the reader comes to fall in love.
With the title 'Addicted Heroine', the unfinished television adaptation of the tumultuous love story of Bai Luo Yin and Gu Hai, has been taken up by Yuan Tin Tun Danop, to tell, in this Thai version, the story of Hero and Poopy, two teenagers who, despite their social differences and personal life paths, evolve from enemies to lovers, to forge a beautiful love relationship.
It is true that it is a story already told, but as I have already said, unfinished in its two adaptations: 'Addicted' (2016), by Chinese director Ding Wei, and 'Stay with Me' (2023), with script and direction by the author herself. Chai Ji Dan. From there arises the challenge to the imagination. But in my opinion, the director misuses it.
Although it has characters and a plot similar to the original work, the proposal by Yuan Tin Tun Danop, whose only experience as a director in adapting novels was with the unsuccessful BL series 'What the Duck', from 2018, the names of the characters and the approach to the relationship dynamics of the two main protagonists are different.
But to continue, and in case someone does not know exactly what the story is about, we leave you a brief introduction:
Hero Rahat, after the death of his mother, does not have a good relationship with his father. In the eyes of a 16-year-old teenager, the man, head of a wealthy family, with an authoritarian and dominant character, is responsible for the loss of the person who carried him in her womb. Bearing a deep grudge against him, Hero does not accept that his father, the military Kulchanchanaocha, has remarried. Therefore, due to constant disagreements, he decides to leave the family home to live with his aunt on his mother's side in a rural area.
For his part, for as long as him can remember, Poppy Luesil has lived a humble life in a poor social environment with him careless but loving father, Han Hanchai (Pep Nophasit Thiengtham). His parents divorced many years ago and since then Poppy has made the decision to stay with him father and forget about him mother, who has also made no effort to maintain a close relationship with him son. For this reason, Poppy has a shy and reserved character. Even so, using his intelligence and excellent penmanship, he has developed his skills, earning a good reputation as a diligent student and recognized as such.
When him turns sixteen, his estranged biological mother, Khing Jarinya (Meenay Jutai), remarries Hero's father. Khing's wish is that Poppy agrees to live with his new husband and his son so that she can obtain better training and prosper socially. However, Poppy categorically rejects that proposal and decides to stay with her father.
By chance of fate, the new stepbrothers meet in the same class at a secondary school, without being aware of the family ties they maintain with each other. Although at first their personalities clash and they have several school disputes due to Hero taking out his frustrations on the young boy, constantly making fun of him, they slowly develop a good friendship that later culminates in Hero's falling in love with Poppy.
Under these circumstances, Hero will stop feeling love for his girlfriend Lala (Nall Nalliya Wipakkit), and will do everything possible to consolidate his relationship with Poppy.
The latter, who resists having a romantic relationship with Hero, will experience how the persistence and feelings of his new classmate and stepbrother will gradually overcome his barriers and resistance until, finally, he admits that his feelings also overcome the "friendship" label.
But after discovering the family bond that unites them, new problems will come to stand in the way of the two teenagers, and both must learn to use love to overcome the class barriers and obstacles that surround them.
His classmates, Tiger Yawamon (Yang Meng in the novel), a role assumed by the young actor Jur, and Only (You Qi in the novel), played by Newyear, who also show a romantic attraction between the two, witness the evolution of the relationship between the two young people, which crystallizes when they both go to live together in Poppy's humble family home.
With themes such as homosexual romance, coming of age, youth and their way of facing life, family roles, economic contradictions, social inequalities, daily life, self-discovery and acceptance, the series stars August Vachiravit Paisarnkulwong (remembered for playing Pete, one of the protagonists of the two seasons of 'Love Sick the Series', which marked his acting debut, nothing more and nothing less than under the orders of the director of 'Addicted Heroine') as Hero Rahat, and Mac Nattapat Nimjirawat as Poppy Luesil, in her first leading role after participating in numerous films and series, such as 'The Broken Us' and 'My Forever Sunshine'.
Unfortunately, despite some good performances from the cast, the series cannot be recommended to those readers of Chai Ji Dan's novel. The almost literal fidelity of the script to the text contrasts with the free choices made by the director.
