The Longest Disappointment
So, because My Drama List is filled with people who say if you hate the drama you're ruining it for them, and upvote automatically any ratings that praise the drama highly, despite people telling you over and over it's bad and people hating the writing, I'm going to write this review for more balance. I love xianxia dramas. I've watched a ton of them, but this takes the cake on how terrible they can be. And yes, I watched all 40 episodes. Me and a bunch of other people who tried to defend it to the end, ended up flipping on the drama once they figured out what I said was consistent throughout the drama. But those people are less likely to write reviews.
The only saving grace of this drama is Xiao Zhan and maybe the production values, but that's about it. And pretty production values when you don't have the story isn't enough for me. I've never particularly cared about pretty faces. I care about in order: Story first, acting next, production values (which include costuming, CGI, props, etc) last. If I wanted to gawk at pretty faces, I'd look at runway photos. The problem with this drama is squarely on the story.
The writing sucks so, so much on one key issue: The female lead's agency is all over the place because the motivations aren't clear in the character.
Kinda passes the Bechdel test. Sexy Lamp it's questionable about her agency. And she kinda fails Mako Mori at turns--they give her a goal other than a man, but do they ever implement that goal within the story? No. Not once.
The thing is that there is this bit where she's supposed to protect this dress, and after the tenth episode watchers drop like flies because of this dress. She could have climbed out of the ravine the entire time--which is shown in a later episode. She fights with her best friend's sister over said dress saying her best friend's sister can't wear it, but then by episode ten you understand why people dropped the drama hard. After all that lecturing about how her best friend's sister shouldn't wear the dress, suddenly she decides to dance in it herself. Which is a mind-numbing plot point. It makes no sense whatsoever for her age.
There is a difference between innocent and air headed, and she's air headed. Innocent is going into danger to retrieve her friend's dress. Air headed is wearing the dress after yelling about how terrible it is to wear it. Air headed, to me, is being oblivious of how others will react to your actions even when you know it's wrong and taking the worst action anyway.
And then if you think this is the largest crime of the female lead, you're wrong. It gets worse as the drama goes on and the agency of the characters is all over the place.
Let me be clear here, I don't mind delayed agency, I don't really mind passive agency. I don't mind a long try fail cycle. What I really, really do mind, is when the principles of the character are laid out, the lesson is stacked in the "I really learned this lesson" pile and you've spent say 2-3 episodes establishing what this lesson is, the character demonstrates they have learned it, and then the rest of the story doesn't apply it when it's clearly critical to apply it right then. Why did we waste our time with those episodes then? The writer actually put into the drama several spelled out points where she couldn't figure out how to get to the next section, so literally had another character tell the female lead what she needed to do in order for the plot to change direction, rather than it coming from the character. And for those who've watched the drama--this is the female lead in a nutshell.
OK, you want to skip the female lead. Zhi Yuan isn't better. He had a straight line until the end of the drama. His agency looked consistent, and then he made a mind-numbing decision in the last part of the drama along with one of those accidental amnesia events the writer comes up with where the female lead suddenly forgets all her past knowledge, and then both characters make this really odd decision together. First he fails and it makes no sense to the point that people on the main comments objected strongly. And then she failed by not applying her past knowledge when she learned the spell she could have applied right then just the previous 3 episodes making you go, that makes no sense. If any agency or moving forward for the FL isn't about the male lead, then the female lead forgets everything with no reason for it.
And you think, at this point, "But the male lead can't be affected by this, right?" Hahahaha. So wrong. By the middle of the story, the writer, who is lost on how to make character motivations work, has other characters telling the male lead character what his motivations are. She's jerking around the male lead by having other characters tell the male lead where to go, but without building a reason why he needs to go there for himself. I'm going there because Sifu said I need to go there. I need to do this because someone else said I needed to. Do I have a pesonal motivation for it? Meh, nyahh, I'm changing my mind because someone else is telling me to.
This leads to a lot of empty moves and the character agency being scattered to the wind, as the characters forget everything they've learned from the few episodes before them. Because their motivations are all external and nothing internal. So there wer people who wanted to defend the book and the drama to the end--until they got there and then realized really sharply what I said about the dress chapter being signs that the drama is going sideways was true. One watcher who was of this sort got frustrated both with the drama and the book saying both were a waste of time.
