Is there really a monster or is it just us?

Μonster is being advertised as a Hirokazu Koreeda film and indeed it is directed -splendidly as always- by him. However, the man behind the script is Sakamoto Yuji, the person that wrote Soredemo, Ikite Yuku (Still, Life Goes On) and if you have seen that series, then you know that Monster is not going to be just a good film, but it will stay with you for a while.

I don't think I can explain how good this movie is and honestly I don't want to try nor I should. If you are by chance reading this, let me tell you that it is better to watch this film, without knowing anything about it. Don't watch the trailers, don't read the synopsis, don't even read what kind of awards it earned.

As stated before, directing is magnificent, acting is great from all of the cast involved, with two astounding performances by the two younger actors, portraying Yori and Minato. The music, composed by Sakamoto Ryuichi is heartbreakingly beautiful and it feels so sad and hopeful at the same time.

The plot is magnificently written from beginning to end. Even if at first you may feel that some scenes last too long, they are not just there for the atmosphere. They are important and that is the beauty of the film. Nothing is there just to exist, just to lengthen the movie, just to make the audience feel melancholic, just to make it feel more cinematic. It needs to be there, because it wouldn't work otherwise.

Without giving away anything of importance, I will just say that every detail matters, every character is vital and realistically written. Everyone is so flawedly human, you can't really hate or love them. They are just important, they matter, because they exist. They are so real it kind of makes you ache for the beauty, complexity and ugliness of human nature.

It is a film that is character-driven, slow paced and it truly shows the power of perspective. It deals with so many subjects in a very delicate manner that doesn't feel forced nor preachy. I can't thank myself enough for watching this on the big screen.

I understood how truly beautiful this movie was, when I couldn't stop thinking about it hours after watching it and when I ended up crying with all the little details that have such a huge impact and importance.

Many times, with all these critically acclaimed films, I feel like I am getting forced to like them, to overanalyse them, to convince myself that they are something better than what they actually are -or maybe I don't have the ability to fully understand them-. This is not the case here, though. This is truly an exquisite film. It is better than I ever expected. It is one of those movies that you get to discover something new with every watch. It needs to be watched, because at the end of the day we are all humans and this is a film about us.

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The King carried the nation and the drama on his back

I will quickly mention the things that I liked and disliked about the series and then I will refer to my biggest problem about it that made it such a huge disappointment.

What I liked:
+ First four episodes (with pick being the fourth)
+ Jo Jung Suk as the King
+ Park Ye Young as Lady Dong
+ Most of the veteran actors performances (along with a few non-veteran ones)
+ The child actor that starred as Dae Gun
+ Politics based
+ Visuals
+ Non-puppet king
+ The dark atmosphere
+ Production quality


What I disliked or found mediocre:
- Script was mediocre -to be kind-
- Music: okayish individually, but nothing memorable and shouldn't have been used in some scenes
- Pacing: Each episode could easily be 15-20 minutes shorter
- Jang Young Nam tended to overact as Queen Park
- Cobweb-like beards
- The absence of tension in the majority of the show
- The romance aspect made me feel nothing most of the times
- Many clichés - Very underwhelming, especially towards the end
- Ending


Now, to the thing I was mostly disappointed about. Friendly reminder that this is my opinion.
Also, what will be mentioned does not contain spoilers, unless you have not read the synopsis, watched the trailer or seen the poster. So to anyone that wants to go into the series without any previous knowledge I suggest you to stop reading.

And here it is, my biggest problem with the series -> Shin Sae Kyeong and the female lead that she portrayed

1. Portrayal as a male baduk player
- Obviously no one in the crew wanted her to look like a male. The make-up department did their best to make her look like a woman.
- The makeup they used when she was actually dressed as a woman was either the same (as her male identity) or not as prominent...
- Someone must have told the actress to act like a woman at all times too, because everything, be it her mannerisms or voice, could never have anyone fooled that she is a man.

2. Everyone looked brainless
- Have I seen series where an actress that is impossible to look like a man pretends to be one and no one questions it? Yes, many!
But you know what those series weren't? Serious.
They were mostly focused, one way or another, on romance where anything was possible -and they were certainly not focused on politics-.

Captivating the King sets a very serious tone from the get go and the romance is not the center of the plot.
So it feels not only extremely unrealistic, but also a bit dumb.
We have a ton of people scheming and no one mentions that she looks and acts as a woman (not that they could, but at least try to make her look like a man, just try).

3. Every other man VS Her
- This is a series filled with veteran actors, most older in age. There are no idol looking characters and barely any very young men are starring.
The majority of the men are old or middle aged, the younger ones are tall and build and all of them have a beard. Of course even though all actors wear make-up it is not really that visible on the men. And what is the female lead as a male like? Petite, super young, glass skin, no beard - not to mention the absence of the adam's apple- and of course face full of make-up...
She feels so out of place between all these people, yet no one seems to notice.

4. Character
Her character is stupid, there I said it.
- Everything goes her way, because the script says so. She would be dead a long time ago if the series took itself seriously.
- She literally has no plans (she is just going with the flow, even though she wants revenge)
- The scriptwriter and director try very hard to convince the audience that she is a smart and capable character, but her plan makes 0 sense -because there isn't one-. And as we all know, it is very easy for someone to get revenge against powerful people when they have no plan. Let's not forget the thing that irritated me the most. She acts depending on her emotions.

5. Acting
- The female lead is supposed to be a desperate character that will do anything to bring justice about what happened to her and everyone around her. She is supposed to be smart and calculative.
And you know what she does? She is ready to bawl her eyes out every freaking scene!
She is having a serious conversation where she should look intimidating and she looks like she is about to cry! Am I -or any character- supposed to take her seriously?

- Shi Sae Kyung has a limited amount of expressions the entire series
1. She looks like she is about to cry (or cries)
2. She is expressionless with her mouth always open
3. She is moving her eyes around or semi closes them to look flustered/confused

6. She ends up being a vital part of the plot, even though she is unimportant
- The writer tends to involve her in situations out of nowhere just to include her in the plot. She is not really an important character, more like a guest role in her own show that they had to involve in the plot somehow to give her screentime. The whole drama could easily work without her character.

In the few series I have seen Shin Sae Kyeong, I have never considered her a very good actress, but also not bad to a point that bothers me (plus I can’t avoid saying that she is super pretty).
Now, Shin Sae Kyeong was -as usual- not really great, but was basically ruined by a very badly written character -and an equally badly written script-. Also, having Jo Jung Suk as her co-star undermined her performance even more. He was the one that carried this show and he was the only thing that was worth it from beginning to end.