It is evident that the changes in the personalities of the protagonists, the telling of the story with tones of vulgar comedy and not from the drama that the novel shows, as well as modifying the dynamics in the actions of the main couple, obey the intention of avoiding the scandal of narrating violent scenes including sexual assaults.
In this sense, the worst point is the literary script, which turns a great novelistic work into an extremely generic story, one of those that we have already seen a thousand times before, and that at some moments becomes meaningless, with unnecessary and at certain moments inexplicable twists and turns, which leads to the great probability of ending up in oblivion due to the way it was carried out by abandoning a solid construction of characters and conflicts in a trite idea.
In the profession of film criticism there is an unwritten rule, although obvious, which almost all of us observe in one way or another: try to strike a balance when evaluating, in terms of weaknesses and successes. Sometimes, that is almost impossible, and this series confirms it.
Despite the notable production values ​​and worthy performances by August and Mac, the script has weighed down, altered and suppressed the strong chemistry and sexual tension between the new stepbrothers with conflicting emotional backgrounds that include previous relationships with old girlfriends, as well as the obsession of one of the boys with the other, which leads him to commit the vile act of sexual assault. The thing is that here we will not find those two fascinating and shocking personalities, so different and complex, which generate all the conflicts included in the original work.
The magic, the spell and the loving intensity of the characters that put the novel on a high level of erotic literature have been left on wet paper.
The result is a bland and clumsy series with a very weak romantic relationship that fans of the literary work do not like, but can be satisfactory for the millions around the world who log in every Tuesday to watch it and do not know the novel. In this case, they could admire and enjoy a beautiful love story between two boys, but nothing more.
In this sense, why adapt a work with that premise and then ignore it and not bring it to the screen? Wouldn't it have been much easier then to film an original script, even if it is loaded with love stories between stepbrothers and the relationship between enemies and lovers?
As part of the human instinct to look for different ways to tell a known story, 'Addicted Heroine' simply joins the long list of failed adaptations, and becomes a soulless television series, which is light years away from the novel on which his script is based. It is, quite simply, a bad mutation of one of the most beautiful erotic novels ever written.
The script is by Chim Sedthawut Inboon ('Never Let Me Go'), Park Thamsarun Khusunthia ('Club Friday Season 16: Young Love') and Poy Orachat Brahmasreni ('Gen Y Season 2'), the latter the only one of this trio of writers with previous experience in adapting original works, by bringing the content of the web novel "Love Syndrome III" to the screen in 2023, a series that also became a failure.
Another of the significant changes in the Thai series is the elimination of the romantic interest of the character of You Qi (Only, in the Thai version), the attractive and popular young man who keeps his homosexuality a secret, by Luo Yin. This ill-advised decision eliminates one of the sources of Hero's (Gu Hai) jealousy, making the series dispense with the rivalry, drama and tension that the love trio causes.
The strong paternal-filial bond of Bai Luo Yin (Poppy Luesil, in this adaptation) with his father Bai Han-qi ("Han" Hanchai in the Thai version), does not reach the intensity and drama of the original work. His humble life in a poor social environment with his sick grandmother and father is weak.
Gu Hai's (Hero) deep resentment towards Gu Wei Ting, his father, for blaming him for his mother's death, is laughable at best.
The character played by August is just a shadow of the character that came from the pen of Chai Ji Dan. No matter how hard he tries, he does not achieve the vibrations that awaken that strong-willed but lonely student who wants to free himself from the influence of his authoritarian father and has difficulty expressing his emotions until the moment he knows true love. Knowing that he is a proven and recognized actor, I assume this is due to the weak drawing of his character in the literary and technical script.
But in my opinion, the biggest mistake is having turned the strong and independent character played by Mac into a lame perfect student overwhelmed by shyness and timidness.
Despite its beautiful photography and remarkable music, the series does not awaken in me the same emotions that I experienced when reading the novel. This is mainly because the greatness of the original work and its two failed Chinese versions lies in the strength, complexity and independence of the personalities of the two protagonists and the inevitable clash of the same, and this is weighed down by the changes introduced in ' Addicted Heroine', which murders the novel.

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