The female lead character--all of the characters need to learn things and apply them at key times. They shouldn't be told what they want from other characters. It's poor writing. And since the writing was terrible, I can't recommend the drama. My relative's B movie had better throughline of character motivations than this. And it's not a slam against Chinese dramas, since I've watched plenty of older ones and also have read classics and folktales--I do recognize how this employed older drama conventions. It's telling you that the main female character lacks motivation and agency which then infects the rest of the show and this is why I don't recommend it.
The only saving grace of this drama is Xiao Zhan and maybe the production values, but that's about it. And pretty production values when you don't have the story isn't enough for me. I've never particularly cared about pretty faces. I care about in order: Story first, acting next, production values (which include costuming, CGI, props, etc) last. If I wanted to gawk at pretty faces, I'd look at runway photos. The problem with this drama is squarely on the story.
The writing sucks so, so much on one key issue: The female lead's agency is all over the place because the motivations aren't clear in the character.
Kinda passes the Bechdel test. Sexy Lamp it's questionable about her agency. And she kinda fails Mako Mori at turns--they give her a goal other than a man, but do they ever implement that goal within the story? No. Not once.
The thing is that there is this bit where she's supposed to protect this dress, and after the tenth episode watchers drop like flies because of this dress. She could have climbed out of the ravine the entire time--which is shown in a later episode. She fights with her best friend's sister over said dress saying her best friend's sister can't wear it, but then by episode ten you understand why people dropped the drama hard. After all that lecturing about how her best friend's sister shouldn't wear the dress, suddenly she decides to dance in it herself. Which is a mind-numbing plot point. It makes no sense whatsoever for her age.
There is a difference between innocent and air headed, and she's air headed. Innocent is going into danger to retrieve her friend's dress. Air headed is wearing the dress after yelling about how terrible it is to wear it. Air headed, to me, is being oblivious of how others will react to your actions even when you know it's wrong and taking the worst action anyway.
And then if you think this is the largest crime of the female lead, you're wrong. It gets worse as the drama goes on and the agency of the characters is all over the place.
Let me be clear here, I don't mind delayed agency, I don't really mind passive agency. I don't mind a long try fail cycle. What I really, really do mind, is when the principles of the character are laid out, the lesson is stacked in the "I really learned this lesson" pile and you've spent say 2-3 episodes establishing what this lesson is, the character demonstrates they have learned it, and then the rest of the story doesn't apply it when it's clearly critical to apply it right then. Why did we waste our time with those episodes then? The writer actually put into the drama several spelled out points where she couldn't figure out how to get to the next section, so literally had another character tell the female lead what she needed to do in order for the plot to change direction, rather than it coming from the character. And for those who've watched the drama--this is the female lead in a nutshell.
OK, you want to skip the female lead. Zhi Yuan isn't better. He had a straight line until the end of the drama. His agency looked consistent, and then he made a mind-numbing decision in the last part of the drama along with one of those accidental amnesia events the writer comes up with where the female lead suddenly forgets all her past knowledge, and then both characters make this really odd decision together. First he fails and it makes no sense to the point that people on the main comments objected strongly. And then she failed by not applying her past knowledge when she learned the spell she could have applied right then just the previous 3 episodes making you go, that makes no sense. If any agency or moving forward for the FL isn't about the male lead, then the female lead forgets everything with no reason for it.
And you think, at this point, "But the male lead can't be affected by this, right?" Hahahaha. So wrong. By the middle of the story, the writer, who is lost on how to make character motivations work, has other characters telling the male lead character what his motivations are. She's jerking around the male lead by having other characters tell the male lead where to go, but without building a reason why he needs to go there for himself. I'm going there because Sifu said I need to go there. I need to do this because someone else said I needed to. Do I have a pesonal motivation for it? Meh, nyahh, I'm changing my mind because someone else is telling me to.
This leads to a lot of empty moves and the character agency being scattered to the wind, as the characters forget everything they've learned from the few episodes before them. Because their motivations are all external and nothing internal. So there wer people who wanted to defend the book and the drama to the end--until they got there and then realized really sharply what I said about the dress chapter being signs that the drama is going sideways was true. One watcher who was of this sort got frustrated both with the drama and the book saying both were a waste of time.
The female lead character--all of the characters need to learn things and apply them at key times. They shouldn't be told what they want from other characters. It's poor writing. And since the writing was terrible, I can't recommend the drama. My relative's B movie had better throughline of character motivations than this. And it's not a slam against Chinese dramas, since I've watched plenty of older ones and also have read classics and folktales--I do recognize how this employed older drama conventions. It's telling you that the main female character lacks motivation and agency which then infects the rest of the show and this is why I don't recommend it.
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