All in all? Unfortunately, despite its good start, this ended up being another series that did not need a female lead, but they decided to use one just to squeeze in the romance and because the scriptwriter apparently couldn't do anything better with the script -while also using the false ''strong woman'' armor-. Some good performances and the production quality weren’t enough to save a very badly written script that was also lacking greatly in terms of pacing. And yes, I will say it, this would work much better as a revenge based male VS male lead drama that focuses on politics and schemes inside the palace.

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SPOILER FREE: This is a must for suspense/psychological drama lovers. The plot is quite intriguing and the acting was really good. Masaki Suda was amazing (again) and the plot is full of twists that keeps the viewer on the edge. This series was highly entertaining and it was easy to watch. The death of Reina is a mystery to all and the viewers try to understand what will happen next. It wasn't perfect, but it was still powerful.


MAJOR SPOILERS!!!
From the beginning, this series shows the effect that social media have on our society. The drama gives us, each episode, a new clue about the main case and as viewers we try to uncover the crime/suicide of Kageyama Reina. The truth is slowly revealed and as a person who watched the show I expected a great conspiracy or something even if the actual reason is something that is shown -one way or another- in the first episodes.
This show was a message to everyone in a society that can't live without social media. Almost everyone has one account -or more- on sm and it takes away a part of our lives.

The ending was brilliantly filmed as Hiiragi talks on the camera, about who the real killers are pointing to everyone who is watching the series and therefore uses social media. A harmful word -intentional or not- can cause great damage to someone even if that person doesn't know us personally. The anonymity of social media gives everyone the opportunity to give their opinion no matter how harmful that can be. I loved the comments that Hiiragi received while he exposed the truth, as it was the most realistic reaction that could happen. It is not only that some can't accept the truth, but the most terrifying thing is the ones who don't understand that they did something wrong. It was great to show that the purpose wasn't to stop what we call cyber bullying, but being able to change even one person. As someone said if we want to change the world, first we must change ourselves.

To everyone who watched this - including myself - this is a great opportunity to double check before posting anything and thinking before talking, because our words can really be the knife on someone's hand.

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This was supposed to be a hard pass

Netflix decided to constantly remind me about the release of this series. After reading the synopsis and watching a bit of the trailer, I was sure that this would be something I wouldn't enjoy. I was way too bored to give this a chance, if I am being honest.

After its release and its very low rating here on MDL I was even more reluctant (even though I know that most of the times non-Korean series are rated lower).

One tiktok video later, I thought I could just watch the first five minutes and then just drop it or skip through it, mostly to indulge my curiosity. Those first five minutes turned into the first four episodes that I ended up watching till four in the morning...

I tried to think of something not to give this a perfect score, but in the end, I actually had no complains. This is the definition of a binge-worthy series with great acting, good plot and high entertainment value that doesn't fail to offer some emotional moments.

Noteworthy things:

=> No awkwardness detected
This is a series focused on (sexual) relationships. It has a lot of sex scenes and many references to sex from conversations to table lambs. That being said, all actors had great chemistry with one another and I didn't feel awkward at all when watching it. There was no stiffness. Everything felt very natural.

=> No romantic music playing in the background while the two leads first fish kiss
This series focuses on sex, lust (and love) while also giving us some swoon worthy moments, without it feeling like the ''too good to be true'' moments we usually watch in series where all the main characters are perfect in every way, shape or form and where holding hands is the peak of their relationship.

=> Educational
I will say that this actually had many interesting facts when it comes to sex with the videos during the credits (don't miss them) being a great example.

=> Everyone was interesting
I have this problem with series with multiple couples. Most of the times, the main one gets the most screen time and is boring as hell, while all the others are great with almost zero screen time. There was nothing like that here. Every couple and every character was interesting. Everyone had their story to tell. Everyone had their own difficulties and definition of a relationship. Everyone was there for a reason. For once, I didn't roll my eyes every time they showed the mains or generally any of the characters.

=> Nude scenes
Something that I found pretty interesting is the absence of nude scenes. Even though the series has lots of sex scenes, it doesn't really show that much nude.

=> Balance
This was the cherry on top. Everything felt ideal when it came to balance. There were the sad scenes, the funny scenes, the cute scenes, the ''oh my God I can't believe he did that'' scenes. I just felt very content watching this from beginning to end.

=> Different stages of life
We had like four main relationships, where the characters belonged in different age groups. Most of the times younger people are the focus on series about love/sex. Even though two of the mains belonged to younger age groups, we also had two other couples that were in a relationship for a very long time and belonged to different (and older) age groups. As a result we got insight in their life and how things can be after being with someone for a longer time.

=> This wasn't just a fun watch
The series deals with many issues without being over the top or too dramatic. Some of them involve homosexuality, loss of passion after marriage, love vs sex (and trauma), toxic relationships.

I am 100% sure this will be my answer at the end of the year in the ''which is the most underrated series of 2024'' question. This is a very well-made series that unfortunately doesn't get the attention it deserves and that is the main reason I am writing this review.

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I went to watch this movie with high expectations as it is the Palme d'Or winner at Cannes and I wasn't disappointed, but I definitely expected something more.
The important think to know is that this is not a movie for everyone. It is slow paced, especially in the first half and I would definitely call the film raw. For me what Koreeda wanted to achieve was to tackle very important social issues, that foreigners and especially Japanese tend to hide in a corner knowing that they exist and at the same time smiling like nothing is wrong.
The acting was fantastic and if someone forced me to see the movie without knowing anything about it, I would probably say that it was a Koreeda film, not his best -from the ones I have watched- but certainly a good one.

This kind of movies are so realistic and at the same time unbelievable. Knowing that this kind of things are an issue not only in Japan, but I would dare say everywhere is heart-wrenching.

All in all this is not a movie someone should watch to just pass their time. The film needs your attention and your understanding.

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Bloody mess

If you have watched some classic Takashi Miike films, you probably know what to expect. If you haven’t, I recommend you to check the tags and see for yourself if it is something that you can stomach or not.

What I liked:
- Opening credits: a gorgeously made animated intro.
- Cinematography and directing: nice camera angles, great color grading, some beautiful shots and well choreographed action scenes. Certainly a pleasure to the eye.
- CGI and gore: The CGI looks realistic enough and the gore scenes seem like they came out from a video game or a webtoon. As a result not only you can feel the influence from the source material, but at the same time the gory scenes are as bloody as they should be to not disturb the viewer. The gore and disturbing scenes are actually pretty mild comparing to some of his work (Audition, I am looking at you).
- Duration of the episodes: each episode lasts from around 37 minutes to 50, something that greatly helps with the pacing.
- Female lead: we finally have a strong morally grey female character.
- Easy and fun to watch: again, if you are not into violent and gory series, you will probably hate this, but if you like watching these type of shows, you will be entertained enough.
- Jung Hae In looking like an anime character: self explanatory. I am shallow, I know.

