This drama is perfect for two very specific types of people.

1. Fans of melo/makjang/over-the-top insanity.

2. Those who love laughing at said melo/makjang/over-the-top insanity.

I do not fall into category 1. I spent years going into Kdrama rom-coms all bushy tailed and bright eyed and then pulling my hair out whenever the makjang/melo would make an appearance. I would keep watching, of course, because true love requires commitment. But I would always lament why they had to include a final hour bout of amnesia, or why couldn't the male lead just finally wake up and recognize his terrible behavior sooner rather than later?

I also do not fall into category 2. (At least mostly.) I do not seek out makjang/melo/over-the-top dramas, and when a drama I'm watching turns into one, I find it frustrating rather than entertaining. I don't enjoy watching people be terrible for terrible's sake, I don't enjoy having my heart put through a torture device for the 'exquisiteness of heartbreak', stupid decisions made for the sake of plot drive me up the wall, and while I can certainly suspend disbelief when required by a story, I cannot just turn my brain off completely.

With Husband in Law, we have the super common set up. A contract marriage, the leads move in together, male lead is completely uninterested in (nay, actively dislikes) the female lead, female lead is hopelessly in love with the male lead since youth, they end up working together with him as her boss, yada yada yada. This is very common Asian drama territory, and I'm on board with all of it. But on top of this is a secondary couple with the most insanely toxic, abusive relationship. The girl is basically treated as a rag doll by her husband, and the husband is a truly vile villain. He's also out to get the male lead because the male lead slept with the abusive husband's wife (not knowing she was married), and he even almost successfully ends the male leads life.

I fully admit now that I did not care one iota about what's her face and her abusive husband. I abhor abuse, and watching it play out on screen is certainly upsetting, but it happens so often and is so extreme in contrast to the rest of the drama that you eventually become numb to the abusive yo-yo relationship of the villain couple and just want them to go away. This is the first drama I ever fast-forwarded, and it was mainly their scenes.

The rest of the story is mostly standard for these types of dramas, but they would often incorporate really random elements (which I guess is also standard for most melo/makjang). The most extreme example would be when the female lead suddenly becomes a genius hacker because story reasons and hacks into the male leads company. There has been no indication up to this point that the female lead has any sort of impressive computer skills. Truthfully, there's no indication she has any skills at all, so this feels more like 'let's insert a random conflict here so we can watch him be mean to her some more' than it does anything else.

What really hurts this drama the most though are the technical issues. The editing and pacing are truly terrible. Scenes just end inexplicably, and we're mostly tossed around in the story without a very clear framework. They do such a poor job of conveying important information to the audience, explaining character motivations, etc. that I often struggled to follow what was supposed to be going on and frequently found myself on the wrong end of the stick with the story.

This point is less important, but the music is Frequently dramatic at odd moments. I get they were trying to give scenes a certain feel, but they should have invested in one more track of music that could convey the right tone without making everything feel like a tense stand-off in a crime thriller.

Now that I've said all of this, it will probably surprise you to learn that I employed the 'laugh at the absurdity' method to watch this drama. I still don't fall into category 2, but once I'd gotten into the drama deep enough to be somewhat invested, I realized the only way through it was going to be with laughter. So laugh I did, and it mostly worked. Granted, it took me probably close to a year to finish this drama, because ^see above^. But laughing at the nonsense made it easier for me to enjoy the drama. And truthfully, there are some decent things about Husband in Law. The lead actors are fantastic. They sell their characters every which way from Sunday, and I found myself liking both of them in spite of myself. (And in spite of themselves, seeing as the male lead is a selfish ass most of the drama, and I spent most of the drama thinking the female lead was trying to convince him to love her when now I'm not so sure she was. (See critique about the editing.)) They also have fantastic chemistry together, which goes a long way in a drama like this. The male leads friends are fun (even if they're frequently a little Too goofy), and they were often much needed comic relief. They also consistently root for the female lead, which I haven't seen much of in dramas in the same style as Husband in Law. The female leads friends are equally wonderful, although not nearly as funny and not necessarily all that affective when it came to being of some actual benefit to the female lead. And the male leads family all love the female lead and consistently take her side. And of course, I'm already pre-disposed to enjoy the general premise/set-up of this drama.

Still, despite being able to get some enjoyment out of Husband in Law, I really wouldn't recommend it to anyone who isn't in one of the two categories I mentioned above. I was too far in to get out when I realized this drama was going to be too dramatic for me, but you don't have to make the same mistake. If you enjoy melo/makjang, this will be perfect for you. If you don't, watch something else instead.