"You've lost your elephant again!?!"
Tony Jaa had to rescue his elephant little brother once again in Tom Yum Goong 2. Just as in the original, the story was a thin construct, simply there to let Jaa shine. This time he stayed in Thailand when he faced the dastardly devils who stole his elephant.
Kham’s elephant is stolen (again!) by a bad guy who is working for a badder guy. When Kham arrives at his lair, the bad guy is dead and his two nieces skilled in martial arts think Kham did it. The cops have already been called to set him up so he has Sue Sue and Ping Ping (Jeeja Yanin) after him as well as the police force. Sgt. Mark, now working for Interpol, arrives on the scene. Kham ends up with what looks like the entire population of Bangkok chasing him on foot, motorcycle, and car! The Big Bad, LC, wants Kham to help him disrupt the peace process taking place in Bangkok for Kantana, a country divided. With his life and the life of his elephant on the line Kham has to find a way out or at least a way through the formidable fighters standing between him and his elephant.
The story, much like the first one, had plot holes galore. The acting was adequate. None of that was too important. Watching Tony Jaa and Jeeja Yanin fight was more than enough reason to hit play.
I’d read numerous complaints with people unhappy that Tony used wires and CGI in this film. While it was great he did amazing stunts without either in previous films, at 37, I didn’t understand what the big deal was. Jet Li, Donnie Yen, and Jackie Chan all used fighting enhancements, especially as they aged. It makes for more fantastical if not realistic fights. The wires and CGI didn’t bother me, what did was the almost indestructible nature of Kham, The Big Bad, and the #2 bad guy. In the original, Kham took people out in their vulnerable places and when people went down, they stayed down. Regardless of how they staged them there were several creative fights. The motorcycle battle and an electrically charged confrontation were quite creative. Jeeja Yanin took a backseat to Tony in the fights, but was still able to demonstrate what makes her an exciting fighter.
Tom Yum Goong 2 had a more polished look than the first film, but I missed the intense fight choreography. Unless the bad guys were zombies, I’m not sure how they kept getting up again and again. Apparently, Kham wasn’t hitting them very hard because even a hardened body is not indestructible. Kham also seemed made of impervious rubber. Having said that, I always enjoy watching Tony Jaa fight and this was no exception. Delephantly (couldn’t resist an elephant pun!) for Jaa and martial arts fans only.
3 March 2024
Kham’s elephant is stolen (again!) by a bad guy who is working for a badder guy. When Kham arrives at his lair, the bad guy is dead and his two nieces skilled in martial arts think Kham did it. The cops have already been called to set him up so he has Sue Sue and Ping Ping (Jeeja Yanin) after him as well as the police force. Sgt. Mark, now working for Interpol, arrives on the scene. Kham ends up with what looks like the entire population of Bangkok chasing him on foot, motorcycle, and car! The Big Bad, LC, wants Kham to help him disrupt the peace process taking place in Bangkok for Kantana, a country divided. With his life and the life of his elephant on the line Kham has to find a way out or at least a way through the formidable fighters standing between him and his elephant.
The story, much like the first one, had plot holes galore. The acting was adequate. None of that was too important. Watching Tony Jaa and Jeeja Yanin fight was more than enough reason to hit play.
I’d read numerous complaints with people unhappy that Tony used wires and CGI in this film. While it was great he did amazing stunts without either in previous films, at 37, I didn’t understand what the big deal was. Jet Li, Donnie Yen, and Jackie Chan all used fighting enhancements, especially as they aged. It makes for more fantastical if not realistic fights. The wires and CGI didn’t bother me, what did was the almost indestructible nature of Kham, The Big Bad, and the #2 bad guy. In the original, Kham took people out in their vulnerable places and when people went down, they stayed down. Regardless of how they staged them there were several creative fights. The motorcycle battle and an electrically charged confrontation were quite creative. Jeeja Yanin took a backseat to Tony in the fights, but was still able to demonstrate what makes her an exciting fighter.
Tom Yum Goong 2 had a more polished look than the first film, but I missed the intense fight choreography. Unless the bad guys were zombies, I’m not sure how they kept getting up again and again. Apparently, Kham wasn’t hitting them very hard because even a hardened body is not indestructible. Kham also seemed made of impervious rubber. Having said that, I always enjoy watching Tony Jaa fight and this was no exception. Delephantly (couldn’t resist an elephant pun!) for Jaa and martial arts fans only.
3 March 2024
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