What I disliked:
- Lack of suspense: even though it is a fun ride, as a viewer I didn’t feel like I had to watch the next episode immediately.
- Plot holes and nonsensical scenes: unfortunately there are way too much nonsensical stuff (plainly speaking the characters' actions are dumb).
- One of the characters that appeared in the last episodes: I found that particular character very unrealistic (I know this is a sci-fi drama but still).
- Comedic relief: I felt like they added some elements as comedic relief and even though they didn’t focus on them, I found them unnecessary for a live action.
- Unnecessary actions between our two main characters.

What I found mediocre:
- ML’s character: this is just a personal thing, but I found the male lead to be a bit underwhelming at times. He is definitely not your typical hero, but his foolish actions and the fact that he could barely fight made some of the scenes a bit boring to watch.
- Plot: even though there were a lot of plot holes and nonsensical stuff happening, like I previously mentioned, the plot had potential and the concept was pretty good. I definitely had fun watching it, as I knew I had to think illogically to enjoy it.
- Acting: definitely more on the positive side, but certainly it didn’t have the great performances that I expected.

All in all, it was fun and easy watch that you can only enjoy if you know beforehand that you need to throw your brain out of the window.

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TVING is the new -more violent- OCN

After the King of Pigs, TVING released another dark-themed series with a star-studded cast and even though it didn’t disappoint, it wasn’t as thrilling as one would expect either.

From a technical aspect Monstrous is quite well done. It has a believable (enough) atmosphere, some nicely shot scenes and a dark colour palette. As a result it is better to watch it with all the lights off to be fully immersed. The CGI is not exactly the greatest CGI you will see and it does seem pretty fake at times, but at the same time it is not too bad to take you out of the story. Furthermore, the make-up wasn’t really good, especially in some horror-like scenes of the drama. Lastly, even though I do believe that the lack of censorship can make a series feel much more realistic, in this case they overdid it with the violent scenes. Sometimes it felt like they used them just for show and to fill some time.

Acting wise, people familiar with Korean series will recognize the majority of the main cast, including Koo Kyo Hwan (D.P.), Shin Hyun Bin (Hospital Playlist), Kwak Dong Yeon (Vincenzo), Park Ho San (Prison Playbook, My Mister), Nam Da Reum (Six Flying Dragons, The 8th night) and Kim Ji Young (Graceful Friends). Needless to say that the majority of the cast did a pretty good job with the roles they were assigned with. My favourite performances were undoubtedly those of Koo Kyo Hwan and Shin Hyun Bin, two of our main leads.
On the other hand, I wasn’t entirely convinced with Kwak Dong Yeon’s acting in some scenes, even though he did a pretty good job with his role. My biggest problem acting-wise was probably Park Ho San (the annoying governor). Even though I am never too bothered by his acting, almost every time I watch him on screen I feel like he is overdoing it with his expressions to a point that he seems a bit ridiculous.

The plot of the series was good enough to keep the viewer interested. There were some scenes that didn’t make sense, or to be more precise there were things that conveniently happened so that the plot could move forward. I didn’t mind it that much though, since what matters the most to me is having fun and I was pretty entertained throughout the drama. What I loved the most about the series were the backstories of the characters that I would like to watch more of.
The series was very easy to watch and I would suggest binge-watching it not only because it consists of six thirty-minute episodes, but also because it would probably feel very underwhelming otherwise.

Having said that, the characters, even though interesting, were pretty underdeveloped. Also, at some points, the series felt a bit like your typical zombie/monster drama and we have been seeing a lot of those nowadays, with All of Us Are Dead being the most recent one. There were also some particular scenes that felt a bit out of place, like those with the monks in the first three episodes. If I could point out the biggest problem of Monstrous, then it would be that I didn’t really feel for the characters. Even though we were presented with some suspenseful and sorrowful moments, most of the times I wasn’t really on the edge of my sit, neither did I feel emotionally invested.

All in all, it is obvious that TVING is trying to bring something new to the table; something more violent and raw and they pulled it off to some extent. Nevertheless, it seems like they need to do a bit more work to make some other aspects of series like this one work. Looking forward to their next project, Rose Mansion.

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Be careful when you comment on the internet

In only five episodes, this series managed to touch upon cyber bullying, which is a very sensitive topic, in a very delicate and realistic way. The series focuses on Papang, a top student, who is famous in her school, especially through her social media account. One day Papang takes her own life and the series portrays the happenings that led her to that decision.
The Comments deal with the impact that social media have on our lives and how our false social media persona can devour our true selves. The series is a social commentary, about the things that people post online with the sole purpose of judging another human being, without thinking or caring about the consequences. It also deals with the hate comments that celebrities receive and how much they can affect them. The acting is really good throughout the series and I would recommend it to anyone interested in this subject. However, it is not that easy to watch, especially the last episode, so take this into consideration. I liked the fact that I was able to read the comments that the viewers made, while watching the series on YouTube. In that way it is even more impactful, because even though the characters are fictional, the situation was very realistic and the comments were concerning to say the least.
What I loved most about the series, is how the character of Papang is depicted. She is not just the victim of cyber bullying and she is not there to play that role. Papang made some selfish decisions, humiliated her friends and she definitely wasn't the most likable character ever. She was inconsiderate about her friends and maybe if she acted in another way, everything would have turned out differently. However, Papang was also a human being with her own feelings and she didn't deserve the hateful comments she got, no matter how she acted. She didn't deserve to lose her life like that and she definitely didn't deserve to feel that hopeless. This series is about the complexity of human emotions that can lead people to extreme actions. The moral is that social media can be used in a harmful, but also in a helpful way. There is always a choice and in the end it is our own decision if we will use them to hurt or help others.

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Color me surprised!

I am honestly awed by this series, that actually managed to get worse with every passing episode. And now you'll ask "Why are you watching, if it is that bad? Stop judging and drop it".

Well the answer is simple; Hate-watching. This is such a badly written series that it is fun to criticize and see how bad it can get.

Now, to the people actually wanting to know what is wrong with it and if it has any redeeming qualities, I will quickly mention the good and the bad.


The good:

+ Some of the actors are watchable:  Even though the cast is filled with some very popular actors, unfortunately, most of them are not as good as usual. Despite that though, they are still caring this drama that lacks in everything else.

