Can clichés soar?
Kudos to the creators for putting an elderly man in the front seat of a major drama. We need more stories featuring older people. And it's great to make a story that breaks gender stereotypes, especially in such a patriarchal society. However, that's pretty much where the praise ends.
Unfortunately, the story is nothing but clichés and predictableness. It wouldn't have been so terrible if the challenges faced by each character were presented with more depth, but on top of the clichés, the script was so generic that it seemed like every character was saying the same thing over and over again. Every person was simply there to tell us to "do what we truly want to do". Our ballerinos, the former doctor, the failed politician, the ex-football player, the white collar worker, his counsellor wife, and their daughter seeking her first job, had the same challenges and the same script.
Of course, Park In Hwan as our grandpa ballerino is the obvious highlight. Despite the terrible script, he delivered each line with wisdom and quiet, thoughtful strength. His talent came out but he deserved so much better material to showcase what he has to offer. Song Kang as our young ballerino Chae Rok was directed to play his part with too much annoying angst at the beginning and then his transformation didn't even get to breathe. One day he just changes, and the transformation of the entire cast is presented in the same way. There is no real progression. Kim Kwon as the blonde haired punk did well too, despite the shoddy script and lack of dimension in his character. The scene where he is leaning over Chae Rok in the stairwell gave us a glimpse of his acting talents. Finally, the relationship between ballet instructors Seung Joo and So Ri was the only one that provided a tiny bit of interest, but only a few drops.
I started watching this one night when I was absolutely exhausted and wanted something that demanded nothing from me. However, the lack of depth and the absolutely terrible script made it hard to get through. In the end, the talent and time was wasted even though I did smile and tear up a few times. And watching the professional dancers was a treat.
Unfortunately, the story is nothing but clichés and predictableness. It wouldn't have been so terrible if the challenges faced by each character were presented with more depth, but on top of the clichés, the script was so generic that it seemed like every character was saying the same thing over and over again. Every person was simply there to tell us to "do what we truly want to do". Our ballerinos, the former doctor, the failed politician, the ex-football player, the white collar worker, his counsellor wife, and their daughter seeking her first job, had the same challenges and the same script.
Of course, Park In Hwan as our grandpa ballerino is the obvious highlight. Despite the terrible script, he delivered each line with wisdom and quiet, thoughtful strength. His talent came out but he deserved so much better material to showcase what he has to offer. Song Kang as our young ballerino Chae Rok was directed to play his part with too much annoying angst at the beginning and then his transformation didn't even get to breathe. One day he just changes, and the transformation of the entire cast is presented in the same way. There is no real progression. Kim Kwon as the blonde haired punk did well too, despite the shoddy script and lack of dimension in his character. The scene where he is leaning over Chae Rok in the stairwell gave us a glimpse of his acting talents. Finally, the relationship between ballet instructors Seung Joo and So Ri was the only one that provided a tiny bit of interest, but only a few drops.
I started watching this one night when I was absolutely exhausted and wanted something that demanded nothing from me. However, the lack of depth and the absolutely terrible script made it hard to get through. In the end, the talent and time was wasted even though I did smile and tear up a few times. And watching the professional dancers was a treat.
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