We have Lee Jae Wook (Han Tae Oh), Choi Jin Ho (Kang Joong Mo) and Choi Hee Jin (Kang Hee Joo) that are doing -mostly- a good job. Then we have Lee Jun Young (Kang In Ha) that is okay. After this series, I am honestly not sure if he is a bad actor and I thought he was good in his past performances or he is good and he was just not that great in this series.

+ Kang Hee Joo: Most people like her, others don't understand why the majority likes her. Well I am here to answer that.
Kang Hee Joo is the only one in this series that seems to have a character -and an actress that can support it-. Besides her gorgeous looks, she is the only one that is actually consistent and has a personality. Is this personality not really "great"? Yes. She is naive, persistent and toxic at times. But she feels real and is great to watch.


Now we will get to the bad (yes that was all the "positive"):

- Plot: I don't have lots of things to say. This is just a very badly written series. Characters are purely unlikable and change personalities (like Tae Oh being a genius, but suddenly turning dumb), romance is cringy and unnecessary -and I am being very kind-, actions are not really explained or make sense (like ruthless FL that appears so strong and has all these great ambitions -even gets married to benefit herself- and when her mother asks for money, she turns super weak and cries when she could just get rid of her one way or another-) and let's not forget that this basically turned into a makjang halfway through (people playing dead, actual murders, evil dad coming back, fake allegations leading to death sentences etc.)

- Time skips: One of the worst -if not the worst- decisions of the writer. We have so many time skips for no reason. First episode, we are literally getting to know the characters. They have this great plan to rise in power and suddenly boom 5 and 10 year time skips where they have achieved so much and are in these high positions and we don't know how and what happened in between.

- Characters: The characters are generally very one dimensional or they tend to like completely change personalities. That aside, another thing that bothered me is that some characters appear, seeming important or promising, and then they suddenly dissappear like they were never part of the plot -or writer remembers them when he needs them for the plot to move forward-.

- Root for who?: I felt like the scriptwriter wanted the audience to root for Tae Oh and Hye Won, and here I am rooting for Hee Joo and even In Ha at times.
All characters are super unlikable and they try to pass as this "male and female lead are the good ones". My dude, they are not. Tae Oh kissed his best friends wife and did everything in his power to destroy a conglomerate family and for what? For nothing. And Hye Won? She married In Ha just to get power and cheated on him with his best friend! And did she actually get any power? Yes (when the script said so). Let's not forget how she tried to take advantage of everyone and always put herself first...

- Draggy or fast paced: I am not sure! This seriss felt super draggy at times. I was sooo bored. Other times, it felt like it needed so much more time to develop the "plot" and the characters.

- Romance: It is so cringy and unnecessary. FL's incapability in acting aside -she looks like someone forced her to be there-, the interactions between her and Tae Oh are so cringy. They have zero chemistry.
Also, I don't understand why and how the whole "falling in love" happened. First of all, female lead is just purely unlikable as a character. Secondly, they barely have any interactions. Like when did he fall head over heels for her? Lastly, the romance is just sooo unnecessary. It is just a plot tool that is used in some cases to make Tae Oh do things he shouldn't be doing...

- FL is unnecessary and badly written: Oh look, another female main character that has nothing to add in the series. Writing wise, she is supposed to be manipulative, ambitious and self-centered. But she literally does nothing. She gets privilages just because script says so and out of the blue. She is just there helping other people with their plans. The only thing that she does is marrying In Ha, but even that was something he initiated.

- Clichés: Many and I mean many clichés. We have the typical chaebol fights for the "throne", the typical sad backstories/dysfunctional families of the main leads, the typical bad "siblings" and many others.

- Hong Su Zu's acting as Na Hye Won: Su Zu's performance is one of the worst if not the worst I have ever seen in a Kdrama by a female actress all these years. There it is, I said it.

After reading many comments like "She will get better, it is her first main role" or "Don't be harsh with her, it is her first role" and completely disagreeing, I want to express my opinion.

Firstly, the crew responsible for the casting should have seen that she is incapable of acting, especially since she would act as the freaking female lead -emphasis on lead-. So why she was chosen? Either, they really liked her looks or there is another reason (connections, being popular -or  impossible- all other candidates were worse). Now, no one can convince me they liked her acting, because she just can't act.

Even if there were connections involved, the director should have helped as much as possible to get a good result or just try to guide her. And I don't know if he did, but it doesn't seem so. Not even a single frame of her compliments her. Even when she is sleeping she looks tense.

Moving on, actress takes the other half (and more) of the blame. She should just not have taken this role, if she knew she can't do it. This is not a support or guest role to get familiar with the whole acting process and learn. This is a main role and more so in a series with some big names.

The thing that irritates me the most is that it doesn't even look like she is trying. She has a puppy eye expression no matter what is happening. Seeing something that can ruin her life? Puppy eyes. Someone is literally chocking her? Puppy eyes. Like come on!

It's not like she is good at being serious and she lacks in the emotional scenes. She lacks in every single scene, no exception.

So no, for me, "don't be harsh, this is her first role" isn't an excuse for such a horrible performance. We have seen child actors doing better. We have seen other actors doing better in their "first roles". If she had some good scenes, I would understand. I would ignore. But that is not the case.

Of course, threatening the actress and posting hate comments on her account is a big no. She is human too.

I do think that if she chooses to continue acting, she should do proper training, because this is not it.

Ending: I didn't expect the series to suddenly turn good in the end and, well, I was right. The ending was as expected. Evil In Ha gets his punishment, while male lead Tae Oh -that was also not the greatest person out there- and love interest Hye Won get their happy ending...

All in all, a very badly written series with some questionable acting performances and barely any redeeming qualities. Ideal only for hate watching.

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AN UNSUCCESSFUL YET APPRECIATED EFFORT

Meet You at the Blossom is a series many of us were anticipating. It was supposed to be the first non-censored period same-sex novel adaptation and it is a co-production between China, Taiwan and Thailand with the latter being the one that distributes it.

Now, China -despite the censorship- has produced some great series in the past years. The Untamed and Word of Honor are probably the most well-known. Those two series got super popular to a point that China ended up having even stricter rules when it comes to censorship, even banning, at some point, novel writers from uploading their -uncensored- work online. Those two series gained a huge fanbase -especially The Untamed- and the actors starring in them are currently some of the most popular and well-paid people in Chinese entertainment industry having tons of opportunities to expand their careers even more.

I know, we all know, that those series along with many others didn’t have a decent budget when they were made. The production quality and CGI were horrendous, BUT, those series had many elements that most dramas were missing at the time. They were entertaining from beginning to end, the chemistry between the leads was on fire and the plot and characters were interesting to watch and well-written. Especially when it comes to The Untamed, the series managed to bring a very complicated story with some flawed yet relatable characters that we rarely get to watch nowadays.

Those adaptations, those adaptations that no one wanted to watch when they were announced, got so popular domestically and internationally, that the companies started mass producing danmei adaptations. They invested tons of money to film them. Actors that may have not been that popular when those series were filmed, are currently dominating the C-entertainment industry. Actors like Chen Fei Yu, Luo Yun Xi, Zhang Ling He, Tan Jian Ci and others. Unfortunately, all those adaptations have not seen the light of day yet and maybe they never will, but China has proven despite the change of the original sources that they are the best when it comes to stories portraying same-sex relationships.

What does that have to do with Meet You at the Blossom? Nothing and everything.
This series was announced out of nowhere. I obviously had zero expectations that it was going to be like The Untamed or Word of Honor for multiple reasons, but I was sure I would watch it on a legal platform, cause let’s be real, this was an experimental project. It was more to see if it will gain any money and if it is worth it to produce more series like this one. We have Taiwan making great efforts lately when it comes to danmei adaptations with Unknown being fantastic and with projects like The Only One airing soon. BUT, they didn’t touch the “period” danmeis for a reason.
Was this series worth the wait? No. But does it give some hope that maybe in the future we will get something better? Yes.
But let's get to the actual series.


Friendly disclaimer: This is my personal opinion and it is completely fine to disagree with it, as long as you are not being rude.

PRODUCTION QUALITY
As everyone can see, this series doesn’t have a big budget, but it honestly looked much better than I anticipated. And like previously mentioned, production quality is the least important when it comes to the final result.

ACTING
Unfortunately, acting was not good. It wasn’t unbearably bad from most of the actors, with Wang Yun Kai -Xiao Bao- doing a pretty decent job along with some actors in supporting roles. On the other hand, Li Le – Huai En- was very very bad. He barely had any expressions that looked real and most of the times I couldn’t help but roll my eyes every time he appeared on screen.

DUBBING
It was horrendous. I have seen worse in the past, but it is pretty bad here especially when it comes to specific characters, where the dubbing -or sound mixing- makes the sound, sound very artificial.

CHEMISTRY/COUPLES
I personally felt zero chemistry when it came to the main couple, or maybe one-sided chemistry from Xiao Bao’s side. Them falling in love or lusting for each other was so sudden, it is not possible to make it look interesting enough. Same with the other couples that their interactions were, however, much more interesting than the main one's.

CHARACTERS
Most of the characters are flawed, but not in a way that makes them interesting and fun to watch. I am not sure how to explain this, but because of how the plot/directing was handled, the characters felt "unnatural". I knew I was watching a series when watching them on screen. They didn’t feel real and I didn’t feel for any of them at any point of the series.

PLOT
Despite the fact that the romance is not getting as much screentime as I expected, for some reason, it feels like the plot is more of a background and the romance is the main story. Like the plot and the rest of the characters were there to fill screentime and in reality all the scriptwriter wanted was to focus on the main pairing. I have seen this tons of times in bls. I have seen this in tons of bls that wanted to make the plot the main focus and couldn’t. And this is where most period -well written- danmei’s (and their adaptations) differ. The general plot and all characters are more important than the main pairing and their love story and this is one of the reasons this series could not gain my attention.

HUAI EN AS A WOMAN
Okay, just mentioning this, cause I have also seen this a million times and it is never done well. Huai En would never pass as a woman and especially a pretty one, taking into consideration the beauty standards. This is a main plot-point in many Cdramas. Woman dressing up as men (The Legend of Fu Yao, Eternal Love and many others). Men dressing up as women -in danmei- (Heaven Official's Blessing, Kaleidoscope of Death). In live action it is very difficult to work and MYATB is no exception.

TOXICITY
First things first. People who know me, know how much I love toxic relationships in dramas, how much I enjoy watching flawed/toxic main characters on screen, NO MATTER how toxic they may get. Here, we have such a toxic character -and not only one, but let’s stick to that one because he is the most important-. If you have watched it, you know who I mean. And you know what? It’s not like I hate him or like him. I just find him bland and uninteresting. Even the way they portray the toxic scenes are shown in a very romantic light to a point that is laughable and can’t be taken seriously in any aspect.

ENTERTAINMENT VALUE
I won’t lie. I enjoyed and laughed by how ridiculous the first 2-4 eps were. After that, I just felt completely bored and the only reason I finished watching it was because I had promised myself to support this great effort. Taking into consideration all the negative points I mentioned above, it had almost zero entertainment value for me.


All in all, Meet You at the Blossom, adapted from the Blooming Flowers, Silent Sorrow novel -much better title btw- felt more like a Thai-parody of a danmei-adaptation than a serious try to make something good. Both serious/sentimental and funnier scenes felt equally ridiculous. However, even though this was an unsuccessful effort in my eyes, it was an -appreciated- effort nonetheless.
I feel like I will completely forget everything about this series in a few days, but the hope that this may bring better period danmei-adaptations in the future will stay with me -along with my hope that the already filmed series will air someday-.

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This series should have never been created

I intended to write a typical review with the aspects of the drama that I enjoyed and the parts I disliked, but then I realised that there was not even one positive thing I could say about this series, not even one. If you enjoyed this drama, please don't read further.

This is probably one of the worst series I have watched in my life and in the thriller-mystery genre it may actually be the worst.

I will get straight to the point which is the plot. Imagine a chessboard where the players can move their pawns however they like, without considering the rules. That’s how this series is like. The writer uses the characters, which are equally badly written, however she likes without taking into consideration that there is something called logic. The genre of this series does not allow plot holes. It is not a drama where a pigeon and his friends can appear to save the day and you are fine with it, because the genre allows it. They are not even the types of plot holes that you can dismiss, because you are having a good time.

We all have watched kdramas where the police officers are portrayed as idiots and they don’t use their brain to think. Well, comparing to the characters in this series where everyone acts like they have only one brain cell left, those police officers should have won some medals for their exemplary behaviour.

The actors were mediocre, but to tell the truth, I am not sure if it is because they are not good actors or it’s because their characters were so badly written that they couldn’t do anything better than that. Even the OST has nothing to offer and it was one of the few times that the music felt so out of place.

This may have sounded a bit offensive, but since I felt like this series insulted my intelligence, I couldn’t write what I felt in a more positive way.

Do yourself a favour and forget about the existence of this series, because it shouldn’t have been made to begin with.

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An anthology like no other

Many times, I tend to say that some series are not for everyone and you should like specific elements to enjoy them. However, I don’t think I have truly meant that, until now.

This is a series that is difficult to describe in words or to be more precise, you can describe it well enough, but you will never truly prepare the viewer of what they will experience, because Isu is an experience in itself.

It is an anthology consisting of eight episodes about the stories of different women and their precious chairs. It is a dialogue-based series that relies heavily on visual storytelling and it is, as it should, visually stunning. The acting is phenomenal and it has elements that personally reminded me of a theatrical play.

You can find a bit of everything in this peculiar series, that, frankly, only the Japanese could make. There are some surreal stories that use symbolism, some melancholic tales, some interesting and though provoking stories and some that are a bit underwhelming to watch.

Like the opening of every episode says, if you imagine a world with chairs, it will become a story.

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First things first, it was a great choice making this a seven episode drama. In my opinion if this was 16 episodes, like some previous series like The guest and Save me, it would probably become a little boring halfway through and then it would be great again in the last few episodes.
Secondly, this was a series that I was (im)patiently waiting for every week. I loved the story from the beginning with that dark vibe that OCN knows how to handle. I liked all the twists that the show had to offer and the acting was good (in my opinion at least).
Finally, the whole psychopathy thing made me shiver as I though all of the characters previous scenes, including his intense feeling about sadness and sorrow and the will to avenge for everything that he lost. Even though this is not the first time that that kind of twist has appeared -and it will probably not be the last- the cruelty from the character and the understanding from the viewer that no matter what happened he didn't feel anything, was enough to make this show a great watch. I liked all the characters in this series and I would probably watch it again as it is, as I mentioned before, a seven episode drama.

The only complain that I have is the ending. I suppose that OCN is preparing for a new season, but I believe that if they had finished the series properly and without plans of making another season this would be even better.

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Femme fatale, where?

While I was watching this series many "what if" questions came to my mind. What if the editing was good? What if Park Hee Soon was the male lead? What if the make-up artists could do make-up? But let’s see every aspect separately.

Plot
The plot was obviously full of plot holes, as expected from the genre. The problem is that the series took itself way too seriously to a point that me, as a viewer, expected something better writing-wise. At some points, it was plain stupid.
Let’s take the kids for example that were basically there for décor. When the scriptwriter needed them, she added all those scenes with them, when she didn’t, it was like they didn’t even exist.
When it comes to these series, entertainment is a must. Even though the first half of the series was entertaining to watch, the second half was boring for the most part and all the excitement disappeared.


Directing, Cinematography & Editing
First of all, if someone asked me, when was this series released, I would be confused. The majority of the series looked like a 2016 or a 2015 production, but there were some scenes -not many- that looked visually pleasing, like they were part of a 2021 production. Generally though, it felt cheap.

The lighting was bad, especially in some scenes, like the tango scene in the first episode. I only liked the close-ups in the first few episodes that added to the atmosphere they were trying to create.

The editing was also pretty bad. In one scene the character looks to the right in the other scene, he looks straight ahead.

And then, we have everyone looking fake. Someone told me how it is called, but since I don’t remember it and I can’t find it, I will just use my own words. Everyone’s skin looks fake. It is flawless and not in a "the make-up is great" kind of way. In some scenes, it felt like some characters didn’t have a nose, that’s how bad it was. And to be honest, just why? I had a huge problem with that, especially regarding Seo Yea Ji. She is stunning the way she is, why would you make her look like that? That must be an achievement.


Acting
Oh, Lord. Generally speaking, the acting was mediocre, if I want to be generous, with Yoo Sun as Han So Ra being the only one that I loved watching on screen. She did a great job, portraying her character and I dare say that I would compare her performance with Kim Seo Yeon’s in the Penthouse. Good overacting is not easy to find and she did a magnificent job. Lee Sang Yeob and Park Myung Hoon, Kang Yoon Gyeom's brother, also did a very good job.

Now to the rest of the cast. Seo Yea Ji did an okay job as Lee Ra El. I would say that she needs a bit more work in the sentimental-scenes department. Besides that, at some point, I felt like she gave up. It was like she was trying so hard to make Ra El seem like a good person, to a point that she even made her voice sound thinner.

Now to the actual problems. One of those problems is Park Byung Eun. Even though I didn’t find him as bad as everyone else did, another actor would bring the eroticism and chemistry that it was needed. My biggest problem with his acting was the inconsistency. In a close-up shot he looked shocked, eyes red etc and in the full shot of the same scene he looked like he was just staring at some flowers in the park.

I also didn’t like the acting of Jeon Gook Hwan, the actor that portrayed Han Pan Ro, Han So Ra’s father. I get that he is a veteran, but for me he was ridiculous and I am saying that in the least good way possible. I felt like his acting would suit a series from five years ago. Same with his right hand Kim Jung Cheol, portrayed by Jung Hae Kyun.

Don’t even get me started on the foreign actors and how bad they were. Seo Yea Ji spoke better Spanish than the people that were supposed to be from Argentina.


OST
I like the original soundtrack of the series, with Hold Me Tight by Kim Ye Ji being my favourite. The version of Libertango by Astor Piazzolla with the bandoneon in the tango scene was also fantastic.


Femme Fatal
Undoubtedly, Seo Yea Ji is the perfect actress for these types of roles. Besides her beauty that I personally find quite unique in the Korean industry and her deep voice, she can pull of characters like Lee Ra El. However, no matter how good and gorgeous she is, her character was downgraded by everything else.

Firstly, she is supposed to be mesmerizing when dancing tango and she is just not. The way she dances feels amateurish, cringe to watch and it is definitely not as erotic as they want us to believe. Plus the choreography they created didn’t help at all. It made me laugh at times. That’s where the director should enter and actually do a good job alongside the make-up artists and stylists which gets me to my next point.

As everyone noticed, Seo Yea Ji has lost a lot of weight. Even though we can’t know if it was for the role or because of the scandal, the people responsible for her outfits should be fired. Many of the things that she wore didn’t fit her body type. Not only that, but some of the clothing choices were just bad. Same goes with the makeup.

No, the bad make-up wasn’t intentional, as I have heard many people say. Besides the fact that it felt like they were amateurs and had the same three things to work with -colors, eye-shadows etc-, the majority of their work was awful and I am being very kind. The make-up they used in most scenes looked awful on her, it didn’t fit her outfits nor it was nicely applied. The glittery make-up was just offensive to my eyes. It was bad even in her dreams! Plus, in some shots it looked different than in others and in some scenes they made her look like a ghost.

The same problem occurs with the hairstyles. They weren’t too bad, but when you have Seo Yea Ji you must make her look even more beautiful and not degrade her beauty.

Once again, think of the tango scene. I can’t believe they made her wear that awful dress with that awful make up, when they could have dressed her with a blood red colour dress to make her look like a woman you would give up everything for.


Kang Yoon Gyeom VS Seo Eun Pyung
If you were watching this series, while it was airing, then you know that everyone was arguing about who Ra El should end up with, who is better blah blah blah.

This is my unpopular opinion. First of all, for me, Ra El should end up with no one. Confucius had said "Before you embark on a journey of revenge, dig two graves" and that would be the most fitting ending for this type of series.
Now, if I had to choose one, that would be Kang Yoon Gyeom. First of all, I can see why he would love her or obsess over her, take your pick. Also, people seem to forget that Lee Ra El is not a saint. She may have been through a very difficult time, but she is manipulative and uses everyone to achieve her goals, including the kids. So no, I don’t think she would make a good couple with Mr. Perfect Seo Eun Pyung. Her toxic relationship with Kang Yoon Gyeom and their similarities make them the ideal endgame, because that is what fits a series full of morally grey characters.

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In the Land of Saints and Sinners

If I had to describe what Fangs of Fortune is about in just a phrase, I would say it is a series about free will; the freedom of choice.

In a world where humans, demons and gods reside, one might expect good and evil to be clearly divided, but that is not the case.

Both humans and demons are prejudiced against one another. Humans see all demons as evil, and demons believe humans are fragile and incapable of truly understanding them.

Humanity, and subsequently mortality, is about the beauty of an ephemeral and mundane life; it’s about emotions and fragility. Demonhood, and consequently immortality, is about power and the inability to truly feel.

The thing about Fangs of Fortune is that it is not just about the beautiful, yet fantastical, world we see on our screens. It is also about the real world, the one we wake up to every morning. It’s about judging someone without truly knowing them. It’s about labelling someone as good or evil, simply because of a specific characteristic they have. It’s about being hated, even if you did nothing wrong; being hated because of something you couldn’t control. It’s about realizing that you cannot truly understand a situation, unless you have been there. And finally, it is about the fact that no matter who or what you are, no matter what you experience, no matter the hardships you have been through, in the end, what you become is your own choice.

All the characters in this series are proof that everyone is different, and that is the beauty of life, immortal or not. Not every person turns into a villain because of a tragic past, and not every individual becomes kind and considerate just because they lived a good life. It's all about choices, and we always have the power to choose, even in situations where everything seems like a dead end.



Below, I will analyze my personal experience with most of the technical aspects of the series, and I will also answer some common questions you may want to consider, before watching.

DIRECTING AND CINEMATOGRAPHY
Guo Jing Ming has quickly earned a place among my favorite directors. He has the ability to create magic on screen. Every frame is not just beautiful; it is spellbinding. The world he has created here feels like the one my 6-year-old self would have dreamed of living in, despite the dangers it might have held. He captures the beauty of what I envision when I think of Chinese culture. Of course, the slow-motion scenes, the close-ups, and the techniques he is using as a director are a hit or miss. You will either love or hate them, and I am enamored with them.


MAKE UP
If you have also watched My Journey to You, then you’re probably aware that Guo Jing Ming has a tendency to make his characters appear pale on screen. In my opinion, although they don’t always look "real", this choice works in his favor most of the time. However, there were some scenes where I was bothered by the fact that some actors and actresses appeared so pale that it became visually unappealing.


ORIGINAL SOUNDTRACK
I have to admit that the songs are somewhat overused in the series. However, individually, every single song is soulful, touching, or simply electrifying.

Here are my three personal favorites:
- Return after a long dream (大梦归离) by Li Yuchun (李宇春)
- Unintentional big dream (无心生大梦) by Liu Yuning (刘宇宁)
- Yuan Zhou’s youth (远舟的少年) by Neo Hou (侯明昊)


ACTING
All of the actors in the series did a solid job with their roles. I wouldn’t say that all of them delivered award-worthy performances, but none of them took away from the drama, while I was watching. Each had their moment to shine, with some performances standing out more than others.

The two people who stood out to me the most were Neo Hou and Tian Jia Rui. Starting with Tian Jia Rui, I had high expectations from him, since I had enjoyed his performance on My Journey to You. Despite having limited experience in acting, he managed to truly bring Zhuo Yi Chen, his character, to life. His eyes are incredibly expressive.

Now, onto Neo Hou. Even though I knew of him as a rising star, I hadn’t seen him in a series before. I was impressed by his performance and how well he managed to portray a character with so many different layers.

On the other hand, if I had to mention one person that impressed me the least, it would be Xu Zhen Xuan as Ying Lei. While he was excellent for the most part, especially in the more lighthearted scenes, I do believe he needs more work when it comes to delivering more emotionally charged performances.

As for Chen Du Ling and Tian Jia Rui, if I could, I would award them the Queen of Tears and King of Tears titles, respectively. It’s truly astounding how effortlessly they manage to cry, and in such a magnificent way (while also looking impressively beautiful).


MYTHOLOGY
Fangs of Fortune may not be based on a book, but it draws inspiration from a classic text, that contains information about mythological creatures, called "Classic of Mountains and Seas" (山海经).

The drama -with liberties involved- manages to intelligently portray various creatures from the text. Not only does it retain many of their key characteristics, but it also incorporates other elements like clothing, make up and more to enhance their depiction.

Take Zhu Yan (朱厌) for example. According to the Classic of Mountains and Seas, he is an ape-like creature with a white face and red feet. In the series, aside the “ape jokes” that gave us a hint of his true form, there were other creative ways that the crew used to portray his demonic form. For instance, in the first few episodes, his clothing is dark red with a white fur, something that is obviously done intentionally. In fact, the red "energy" that surrounds him, made me wonder if it was another way for the director to portray Zhu Yan’s red feet.


PLOT
While Fangs of Fortune has an entertaining plot, with some truly amazing scenes, and I thoroughly enjoyed watching it from start to finish, it would be inaccurate to say that it is perfect. There are several aspects that the scriptwriter/director could have handled differently. For example, aside the first few episodes not being entirely captivating, there were many scenes where conversations were taking place, and the “big threat” was just standing there, waiting for them to finish.

That aside, some characters are underdeveloped and, at times, even forgotten in terms of the plot. There are several liberties taken in this regard. Did it bother me? Not really. However, I do believe that if certain scenes had been portrayed differently and more effectively, the final result would be even better.


HUMOUR
The drama is comedic from start to finish, despite not being advertised as such. As with any “comedy”, it’s something you’ll either love and laugh along with or dislike and roll your eyes at. At first, it caught me off guard, but the more it happened, the more I warmed up to it. Now, I can clearly say that the comedic elements were absolutely hilarious (and pure gold).


CHARACTERS
Like many viewers, I became attached to the characters. Every single one of them brings something unique to the team, and every member is essential.

Zhao Yuan Zhou, Zhuo Yi Chen and Li Lun
In my opinion, these three characters were written with the utmost attention to detail. All of them were very complex, with rich backstories and current experiences that made them layered and multi-faceted and I couldn’t help but feel for them.

Wen Xiao
As the female lead, Wen Xiao serves as the emotional backbone of the team. I do think that in general her character is underdeveloped, but I will touch on that later.

Pei Si Jing
Who doesn’t love a strong female character who can fight and stays true to her values?

Ying Lei
A humorous and kind-hearted character who made me laugh countless times.

Bai Jiu
The team’s doctor, another pretty well-written and multi-dimensional character with a complex, yet fascinating personality.


FEMALE LEAD (?)
As mentioned earlier, Wen Xiao is the emotional backbone of the team. Unfortunately, she is noticeably underdeveloped compared to the others, and she ends up feeling more like a supporting character than the main female lead.

Wen Xiao is portrayed as weak and fragile, something she openly acknowledges. She is kind-hearted, but like everyone else, she can be too quick to judge others sometimes. The main issue I had with her character is that, even though her introduction was magnificent and powerful, she ended up doing very little throughout the series. In the most dangerous and pivotal moments, she was merely a spectator.

Her weakness remains constant throughout the series and many times it felt like she was inserted into certain plotlines/scenes just to be present, rather than having a significant role in the events. There were many scenes where all she did was lie helplessly on the ground, while everyone else fought for their lives. What frustrated me the most is that, despite being portrayed as someone with potential power, she never truly feels like a powerful and important character.


ROMANCE + BROMANCE + SISMANCE
The romance between the two main characters was slow-paced and, unfortunately, underdeveloped. Even though the actors had good chemistry, the portrayal of their characters and their actions never convinced me that they were truly in love. Their "relationship" felt sudden, with barely any build-up. Some of their grand gestures for each other were impactful in concept, but because the romance itself was super underdeveloped throughout the earlier episodes -with most meaningful scenes not being between them- "their moments" failed to leave an impression on me and left me wondering why they are acting the way they do.

On the other hand, the bromance between Zhao Yuan Zhou and Zhuo Yi Chen (and even Li Lun) was the kind of “romance” the series was missing. Not only were the actors phenomenal, with their scenes oozing chemistry, but their relationships were also better written. Because of that, as a viewer, I could better understand and connect with them. Plus, they shared some of the most emotionally impactful moments in the series. Why though? I will get to it later.

Bromance aside, the relationship between Pei Si Jing and Wen Xiao was also beautifully portrayed. Despite their differences, they formed a deep connection and felt so much for one another. Their scenes were magnificent and their conversations were truly beautiful to watch.


ENDING
Obviously, I won’t spoil it for you. I will just say that even though the last episodes were not flawless in terms of execution, thankfully the series did not crash and burn.



Now to the questions:

-> WAS IT AS GOOD AS MY JOURNEY TO YOU?
Fangs of Fortune is fundamentally different from My Journey to You, which makes it impossible to truly compare the two. Even though both series share the same director and as a result they are both visually stunning in their own ways (with some amazing OSTs), that’s where the similarities end.

MJTY was a much darker series -both in terms of cinematography and atmosphere, as well as plot- with limited fantasy elements. It was more dialogue-driven and political, with a heavier atmosphere and barely any comedic elements. On the other hand, Fangs of Fortune, was a fantasy drama through and through, filled with an exquisite amount of comedy and a generally lighter atmosphere. So, it all depends on what you generally enjoy.


-> IS IT BINGE-WORTHY?
Yes and no. For those who generally dislike GJM's directing style -his meticulous attention to visual detail, slow-paced dialogues, hushed voices, and frequent use of slow motion- it might be challenging to watch, let alone binge. However, for viewers that enjoy his approach, binge-watching will probably be a delight.


-> HOW IS THE ROMANCE?
The romance unfolds slowly and it takes a backseat to the series' main storyline, as the focus is mostly on the ensemble of main characters rather than the two "leads." That said, as mentioned above, it is also quite underdeveloped. So, if you are looking for a romance-focused series, this is not the one for you.


-> DOES IT PORTRAY A NON-PLATONIC RELATIONSHIP BETWEEN THE TWO MALE LEADS?
That is a very complicated question. Of course, it could never truly be a same-sex romance, since there is a ban on same-sex relationships portrayed on screen in China. However, Guo Jing Ming has incorporated many homoerotic undertones between some of the characters -and this is not the first time he’s done so-.

For me, it’s evident that the director/scriptwriter would likely have pursued a different kind of relationship between the two male leads, if it wasn’t for the ban. I know many of you may disagree, but I’d like to share my thoughts on this.

First of all, there are many scenes that are undeniably not purely platonic (like the hairpin scene between two of the characters or the red string scene). Additionally, the main male characters are much more complex and layered compared to the female lead. In fact, the most impactful moments, the ones that really stand-out, happen between the two male leads and not between the male and female lead.

In addition, the way that GJM directed the drama makes it evident that he was willing to go in that direction if he could. Their interconnected fates, their glances, their touches, their bickering, their reactions when it came to one another -all of it- had far more depth compared to the main romance. The fact that the female lead was weak and underdeveloped, coupled with her random appearances in certain scenes, further reinforces the idea that the romance between the mains was never meant to be the central focus.

Lastly, it doesn’t matter whether you consider their relationship platonic, brotherly, romantic or something else entirely. Their bond is unquestionably powerful, something that I don’t believe anyone can truly deny. The fact that the female lead is not the focus of the series at all and barely appears in the last few episodes, made me even more convinced that this was a story about something much different and deeper than what we initially expected.


All in all, Fangs of Fortune took me by surprise and I think it will be a long time before I get over it. It ruined me and healed me simultaneously. Despite its flaws, it was an incredible watch. The characters, their stories, the OST, the underlying message and the overall experience of watching it are things I won’t forget.


I will leave you with one of the many beautiful quotes of the drama about mortality and death:
"Tears has nothing to do with age and nothing to do with strength or weakness. It has something to do with our hearts. Humans are soft-hearted. Soft things will always be pricked by something hard and cold and death is the hardest and coldest thing in this world."

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